ASCAP, The American Society of Composers, Authors and Publishers, the world leader in performing rights and advocacy for music creators, announces its music lineup for the Sundance ASCAP Music Caf at the 2018 Sundance Film Festival in Park City, Utah. The 20th annual SundanceASCAP Music Caf - running during the daytime from January 19-26 - presents a vibrant roster of renowned and up-and-coming artists and songwriters, specially curated by ASCAP for the Sundance Film Festival. In addition, an invitation-only ASCAP Composer-Filmmaker Cocktail Party takes place on Tuesday, January 23, where filmmakers and music creators will meet to make the kinds of connections that happen only at the Sundance Film Festival.
The Joyce Theater Foundation, Inc. (Linda Shelton, Executive Director) is thrilled to present the return of the critically acclaimed Cuban contemporary dance troupe Malpaso Dance Company from January 17 21 on The Joyce Theater stage. Tickets, ranging in price from $10-$56, can be purchased at www.Joyce.org, or by calling JoyceCharge at 212-242-0800. Please note: ticket prices are subject to change. The Joyce Theater is located at 175 Eighth Avenue at West 19th Street. For more information, please visit www.Joyce.org.
The 2017/18 season of world-class dance, music and theater continues as the Wallis Annenberg Center for the Performing Arts (The Wallis) presents its third annual Winter @ The Wallis series. This year, Winter @ The Wallis programming grows to eighteen events to be performed in the Bram Goldsmith Theater and the intimate Lovelace Studio Theater, beginning on Saturday, January 6 with the classical music duo, violinist Sarah Chang and pianist Julio Elizalde. Other highlights include: The Wallis debut of the L.A.-based dance company Lula Washington Dance Theatre; a weekend celebrating the great jazz legend Arturo Sandoval along with other local jazz artists; the modern music collective wild Up under the baton of founder Christopher Rountree; the return of the innovative United Kingdom-based theater company Kneehigh with The Flying Lovers of Vitebsk; and the world premiere of Tom Dugan's Jackie Unveiled.
Orchestra of St. Luke's (OSL) 43rd season continues in 2018 with 43 performances in 10 venues throughout New York City. The winter spring calendar offers wide-ranging programs from intimate chamber music concerts devoted to Baroque, Classical, and Romantic repertoire to a world premiere at Carnegie Hall by one of today's most lauded composers. Additionally, the Orchestra will play music for a legendary dance institution's Lincoln Center season and collaborate with a renowned choral group on a program that juxtaposes an established work with a new, dramatic oratorio based on the Orpheus myth.
Works & Process at the Guggenheim is pleased to announce its Spring 2018 Season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers. Programs explore the creative process through stimulating artist discussions and riveting performance highlights. Each 70-minute program takes place in the Frank Lloyd Wright-designed Peter B. Lewis Theater. Additional information is available at worksandprocess.org.
Works & Process at the Guggenheim has announced its spring 2018 season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers.
On Tuesday, October 31, 2017, I attended the opening night of the Dresden Semperoper Ballett, under the artistic direction of Aaron Sean Watkin, at the Joyce Theater with great anticipation. I was excited to see contemporary ballet as it is presented in Europe. The flyer for this company describes its program, 'an elegant program that showcases classical ballet with a contemporary bend'. There was pointe work in David Dawson's two pieces and no shoes in the other two works. The dancers must have been chosen for their flexibility of spirit.
The Joyce Theater Foundation (Linda Shelton, Executive Director) is thrilled to welcome Dresden Semperoper Ballett to its Chelsea home for the German-based company's Joyce debut from October 31-November 4. Tickets, ranging in price from $10-$56, can be purchased at www.Joyce.org, by calling JoyceCharge at 212-242-0800, or by visiting The Joyce Theater box office. Please note: ticket prices are subject to change. The Joyce Theater is located at175 Eighth Avenue at 19th Street. For more information, please visit www.Joyce.org.
Andre de Ridder, one of the most influential and daring conductors working across genre boundaries in music today, guest curates Spitalfields Music Festival this December.
Known for its "cutting-edge contemporary work" (Jason Vondersmith, The Portland Tribune), NW Dance Project makes its Jacob's Pillow debut, June 28-July 2 in the Doris Duke Theatre. Based in Portland, Oregon and led by former Royal Winnipeg Ballet principal dancer Sarah Slipper, the company is composed of a cast of classically-trained, versatile contemporary dancers. The program includes works by a range of accomplished choreographers and rising talents: Post-Traumatic-Monster by Felix Landerer, choreographer in residence for Scapino Ballet in the Netherlands; At Some Hour You Return by former Nederlands Dans Theater dancer Ji?i Pokorný; Le Fil Rouge by 2011 Sadler's Wells Global Dance Contest winner and NW Dance Project resident choreographer Ihsan Rustem; and MemoryHouse by Artistic Director Sarah Slipper.
The American Dance Festival (ADF) will partner with northeast Ohio's premiere dance presenter, DANCECleveland, to premiere their summer dance festival in Cleveland. The eight-day festival will include performances by three world-class dance companies, a four-day educational workshop series for advanced level dancers taught by ADF faculty, and free community events, as well as dance related special activities throughout the Playhouse Square district.
Winter is sure to be warmer with The Fugard Bioscope's screenings of the best of world theatre and ballet from the National Theatre, the Royal Ballet and the Globe this June. Next month, ballet, Shakespeare and Shaw will be screened in the Fugard's state-of-the-art bioscope.
The Wallis Annenberg Center for the Performing Arts (The Wallis) announced today the 2017/18 season, which features 250 performances delivering groundbreaking produced and presented works in dance, music and theater from locally, nationally and internationally renowned artists and companies.
As an event organizer, I always feel like it's important that I organize the types of events that I see myself going to. If I can't personally see myself attending or spending money to see my own performances then how can I expect other people who don't know me to do the same. What that means for me as a classically-based musician is that I always try to redefine not only how I present the music to audiences but also how I determine what constitutes meaningful and significant repertoire worthy of performance. That's why at many of Driftwood's performances you'll hear music by video game and film composers such as Nobuo Uematsu or Joe Hisaishi alongside works by Mahler or William Grant Still. It's very important to me that we always treat the music with the same due level of care and interpretation whether we're playing an arrangement of Fake Love by Drake or Handel's Water Music. We take the same approach with our collaborations as well. We've played soundtracks to live films, performed with jazz rhythm sections, and performed music that's paired with poetry and spoken word.
Hailed as the 'it' boy of contemporary dance (Dallas Morning News), choreographer Brian Brooks brings his company of dancers to Northrop on Apr 22 at 8:00 pm presenting an inventive, high-octane mixed repertory, a special appearance by former New York City Ballet principal dancer Wendy Whelan, and a residency with the University of Minnesota Dance Program.
The Kitchen will present Clarice Jensen and Jonathan Turner: For this from that will be filled on May 17.This first-time collaboration between cellist Clarice Jensen and artist Jonathan Turner presents three world-premiere compositions and explores the variable differences between acoustic and electronic sound, and between simulation and the unconscious, through repetition and layering.
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