Megan Murphy

It was in Fall 1995 that I first was introduced to the gospel singing Sanders Family of “up near Siler City, North Carolina,” in a production of Smoke on the Mountain at Nashville's venerable Chaffin's Barn Dinner Theatre. In 2023, the family returns again, as if by magic or perhaps accompanied by flights of angels, in a warmly nostalgic, sweetly sentimental and altogether lovely production from Studio Tenn -- playing through April 2 -- at the historic sanctuary of the First United Methodist Church in downtown Franklin, which stands in quite nicely for the First Baptist Church of Mount Pleasant, North Carolina, on a Saturday night in 1938.

Lauren Shouse’s directorial resume is quite the impressive one and over the years she’s helmed productions for Nashville Repertory Theatre that have been justifiably acclaimed both by audiences and critics alike. But despite the notoriety that seems to always accompany a “Lauren Shouse-directed production,” perhaps none is more deserved than the accolades that follow in the wake of The Cake, the latest entry on her already stellar list of shows.

Nothing engages the theaterati in Nashville and the surrounding provinces as the production of an eagerly anticipated new play no one’s done before in these parts, but about which we’ve read glowing reviews. The very promise of something new to energize the cultural zeitgeist – particularly under the aegis of Nashville Story Garden (a creative collective whose work always generates major buzz); something new and unseen from across the pond which will provide a showcase for the remarkable talents of some of the region’s most respected actors – is virtually guaranteed to be a “must-see” for a theater-going public more accustomed to titles with which they are already quite often overly familiar.

Wendy Kesselman’s new adaptation of The Diary of Anne Frank – which is based upon the acclaimed 1955 play by Frances Goodrich and Albert Hackett and is an update of her 1997 script which has been widely produced since – is given a superb world premiere production by Nashville Children’s Theatre, which adds luster to the original work and makes it more accessible to contemporary audiences in director Ernie Nolan’s new iteration onstage through October 2.

There is no place more magical – no art form more transformative – than the theater and now, thanks to the continued creativity and sense of wonder shared by Ernie Nolan and David Weinstein (given an assist from a timeless tale by J.M. Barrie), audiences are treated to an exhilarating flight of fancy via the award-winning pair’s sprightly and sparkling new musical take on the story of Peter Pan: Wendy’s Adventure to Neverland.  

Ragtime opened last night, featuring a cast of Nashville stage veterans and a sizable coterie of performers, heretofore unknown to local audiences, who are certain to become fast favorites. Taking a brief respite from their hectic schedules of rehearsals, fittings, photo calls, more rehearsals and getting to know one another, four of those newcomers – Shelby Denise Smith, Wood Van Meter, Kortney Ballenger and Steven McCoy – took the time to answer our questions to tell you why you need to score those tickets for Ragtime now if you haven’t already.

Ragtime, the Tony Award-winning musical about life in these United States during the very early years of the 20th century, is a richly drawn and evocatively told rumination on the pursuit of the American dream seen from the perspective of a diverse, multi-ethnic cast of characters. Now onstage through Sunday at the Tennessee Performing Arts Center’s James K. Polk Theatre, in a glittering and sumptuous revival from Nashville Repertory Theatre, Ragtime proves an ambitious choice for the company’s return to live performance after more than 18 months of darkness due to the Covid-19 pandemic.

Opening Thursday night, November 11 and continuing for five performances through Sunday, November 14, Ragtime – the musical by Stephen Flaherty (music), Lynn Ahrens (lyrics) and Terrance McNally (book) which, in turn, is based upon E.L. Doctorow’s 1975 novel of the same name – promises to be a grand undertaking, which hopefully will blow away the cobwebs and the dust that’s collected in the past year-and-a-half during which the theater was dark and the company strived to remain relevant and productive amidst all the challenges that ensued.

Nashville Repertory Theatre  unveiled its 2021-22 season Tuesday night at Kimpton Aertson Hotel’s rooftop patio, featuring a plethora of Nashville theater’s brightest stars, who charmed and entertained everyone in their audience (each of whom were fairly adither with anticipation of what’s to come and the joy of watching live performance).

THE THEATER BUG PRESENTS STORIES_: An Original Instagram Musical Web Series portraying intimate narratives uniquely shared by children and teens through a complex 2020.

Today (August 27) in live streaming: The New Group presents The Jacksonian, Billy Stritch performs for Radio Free Birdland, and so much more!

We want to hear from you! We're starting #BwayWorldPrompts, where each day we'll be asking our readers on Facebook, Twitter, and Instagram questions to spark some theater conversation.

Since arriving in our midst in early 2017, Ernie Nolan justifiably has gained a reputation as an innovator, a creative genius (Hyperbole? The answer is a resounding a?oeno,a?? judging from his artistic achievements of the past two-plus years) and a master of challenging the status quo. As executive artistic director at Nashville Children's Theatre a?" one of the leading theater companies in America, dedicated to serving young audiences through challenging, elucidating offerings certain to appeal to their varied sensibilities a?" he's given us a plethora of productions that have been both unexpected and exhilarating, elevating the local theater scene immeasurably in the process.

Brilliant social commentary or sophomoric lowbrow humor? Just what is it that makes Urinetown the Musical such a hit with audiences and theater companies a?' is it the biting satire delivered in Greg Kotis' book and lyrics and in Mark Hollmann's music and lyrics, or is it (in the case of Nashville Repertory Theatre's 35th season opening production) director Jason Tucker's fast-paced and quick-witted vision that's nothing short of mesmerizingly entertaining? We'll leave that up to you to decide a?' well, actually, we won't since that's why I am paid the big bucks to tell you what to think a?' but rest assured that no matter the reason, odds are you're going to love Nashville Rep's iteration of Urinetown and you'll want to score tickets before the show evaporates into the creative ether encircling Tennessee Performing Arts Center's Andrew Johnson Theatre.

Roald Dahl's Matilda the Musical a?" with music and lyrics by Tim Minchin and book by Dennis Kelly a?" plays the historic Franklin Theatre through August 11, with a rollicking production helmed by Sondra Morton, featuring musical direction by Jamey Green and choreography by Everett Tarlton, who score yet another massive hit for the Franklin-based AT Pro (the professional theater arm of Act Too Players, the training program for younger actors that has proven time and again to be an important part of the Middle Tennessee theater community), featuring an all-star cast led by Thomas DeMarcus in the role of the manipulative former British hammer-throwing champion who has turned her attention to running a school for children, variously referred to as a?oenaughtya?? and a?oerevoltinga?? by their headmistress.

Now onstage through Mother's Day (Sunday, May 12) in a much anticipated and gleefully subversive production from Nashville Opera, The Cradle Will Rock remains hard to define: It could be described as a work of art whose meaning, its very raison d'etre, can be bent to suit any conceivable justification. Variously, Blitzstein described his 1937 work as a 'play in music' or an 'opera for actors' and its history clearly paints it as either or even as both.

It's another busy weekend in Nashville - but when is Music City not packed with events, festivals, affairs? - and we're back with our Critic's Choice recommendations to have you cut through the theatrical flotsam and jetsam and find a cultural opening that's a good fit for your harried lifestyle. Nashville Opera opens its staging of Marc Blitzstein's The Cradle Will Rock at Noah Liff Opera Center, Way Off Broadway Productions unveils its version of Les Liaisons Dangereuses at Music Valley Event Center, Street Theatre Company invites you to the see their staging of Lynn Nottage's Sweat at their new venue on Elm Hill Pike and Nashville Rep continues its celebration of 10 years of The Ingram New Works Festival at Nashville Children's Theatre.

NASHVILLE STORY GARDEN an incubator of original theatre, film and new media projects will be presenting SHE/HER/HERS: 5 One-Act World Premiere plays featuring female leads on THURSDAY, JANUARY 17th at THE CORDELLE (45 Lindsley Ave, Downtown). The evening will also be accompanied with performances by singer/actor MEGAN MURPHY CHAMBERS, making SHE/HER/HERS a special night celebrating the community and artistry of women in Music City.

It's the last week to vote for the 2018 BroadwayWorld Appleton, WI Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.

There's just two weeks left to vote for the 2018 BroadwayWorld Appleton, WI Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.