Director David McGinnis and his cast of nine actors bring Michael Cristofer's Pulitzer Prize-winning play The Shadow Box to life in a solid and straightforward production that kicks off ACT 1's 2012-13 season at Nashville's Darkhorse Theater.
This season, patrons will once again be treated to outstanding live theatre at Open Stage of Harrisburg's Angino Family Theatre directed by Founder and Executive Artistic Director Donald Alsedek. The season kicks off in October with Peter Morgan's FROST/NIXON, apropos for this election year. The season continues with a new holiday offering great for the whole family, Truman Capote's A CHRISTMAS MEMORY, a world premiere adapted for Open Stage by Harrisburg's own Jim Woland. Next is JOE TURNER'S COME AND GONE, the 1910's installment of August Wilson's Pittsburgh Cycle of plays that chronicles the black experience in America. Closing the season is Sarah Ruhl's sweet and sexy comedy, IN THE NEXT ROOM or the vibrator play, which is sure to tantalize the patrons of the intimate playhouse on the street leveled of the Walnut Street Garage.
David McGinnis makes his ACT 1 directorial debut with the upcoming production of Michael Cristofer's Pultizer Prize-winning play The Shadow Box, running October 12-27 at Nashville's Darkhorse Theater.
Sometimes once is just not enough, so, today, we have a super-special encore conversation with a recent InDepth InterView participant who shares even more candid tales from her impossibly colorful, genre-spanning career on Broadway and in Hollywood - star of properties as diverse as the Broadway musicals MR. PRESIDENT, KELLY and THEY'RE PLAYING OUR SONG, to movies like MOONSTRUCK and SHALL WE DANCE to her numerous TV appearances on everything from MATCH GAME to QUINCY to 30 ROCK - chameleon-like comedienne and actress Anita Gillette. Discussing some of the more ribald and hilarious stories from her idiosyncratic showbiz career - such as the riotous backstage goings-on out of town at the tryout of one of Broadway biggest bombs, KELLY - as well as spine-tingling "you had to be there"-type memories of the Golden Age - like Irving Berlin stopping by the Winter Garden every Wednesday just to see her Act One showstopper in ALL AMERICAN - Gillette paints a vivid picture of an era gone by, and, also, looks ahead to exciting future endeavors - especially the upcoming Ed Burns-directed feature film, THE FITZGERALD FAMILY CHRISTMAS, opening wide later this year. Of course, Gillette returns to the NYC stage the next two Mondays - September 24 and October 1 - with her new Birdland show, AFTER ALL, so in this all-encompassing conversation we also discuss the themes, style, songs and stories we can anticipate from that intimate solo piece, as well, and she generously shares her recollections of working with some of the men who penned many of the sensational songs she will be performing and figure in to some of the tales she will tell - Charles Strouse, Marvin Hamlisch, Jule Styne, Neil Simon, Woody Allen, Mel Brooks and the aforementioned Irving Berlin included. All of that and much, much more!
Today we are talking to a terrifically talented stage and screen performer who has appeared in dozens of film, TV and stage projects over the course of his forty-year career, the thoughtful and charming Treat Williams. In this all-encompassing conversation, Williams and I discuss the many stages of his career thus far, from his early roots co-starring alongside the likes of John Travolta and Marilu Henner in GREASE and OVER HERE! on Broadway in the 1970s, to leading the film adaptation of Terrence McNally's THE RITZ to headlining Milos Foreman's stirring film version of HAIR to starring in handful of other iconic films from his heydey at the top of the Hollywood heap - Steven Spielberg's 1941, Sergio Leone's ONCE UPON A TIME IN AMERICA and Sidney Lumet's PRINCE OF THE CITY included - and even working with Woody Allen on the caustic HOLLYWOOD ENDING. In addition to sharing candid and observant behind-the-scenes stories from the sets of those landmark properties, Williams also reveals his role in the STAR WARS sequel THE EMPIRE STRIKES BACK and reflects on his brief time in London with Carrie Fisher, George Lucas and company. Plus, Williams shares his recollections of working with many of his most memorable theatrical collaborators, with some especially intriguing anecdotes surrounding his time spent playing Buddy in the 2001 Roundabout revival of Stephen Sondheim & James Goldman's FOLLIES - with some tales involving the man behind the musical, as well as the ghost of David Belasco - and his insights into his work with David Mamet on OLEANNA, BOBBY GOULD IN HELL, TEXAN and others. As if all of that were not enough - most pertinent of all - Williams gives us the 411 on his season-long arc on USA's hit nighttime drama WHITE COLLAR and imparts his enthusiasm for working with similarly multi-talented many-format star Matt Bomer and the rest of cast and crew while also revealing some details on where his dastardly character is headed in tonight's episode and all the way into 2013 when the show picks up after the hiatus coming up. Also, Williams sheds some light on his spate of upcoming projects. All of that and much, much more!
Theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors to pay tribute to a group of eight remarkable people who have made indelible marks on the theater scene throughout their storied careers. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored the eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.
Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.
Today we are focusing a super-special spotlight on one of the Fall's most intriguing musical entries trying out in New York, the York Theatre Company's lab mounting of the new Paul Jabara jukebox musical LAST DANCE, by talking to the show's lead, recognizable TV and film star Rob Morrow, and the show's lead producer, noted comedic shepherd and filmmaker Robert D. Wachs, whom filled me in on all aspects of the show in a comprehensive chat late last week just prior to this week's start of rehearsals. In this all-encompassing conversation, Morrow, Wachs and I discuss the genesis of the new disco-themed musical celebrating the life and career of Jabara, the accomplished Emmy, Grammy and Academy Award-winning composer of Broadway shows (RACHAEL LILY ROSENBLOOM… AND DON'T YOU EVER FORGET IT), movie songs ("Last Dance" from THANK GOD IT'S FRIDAY; the titular "The Main Event") and numerous pop/rock/disco hits, such as "It's Raining Men" by The Weather Girls, Barbra Streisand and Donna Summer's epic disco duet "Enough Is Enough (No More Tears)" and his many solo hits, as well as the finer points of the story, concept, casting and the ultimate goals of the new Philip William McKinley-directed production, which features a book by Shaun McKenna. Additionally, Morrow and Wachs each generously share showbiz tales from their storied careers involving such big names as Eddie Murphy, Michael Bennett, Jonathan Larson, Tony Scott and many more and both copiously convey their infectious enthusiasm for the forthcoming fully-produced lab presentation of the new musical that will play for five performances beginning September 20 as they prepare for its first viewing before a paying audience. All of that and much, much more awaits!
This season, patrons will once again be treated to outstanding live theatre at Open Stage of Harrisburg's Angino Family Theatre directed by Founder and Executive Artistic Director Donald Alsedek. The season kicks off in October with Peter Morgan's FROST/NIXON, apropos for this election year. The season continues with a new holiday offering great for the whole family, Truman Capote's A CHRISTMAS MEMORY, a world premiere adapted for Open Stage by Harrisburg's own Jim Woland. Next is JOE TURNER'S COME AND GONE, the 1910's installment of August Wilson's Pittsburgh Cycle of plays that chronicles the black experience in America. Closing the season is Sarah Ruhl's sweet and sexy comedy, IN THE NEXT ROOM or the vibrator play, which is sure to tantalize the patrons of the intimate playhouse on the street leveled of the Walnut Street Garage.
Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut butter, banana, bacon and homemade whipped cream-the four basic food groups, according to The King.), so before we slip into a diabetic coma, here's installment #7 of Music City Confidential, all the news that's fit to print from onstage, offstage, backstage and beyond…
We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possible. So, good people of the theaterati, read on and get all the information you need to know in this, our latest installment of Music City Confidential. This is #6…
Welcome to the fifth installment of Music City Confidential, my column to collect the flotsam and jetsam, informationally speaking, of theatre in Tennessee. Sorry for the long delay since the last installment, but I've been theatering my butt off all over the Volunteer State in search of intriguing gossip and riveting news stories just for you, my gentle readers.
Today, our altogether welcoming (my mama raised me right) spotlight falls on Alex David, who's part of the ensemble and is the double for Julius Kelp/Buddy Love (played by star Michael Andrew), and who is obviously having the time of his life in Nashville. And keep this in mind: Alex may need your help when he's sent flying by a mechanical bull!
Today we are talking to a celebrated comedienne and actress known for her decades-spanning career on screens and stages large and small - from making her Broadway debut in the original Jerome Robbins production of GYPSY on Broadway in 1960 to her many musical roles throughout the 60s to her countless game show and variety show appearances following that all the way to creating an unforgettable character in MOONSTRUCK in the 1980s, as well as her subsequent oft-Neil Simon stage work; now, playing Tina Fey's sweet and daffy mom on NBC's 30 ROCK and, most recently, appearing in Nora & Celia Ephron's LOVE, LOSS AND WHAT I WORE and the Playwright's Horizons premiere production of THE BIG MEAL in the new millennium - the one of a kind Anita Gillette. Analyzing her nearly sixty-year career and sharing candid stories of her brushes with some of Broadway and Hollywood's brightest talents - Jule Styne to Ethel Merman to Irving Berlin to Burt Lancaster and beyond - Gillette paints a vivid portrait of the tail end of the Golden Age of Broadway and the heady game show days of TV in the 1960s and 70s to her lauded stage work with Neil Simon and many of the great comedy and musical writers in the years since. Additionally, Gillette and I discuss her current essaying of the role of Mae Peterson in the new Regal Music Theatre production of Charles Strouse and Lee Adams's BYE BYE BIRDIE in Massachusetts as she looks towards opening night tomorrow and relates her joy in participating in a production that has some behind-the-scenes help by her loving granddaughter (while another attends their summer camp). Plus, Gillette's observations on sharing a soundstage with Alec Baldwin, Tina Fey, Elaine Stritch and Buck Henry for a recent 30 ROCK shoot, reflections on her fondest and most celebrated comedy roles, hilarious memories of appearing in some short-running flops (JIMMY, SKYSKRAPER) as well as in some big hits (GYPSY), her upcoming series of master classes titled "Life In The Business", her return to Birdland with her concert show, AFTER ALL, her role in an upcoming Ed Burns film and maybe even a role in a new Alexander Payne film - all of that, all about attending the Diamond Jubilee celebration in the United Kingdom and much, much more!
Today's spotlight falls on the lovely and talented Memory Strong, the Nashville-based actress, singer and mother of four(!) who's always on the go, it seems. Tonight, she opens in Don Coyote, the original musical for kids that's written by Donna Driver and based upon the time-honored tale of Don Quixote. It plays for three shows at The Larry Keeton Theatre in Donelson and the multi-talented Memory plays the mom of the play's protagonist Scott (played by Charlie Webb). Directed by Ben Dassau, in his directorial debut, it also stars Steve Mogck as Scott's dad.
Today we are talking to a Tony Award-winning legend famous for his performances starring in the original Broadway productions of PIPPIN and JESUS CHRIST SUPERSTAR, as well as his celebrated turns in stage and screen projects as diverse as ALL THAT JAZZ, SWEET CHARITY, CHICAGO, FOSSE, WICKED, GRIND, ROOTS, I'M NOT RAPPAPORT, GOLDEN BOY, IDLEWILD, FUNNY LADY, HOW I MET YOUR MOTHER and many more - the simply incredible Ben Vereen. Discussing many of his most fondly remembered roles and recounting his experiences working with many legendary directors and collaborators - Bob Fosse, Hal Prince, Tom O'Horgan, Herbert Ross, Ann Reinking, Dan Sullivan, Sammy Davis, Jr., Barbra Streisand, Liza Minnelli and many more among them - Vereen paints a vivid picture of a bygone Broadway and reminisces about many of the most significant theatrical creators of the past fifty years and his roles in their stage and film projects. Additionally, Vereen fills us in on what we can expect from his upcoming solo spotlight show - a career retrospective - that will be kicking off at 54 Below on July 10 for a two-week engagement before an even larger, Broadway-bound mounting later this year at Princeton. Also, Vereen elaborates on the causes closest to his heart, shares thoughts on GLEE and SMASH, future plans and much, much more!
Two years ago, Ben decided he was tired of just being a part of the audience at The Larry Keeton Theatre and joined the children's summer theater camp. The first summer, he just enjoyed the classes, but in 2011, he got to be onstage as a cast member of Disney's Camp Rock.
Today we are talking to an iconic Tony Award-winning star who made her name as a teenager singing on TV variety shows - THE LAWRENCE WELK SHOW and SING ALONG WITH MITCH included - and then went on to a multimedia career in film and theatre, conquering Broadway with her Tony-winning turn in the Jule Styne/Arthur Laurents musical HALLELUJAH, BABY! in 1967 and returning to the stage in the subsequent decades in a host of Broadway productions, such as BLUES IN THE NIGHT, JERRY'S GIRLS, ANYTHING GOES, August Wilson's KING HEDLEY II and her celebrated Muzzy in THOROUGHLY MODERN MILLIE - a role she reprises in the new Muny production of the Tony Award-winning Best Musical beginning this week - the one and only Leslie Uggams. Taking a thorough look back at her career thus far, Uggams opens up about her many successes and how she has endured for fifty years in show business and shares recollections of many of her most noted co-stars and collaborators, all the way up to the recent 2012 Encores! PIPE DREAM. Additionally, Uggams comments on her film and TV appearances over the years, speaking about her work in INHERIT THE WIND, TWO WEEKS IN ANOTHER TOWN, ROOTS and beyond. Plus, she shares her candid opinions on GLEE, SMASH, Broadway then versus now, future plans for her Lena Horne solo show and thoughts on other roles she would enjoy pursuing - and much, much more!
Now, we're the last to try to stir up trouble or to further flame the fires of jealousy or envy, but we thought we'd share with you some photographs of some of those lovely ladies who could delight their audiences just by standing there-but whom inspire and encourage us all with their superb onstage talents. So, here's our recommendation, take a look at these photographs, then find out on which stages you can find these women this summer, then make a reservation and go to the theater…
What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…
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