Mike Dowdy News

New Line Theatre, "the bad boy of musical theatre," presents the area premiere of YEAST NATION: THE TRIUMPH OF LIFE, the world's first bio-historical musical, a comic political thriller with book and lyrics by Greg Kotis, and music and lyrics by Mark Hollmann, the subversive geniuses behind the award-winning Broadway musical Urinetown, running May 31-June 23, 2018 at the Marcelle Theater in the Grand Center Arts District. 

New Line Theatre, "the bad boy of musical theatre," announces its 28th season of adult, alternative musical theatre, including the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its first ever production, running Sept. 27-Oct. 20, 2018; followed by the 'family values' classic musical LA CAGE AUX FOLLES, running Feb. 28-March 23, 2019; and to close the season, the St. Louis premiere of the new sci-fi rock musical BE MORE CHILL, based on the bestselling novel, running May 30-June 22, 2019. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

It's 1934 and we're going on a wild transatlantic cruise full of sex, booze, God, and gangsters. Welcome to the S.S. American, where anything can happen, and it usually does. 

New Line Theatre, "the bad boy of musical theatre," announces its 28th season of adult, alternative musical theatre, including the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its first ever production, running Sept. 27-Oct. 20, 2018; followed by the 'family values' classic musical LA CAGE AUX FOLLES, running Feb. 28-March 23, 2019; and to close the season, the St. Louis premiere of the new sci-fi rock musical BE MORE CHILL, based on the bestselling novel, running May 30-June 22, 2019. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

It's 1934 and we're going on a wild transatlantic cruise full of sex, booze, God, and gangsters. Welcome to the S.S. American, where anything can happen, and it usually does. 

New Line Theatre, the bad boy of musical theatre, continues its 27th season of adult, alternative musical theatre, with a public reading of the new/old musical THE ZOMBIES OF PENZANCE, 'Gilbert & Sullivan's original operatic abomination,' free and open to the public, on January 8 for one night only; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

LIZZIE is a unique musical experience, and I was absolutely blown away by it. The product of the team of Steven Cheslik-deMeyer, Alan Stevens Hewitt, and Tim Maner, who all contributed to the book, music, lyrics and orchestrations; it's a true rock opera. Watching and listening to this powerful show is like discovering a forgotten concept album from the past, and I'm amazed that no group from rock's rich history ever tackled the subject of Lizzie Borden before, although I could be wrong about that. But you have to realize that none of those predominately male-dominated groups of the late 60's, 70's and early 80's, who were churning out double or triple albums with a narrative thread, had four female vocalists who could take on the various roles that are present here, and not with such a degree of variety. Some selections remind me of blistering Iron Maiden type material, and some have that Runaways vibe, and some are definitely arena rock, but there are also songs that are chamber-pop in style; delicate and rich with harmony. New Line Theatre has put together a production that's like the coolest rock concert ever, and I cannot recommend it highly enough.

New Line Theatre, the bad boy of musical theatre, opens its 27th season of adult, alternative musical theatre, with the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017, at the Marcelle Theater in the Grand Center Arts District.

New Line Theatre, the bad boy of musical theatre, opens its 27th season of adult, alternative musical theatre, with the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017, at the Marcelle Theater in the Grand Center Arts District.

Originally conceived by artistic director Scott Miller over 20 years ago, OUT ON BROADWAY (THE THIRD COMING), is, as titled, the third incarnation of a revue designed to reinterpret songs from an array of classic and offbeat, but brilliant, musicals ( this time with a new song from Jason Robert Brown, 'Hope'). This production acts to show just how much these works still retain their emotion, even when the players in each are now gay. I can assure you that the meaning remains, and so does the depth of feeling. It's a collection of over 30 pieces that are arranged to weave together a kind of narrative. Some people might find some of the choices obscure, but that actually adds to the charm for me, because then I'm exposed to things that I'll want to seek out afterwards. I'm late with this review, so forgive me, but life intrudes sometimes. But, if you didn't catch it you really missed an exceptional theatrical cabaret of sorts, which was truly wonderful, and which I hope sparks a fourth coming!

New Line Theatre, "the bad boy of musical theatre," closes its 26th season of adult, alternative musical theatre with the world premiere of the third installment of New Line's own creation, the new revue OUT ON BROADWAY: THE THIRD COMING, running now through August 19, 2017, at the Marcelle Theater, the new blackbox theatre in Grand Center, St. Louis' arts district. Tickets are on sale now.

New Line Theatre, "the bad boy of musical theatre," has announced that for the first time in its history, New Line is selling season tickets, for its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. Tickets go on sale Aug. 1. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

New Line Theatre, "the bad boy of musical theatre," closes its 26th season of adult, alternative musical theatre with the world premiere of the third installment of New Line's own creation, the new revue OUT ON BROADWAY: THE THIRD COMING, running August 3-19, 2017, at the Marcelle Theater, the new blackbox theatre in Grand Center, St. Louis' arts district. Tickets are on sale now.

New Line Theatre, "the bad boy of musical theatre," closes its 26th season of adult, alternative musical theatre with the world premiere of the third installment of New Line's own creation, the new revue OUT ON BROADWAY: THE THIRD COMING, running August 3-19, 2017, at the Marcelle Theater, the new blackbox theatre in Grand Center, St. Louis' arts district. Tickets are on sale now.

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

There are so many things to love about New Line Theatre's latest production, SWEET SMELL OF SUCCESS, that this review is certain to be filled with superlatives. I've watched the 1957 film a number of times, and I like the way John Guare's book for the show uses the first act as a backstory before it touches on the events that actually take place in the movie during the second act. By attacking the story this way Guare adds depth and establishes the characters in ways that the film doesn't. The score is a cool and jazz-tinged effort by the late Marvin Hamlisch, with lyrics, by Craig Camelia, which give the numbers added bite. It's clear to me that the show requires the intimacy this production provides to fully succeed, and also explains its short run on Broadway. That's just one of the things that New Line does so consistently well. The movie is a dark, film noir masterpiece, and in adapting it as a musical for a large stage that claustrophobic atmosphere that is so necessary to the genre is lost. Here, the viewer becomes a fly on the wall, observing the machinations of the plot unfolding in the same way that the film utilizes closeups and shadows to pull us into its cynical world. Superior performances, a great band, and sharp direction make this show a must-see.

Welcome to Broadway, the glamour, power, and sleaze capital of the universe.

New Line continues its 26th season with the local premiere of the fiery 2002 jazz-rock musical THE SWEET SMELL OF SUCCESS, by legendary film and stage composer Marvin Hamlisch (his last theatre score), lyricist Craig Carnelia, and Tony-winning playwright John Guare, based on the famous short story and film. The show was nominated for seven Tonys, including Best Musical, Best Book, and Best Score, and eleven Drama Desk Awards. It's a Faustian moral nightmare, all set to a sizzling 'jazz noir' score from the composer of the stage musicals A Chorus Line, They're Playing Our Song, Smile, The Goodbye Girl, and the film scores for The Sting, The Way We Were, Sophie's Choice, and many others. 

There's something oddly life-affirming about the character of Zobra. He's a cheerleader for living life to its fullest. ZORBA the musical (lyrics by Fred Ebb, music by John Kander, and book by Joseph Stein) impresses an audience with the realization that time never stands still, and therefore, life goes on despite the nasty curves it may lob our way. New Line Theatre's production is a real revelation, because even though this show received its fair share of award nominations, it's really not revived that often. Perhaps it's the darker elements that pervade the show that turn some people off, but then life isn't always sunshine and roses, so I like that they are present. This kind of presentation is something that New Line does better than anyone else, and that's to revive a neglected or forgotten show for a new audience to appreciate, and their track record is impeccable in this regard. This show is a genuine must see, and taking it in I've come to realize that we all need our own personal 'Zorba' to prod us into taking risks and fully investing ourselves in whatever we do, even if things might go awry on occasion.