Milton Zoth News

Hill Country Community Theatre announced details for an upcoming season of productions, with performances set to take place at its Texas venue.

What did our critic think of NOW & THEN at The Wimberley Playhouse?

The latest standings as of Monday, December 19th, have been released for the 2022 BroadwayWorld Austin Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Austin Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Austin Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Austin Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The first live standings have been announced for the 2022 BroadwayWorld Austin Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

James Goldman's bitingly witty play A LION IN WINTER has been a favorite of mine most of my life. Written in 1966, this show has everything in my opinion; warring family, a larger than life king, a queen who is, arguably, the most famous woman in history, grasping, greedy princes, all wrapped up in a real life, high stakes game of thrones. The biggest plus is some of the best dialogue ever written for the stage, and roles that are on every actor's bucket list. As a devotee of medieval history, A LION IN WINTER, is quite simply my cup of tea. The legendary Plantagenet family known as the 'Devil's Brood' on stage at the same time? It doesn't get better. Unfortunately The Wimberley Players production is sadly lacking in the passion that runs through the veins of Goldman's work like life's blood.

THE SUNSHINE BOYS is a 1972 Tony Award nominated play by Neil Simon that ran for 538 performances on Broadway. It was turned into a feature film in 1975 and a TV movie in 1996. THE SUNSHINE BOYS is the story of two old vaudeville stars, Lewis & Clark, whose iconic act ended when Al Lewis walked away after 43 years of animosity and retired leaving Willie to try to make it as a solo act. When Willie didn't succeed, the duo never spoke again. When his nephew Ben, a talent agent, tries to resurrect the act for a TV special, the big question is whether they can put aside their differences long enough to make one final appearance.

The LABUTE NEW THEATER FESTIVAL is now onstage at 59E59 Theaters through February 7th. Six fascinating one-act plays are receiving their New York Premiere.

59E59 Theaters will welcome the St. Louis Actors' Studio?with the NYC premiere of their acclaimed LaBUTE NEW THEATER FESTIVAL, an evening of one-act plays featuring new plays by Neil LaBute, Lexi Wolfe, Peter Grandbois & Nancy Bell, G.D. Kimble, JJ Strong, and John Doble. Directed by Milton Zoth and John Pierson, the LaBUTE NEW THEATER FESTIVAL begins performances on Wednesday, January 13 for a limited engagement through Sunday, February 7.  Press opening is Sunday, January 17 at 7:30 PM.  The performance schedule is Tuesday - Thursday at 7:30 PM; Friday at 8:30 PM; Saturday at 2:30 PM & 8:30 PM; and Sunday at 3:30 PM & 7:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $30 ($21 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org. 

St. Louis should feel honored that the St. Louis Actors' Studio has established a new summer tradition with their LABUTE NEW THEATER FESTIVAL which began last week. It is an opportunity for all theater-goers to see fresh one act plays that are both thought-provoking and engaging. As a special treat playwright/screenwriter/director Neil LaBute also contributes a piece each year. This event is truly special and one that should not be missed.

Harold Pinter's THE HOMECOMING has been referred to as one of his early 'menacing' comedies. I suppose that that's an accurate enough description, but I would say that the actual humor is pitch black in nature. It's a twisted tale that Pinter writes, and it's funny in the most unsettling ways. Characters ask questions that are often ignored, leaving long uncomfortable silences that truly speak volumes. The St. Louis Actors' Studio has assembled a superb cast that understands this material has to be played straight to really pay off, and under Milton Zoth's expert direction they excel.