Michael Donovan News

Complete casting has been announced by La Mirada Theatre for the Performing Arts (Brian Kite, producing artistic director), Bruce Robert Harris and Jack W. Batman, and The Transfer Group (Suzan Fairchild, Artistic Producer), for the Los Angeles premiere of the all-new, reimagined, environmental and completely immersive theater production of the legendary musical CARRIE THE MUSICAL. Performances are set to begin at Southern California's La Mirada Theatre for the Performing Arts (14900 La Mirada Blvd.) on Thursday, March 12, 2015 for a limited engagement through Sunday, April 5, 2015. Opening night is set for Wednesday, March 18, 2015 at 8:30pm.

Serrano NY, LLC presents the World Premiere of SERRANO THE MUSICAL, book and lyrics by Madeline Sunshine, music by Robert Tepper, musical direction by Jeff Rizzo (Sunset Blvd. The Wizard of Oz), choreography by Peggy Hickey (A Gentlemen's Guide to Love and Murder) and directed by Tony nominee Joel Zwick (Dance With Me, 'My Big Fat Greek Wedding'). SERRANO THE MUSICAL opens tonight, January 16, and runs through Sunday, March 29 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood. BroadwayWorld brings you photos from the stage door, featuring the creative team, below!

Serrano NY, LLC presents the World Premiere of SERRANO THE MUSICAL, book and lyrics by Madeline Sunshine, music by Robert Tepper, musical direction by Jeff Rizzo (Sunset Blvd. The Wizard of Oz), choreography by Peggy Hickey (A Gentlemen's Guide to Love and Murder) and directed by Tony nominee Joel Zwick (Dance With Me, 'My Big Fat Greek Wedding'). SERRANO THE MUSICAL opens tonight, January 16, and runs through Sunday, March 29 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood. BroadwayWorld has a first look at the cast in action below!

Serrano NY, LLC is thrilled to present the World Premiere of SERRANO THE MUSICAL, book and lyrics by Madeline Sunshine, music by Robert Tepper, musical direction by Jeff Rizzo (Sunset Blvd. The Wizard of Oz), choreography by Peggy Hickey (A Gentlemen's Guide to Love and Murder) and directed by Tony nominee Joel Zwick (Dance With Me, 'My Big Fat Greek Wedding'). SERRANO THE MUSICAL will begin previews on Thursday, January 8, 2015 and will open tonight, January 16 at 8pm and run through Sunday, March 29 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood.

International City Theatre kicks off its 30th Anniversary Season with a tour de force musical drama about the final days of Judy Garland. End of the Rainbow by Peter Quilter opens Feb. 20, directed by John Henry Davis (ICT's Trying) and starring Gigi Bermingham (Ovation Award-winner for her performance as Maria Callas in ICT's Master Class) in the role of the legendary singer.

Serrano NY, LLC is thrilled to present the World Premiere of SERRANO THE MUSICAL, book and lyrics by Madeline Sunshine, music by Robert Tepper, musical direction by Jeff Rizzo (Sunset Blvd. The Wizard of Oz), choreography by Tony nominee Peggy Hickey (A Gentlemen's Guide to Love and Murder) and directed by Tony nominee Joel Zwick (Dance With Me, 'My Big Fat Greek Wedding').

Michael Sterling (Creator/Executive Producer) and Barbara Van Orden (Sponsor/Co-Executive Producer) proudly presented the critically acclaimed and highly anticipated LA's Next Great Stage Star competitions. The 2015 season began this weekend with its launch last Sunday, January 5th, in North Hollywood, CA. at Sterling's Upstairs at The Federal. Scroll down for photos!

Serrano NY, LLC is thrilled to present the World Premiere of SERRANO THE MUSICAL, book and lyrics by Madeline Sunshine, music by Robert Tepper, musical direction by Jeff Rizzo (Sunset Blvd. The Wizard of Oz), choreography by Tony nominee Peggy Hickey (A Gentlemen's Guide to Love and Murder) and directed by Tony nominee Joel Zwick (Dance With Me, 'My Big Fat Greek Wedding').

Sterling's Upstairs at The Federal, the most critically acclaimed, award-winning supper club of its kind in the greater Los Angeles area, has set Sunday, December 14, 2014 as auditions for its 9th consecutive year of LA's Next Great Stage Star, it was announced today by Executive Producer Michael Sterling of Michael Sterling Publicity and Production in Los Angeles, CA.

The Geffen Playhouse production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord, is extending for a third time, now through December 21, 2014. The production, in the Audrey Skirball Kenis Theater at the Geffen Playhouse, is written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time.

The Geffen Playhouse production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord, is extending again, now through December 7. The production, in the Audrey Skirball Kenis Theater at the Geffen Playhouse, is written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time.

DISCORD brings three great thinkers together in a room which appears to be a holding cell for heaven. They enter according to the time period in which they lived: first Thomas Jefferson, then Charles Dickens, and finally Count Leo Tolstoy. When each enters through the only door, it closes and locks, blocking the only way out. Thus begins their examination of why they have been brought together, what they could possibly have in common, and how can they possibly escape? It's a blistering battle of wits for the ages.

The Geffen Playhouse production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord, is now performing at the Audrey Skirball Kenis Theater at the Geffen Playhouse. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Due to popular demand, the production has extended now through November 23.

The Geffen Playhouse presents The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and is helmed by director, Matt August(Broadway How the Grinch Stole Christmas). Discord began previews on October 7 with the press opening last night, October 15. BroadwayWorld has photos from the opening night festivities below!

The Geffen Playhouse announces its production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Discord began previews on October 7 with the press opening tonight, October 15. The closing date is currently scheduled for November 16.

In 1940s New York, the performer who everyone wanted to see live was Florence Foster Jenkins, an enthusiastic soprano whose pitch was far from perfect. Based on a true story, Glorious! is Peter Quilter's hilarious, Olivier-nominated comedy that invites us into the world of this New York socialite of great passion, considerable wealth and zero talent who fancied herself an opera diva. Richard Israel directs a four-week run at International City Theatre, opening tonight, Oct. 10.

In 1940s New York, the performer who everyone wanted to see live was Florence Foster Jenkins, an enthusiastic soprano whose pitch was far from perfect. Based on a true story, Glorious! is Peter Quilter's hilarious, Olivier-nominated comedy that invites us into the world of this New York socialite of great passion, considerable wealth and zero talent who fancied herself an opera diva. Richard Israel directs a four-week run at International City Theatre, opening tonight, Oct. 10.

KISS ME, KATE starring multi Emmy-Award Winning Wayne Brady ("Let's Make a Deal," "Whose Line Is It Anyway?") as Fred/Petruchio, is in its final week, presented by The Pasadena Playhouse (Artistic Director Sheldon Epps and Executive Director Elizabeth Doran) and closes October 12. The production also stars Merle Dandridge (Broadway's Spamalot and Tarzan) as Lilli/Kate and is directed by Sheldon Epps.

The Geffen Playhouse announces its production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Discord begins previews tonight, October 7 with the press opening on October 15. The closing date is currently scheduled for November 16.

Portland Players takes an adventurous step in opening its season with a grand production of the beloved Boubil-Schonberg classic, LES MISERABLES. Assembling a large cast and mounting an impressive staging, this eighty-six year-old company delivers a performance of passion and heart, if not perfection. And yet the flaws which emerge - sometimes the result of direction or casting, but mostly by-products of the limitations of the theatre space - cannot dim the impact of the performance.