Adrian Edmondson is to star in an adaptation of William Leith's at once richly comic, darkly satirical and weepingly emotional bestseller Bits of Me are Falling Apart.
Continuing its role as the only Equity theatre company dedicated exclusively to developing new work by Native American artists, Native Voices at the Autry presents its sixth annual Short Play Festival: Take Back the Land. Held during the Autry Museum of the American West's American Indian Arts Marketplace on Sunday, November 13, 2016, the event features new short plays by Native American playwrights exploring environmental issues.
The Wilbury Theatre Group proudly announces the world premiere of ?10,000 Things, a new work by acclaimed playwright Erik Ehn, October 20-30 2016.
Something remarkable is always happening at Theatre Downtown and while some of their shows are not for everyone, all of their shows are done with creativity and an obvious love of theatre. Tickets are $18 for adults ($25 for musicals) and $12 for students ($20 for musicals.) For more information or to purchase tickets go to www.theatredowntown.org or call 205-565-8838.
Following the unexpected closure of Bridgeport's Bijou Theatre, John R. Smith Jnr. and Tanya Feduik-Smith, newly appointed co-producers of The Bijou Actors Guild, began working to find a space to stage part of The Guild's intended season.
Adrian Edmondson is to star in an adaptation of William Leith's at once richly comic, darkly satirical and weepingly emotional bestseller Bits of Me are Falling Apart.
The Wilbury Theatre Group proudly announces the world premiere of ?10,000 Things, a new work by acclaimed playwright Erik Ehn, October 20-30 2016.
Chicago -Pegasus Theatre Chicago announces the world premiere of Rutherford's Travels, the adaptation of Charles Johnson's beloved National Book Award-winning novel, "Middle Passage," November 2 - December 4 at Pegasus's resident home Chicago Dramatists, 773 N. Aberdeen. Rutherford's Travels is co-adapted and directed by Pegasus Theatre Producing Artistic Director Ilesa Duncan and co-adapted by David Barr, III, music directed and composed by Shawn Wallace and choreographed by Nicole Clarke-Springer.
Azuka Theatre invites audiences to pay-what-you-decide for the entire 2016-2017 theater season with an innovative new approach to ticketing. A city that celebrates so many historic "firsts" is the perfect place to launch the only full-season model of this kind in the United States.
Following last month's announcement of the incoming Jerome and Many Voices Fellows, the Playwrights' Center is pleased to introduce the 2016-17 McKnight National Residency and Commission recipient, two 2016-17 McKnight Fellows in Playwriting, six new Core Writers and three 2016-17 Core Apprentices. McKnight Theater Artist Fellows will be announced in June.
NextStop Theatre Company's summer season of one night only events will begin on June 25. It will include a series of cabarets, produced by NextStop Theatre and curated by recording artist Jim Van Slyke, as well as the Dark Nights Series of 18 performances by local artists chosen through a competitive application process earlier this spring.
The Playwrights' Center and Jerome Foundation are pleased to announce the 2016-17 Jerome Fellows, Many Voices Fellows and Many Voices Mentees. The Jerome Fellowship for emerging playwrights is the Jerome Foundation's longest-awarded program, entering its 40th year. The Many Voices Fellowship was created in 1994 in partnership with the Jerome Foundation and significantly expanded in 2013.
'Financial security for artists can be elusive. Artists must supplement their income, or work primarily at a job unrelated to their art to make ends meet,' says playwright Vera Starbard. 'The opportunity to work on my writing full time is a game changer for me, the gift of time to research, write, and produce is priceless.'
The only Equity theatre company dedicated exclusively to developing and producing new work by Native American artists, Native Voices presents the world premiere of Frank Henry Kaash Katasse's THEY DON'T TALK BACK in association with La Jolla Playhouse and Perseverance Theatre.
The only Equity theatre company dedicated exclusively to developing and producing new work by Native American artists, Native Voices presents the world premiere of Frank Henry Kaash Katasse's THEY DON'T TALK BACK in association with La Jolla Playhouse and Perseverance Theatre.
FRIGID New York @ Horse Trade will present a limited engagement of the NYC premiere of Recollection of Innocence written and directed by Guy Kapulnik, tonight, May 28-June 6 at UNDER St. Marks (94 St. Marks Place between 1st Avenue and Avenue A) with performances Thursday through Saturday at 8pm.
FRIGID New York @ Horse Trade will present a limited engagement of the NYC premiere of Recollection of Innocence written and directed by Guy Kapulnik, May 28-June 6 at UNDER St. Marks (94 St. Marks Place between 1st Avenue and Avenue A) with performances Thursday through Saturday at 8pm. The production will feature James H. Best, Guy Kapulnik, and Sandra Glinka with Producer Sivan Hadari and Show Image by Lorraine D. Glover. Tickets ($18) may be purchased in advance atwww.horseTRADE.info. The performance runs 60 minutes, with no intermission.
Continuing its role as the only Equity theatre company dedicated to developing new work by Native American artists, Native Voices at the Autry presents OFF THE RAILS by Randy Reinholz (Choctaw*), starring Shaun Taylor-Corbett. A bawdy and irreverent adaptation of Shakespeare's Measure for Measure set in Buffalo Bill's Wild West, the production is presented as part of Native Voices at the Autry's 2014-2015 season, themed 'Legacy and Loss: Stories From the Indian Boarding School.'
Mirage Theatre Company is making its La MaMa debut with 'Cedars,' a theatrical adaptation of Native American poetry and prose performed by Native American actors, directed by June Prager.
Mirage Theatre Company is making its La MaMa debut with 'Cedars,' a theatrical adaptation of Native American poetry and prose performed by Native American actors, directed by June Prager.
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