TAPA Reveals 2026 Dora Mavor Moore Award Nominations
The Toronto Alliance for the Performing Arts (TAPA) today revealed all nominations for the 46th Annual Dora Mavor Moore Awards.
The Toronto Alliance for the Performing Arts (TAPA) today revealed all nominations for the 46th Annual Dora Mavor Moore Awards.
What did our critic think of BLOOD SUCKING LEECH at Noah Lift Opera Center?
Nashville Repertory Theatre will present the world premiere of BLOODSUCKINGLEECH, a dark comedy by Amy Tofte developed through the Ingram New Works Project, exploring caregiving, paranoia, and family tension at the Noah Liff Opera Center.
What did our critic think of SISTER ACT at TPAC'S James K Polk Theater?
What did our critic think of BOEING BOEING at Turner Theater?
Nashville Repertory Theatre will present the feel-good Broadway musical Sister Act, running at the Tennessee Performing Arts Center's Polk Theater, featuring original music by Tony Award and eight-time Academy Award winner Alan Menken,
I grew up with Robert Munsch stories.
What did our critic think of WHITE CHRISTMAS at Turner Theater?
Studio Tenn brings yet another delightful production to their stage in Mischief Theatre’s, The Play That Goes Wrong, a masterclass in comedic chaos, blending slapstick humor, impeccable timing, and rapid delivery of theatrical mayhem.
Paul Vasterling, the longtime CEO and artistic director of Nashville Ballet, makes his debut as a director of musical theater with his revival of Cabaret – which he also choreographs – in a much-heralded and eagerly anticipated production for Franklin-based Studio Tenn.
Should you feel the sudden urge to go home and bake some gingerbread upon leaving a performance of Nashville Children’s Theatre’s world premiere production of The Gingerbread Kid, rest assured it’s not a sign that you’ve developed cannibalistic tendencies.
While the debate rages on about the proper time to start celebrating the holidays, Nashville Children’s Theatre may have devised the ideal plan with their current onstage offering – the world premiere of the theater-for-younger-audiences version of the recent Broadway musical Charlie and The Cho
Baker’s superb direction brings all the various moving parts of this huge production together to deliver a gratifyingly heartfelt paean to the millions of working women (and men) who inspired the screenplay and musical book by Patricia Resnick.
It was in Fall 1995 that I first was introduced to the gospel singing Sanders Family of “up near Siler City, North Carolina,” in a production of Smoke on the Mountain at Nashville's venerable Chaffin's Barn Dinner Theatre.
Lauren Shouse’s directorial resume is quite the impressive one and over the years she’s helmed productions for Nashville Repertory Theatre that have been justifiably acclaimed both by audiences and critics alike.
Nothing engages the theaterati in Nashville and the surrounding provinces as the production of an eagerly anticipated new play no one’s done before in these parts, but about which we’ve read glowing reviews.
Wendy Kesselman’s new adaptation of The Diary of Anne Frank – which is based upon the acclaimed 1955 play by Frances Goodrich and Albert Hackett and is an update of her 1997 script which has been widely produced since – is given a superb world premiere production by Nashville Children’s Thea
There is no place more magical – no art form more transformative – than the theater and now, thanks to the continued creativity and sense of wonder shared by Ernie Nolan and David Weinstein (given an assist from a timeless tale by J.
Ragtime opened last night, featuring a cast of Nashville stage veterans and a sizable coterie of performers, heretofore unknown to local audiences, who are certain to become fast favorites.
Ragtime, the Tony Award-winning musical about life in these United States during the very early years of the 20th century, is a richly drawn and evocatively told rumination on the pursuit of the American dream seen from the perspective of a diverse, multi-ethnic cast of characters.