Matthew Kerrigan News

Shaking the Tree Theatre opens our first show at our new warehouse space at 823 SE Grant St.

Director/choreographer Jessica Wallenfels does a brilliant job of telling us what the story is, showing us where to look, and taking us into the minds of the characters with just a simple change of lighting.

Theater is about illusion and the suspension of disbelief. If the actors believe in what they're saying, the audience follows along.

Portland, OR - June 16, 2014. With William Shakespeare's farewell masterpiece, The Tempest, Portland Shakespeare Project will entertain summer audiences with some of the world's most glorious poetry in this production directed by Michael Mendelson. A staged reading of The Admirable Crichton by J.M. Barrie will serve as a delightful three-day theatrical complement, directed by Jon Kretzu. Both shows will be performed on the Alder Stage at Artists Repertory Theatre. Tickets are on sale through Artists Rep's Box Office. Performances of The Tempest are Wednesday through Saturday at 7:30pm and Sunday at 2pm. Performances of The Admirable Crichton are Tuesday, July 22 and 29 at 7:30pm and Sunday, August 3 at 7:30pm. Full schedule, tickets link and more information atwww.portlandshakes.org.

What would you do if you were told that you need to stop being how you are, looking how you look, and loving how you love? That your style of clothes, and the way you walk and talk are not good. Would you agree? You'll also be told what to do, how to dress and even how to love! Would you do that? It sounds unthinkable in our modern western society, where we have been told so often that being yourself is a good thing, right? Think again. Isn't that what we hear every time we turn the TV on or flip the pages of any magazine? 'You have to look like this!' 'You must do that!' We may not notice anything odd about this until we come across the smart, critical and satirical portrait of this reality framed in 'Learn to be Latina' by Enrique Urueta, playing at Milagro Theatre from today, May 1-31, 2014.

What would you do if you were told that you need to stop being how you are, looking how you look, and loving how you love? That your style of clothes, and the way you walk and talk are not good. Would you agree? You'll also be told what to do, how to dress and even how to love! Would you do that? It sounds unthinkable in our modern western society, where we have been told so often that being yourself is a good thing, right? Think again. Isn't that what we hear every time we turn the TV on or flip the pages of any magazine? 'You have to look like this!' 'You must do that!' We may not notice anything odd about this until we come across the smart, critical and satirical portrait of this reality framed in "Learn to be Latina" by Enrique Urueta, playing at Milagro Theatre from May 1-31, 2014.

With one of Shakespeare's most beloved, romantic comedies, Portland Shakespeare Project will delight summer audiences with a rich and comedic production of THE TAMING OF THE SHREW directed by Michael Mendelson. A fascinating theatrical complement of John Fletcher's THE TAMER TAMED (staged reading) will begin in rotating repertory on July 24. Both shows will be performed on the Alder Stage at Artists Repertory Theatre. Tickets are on sale through Artists Rep's Box Office. Performances are Wednesday through Friday at 7:30pm, Saturday at 2pm and 7:30pm, Sunday at 2pm. Full schedule and more information at www.portlandshakes.org. BroadwayWorld has a first look at the production below!

Portland Shakespeare Project presents an ambitious second summer of producing with The Season of Lear -- two shows, playing in rotating repertory. The Season of Lear includes an inventive adaptation of William Shakespeare's King Lear written by award-winning local playwright C.S. Whitcomb, and a startling new staging of Shakespeare's classic King Lear using only six actors and keeping the original text intact. BroadwayWorld has a first look at KING'S LEAR, opening July 18 on the Morrison Stage at Artists Repertory Theatre through August 5.

Literature's favorite quirky inquisitor is infused with the spirit of a crotchety Ebenezer Scrooge in an unusual holiday show crafted by Seattle veteran playwright John Longenbaugh.

Literature's favorite quirky inquisitor is infused with the spirit of a crotchety Ebenezer Scrooge in an unusual holiday show crafted by Seattle veteran playwright John Longenbaugh.

Literature's favorite quirky inquisitor is infused with the spirit of a crotchety Ebenezer Scrooge in an unusual holiday show crafted by Seattle veteran playwright John Longenbaugh.

"The Inquisition of Lazarillo: Raising the Question" is a conversation series that will accompany this year's production Lazarillo.

Sold to a blind beggar as a child and then passed from one master to another - each more cruel and incompetent than the previous - young Lazarillo must pilfer and deceive to survive, and is usually punished for his pains. But like his literary successors Pinocchio or Huck Finn, the endearing Lazarillo learns to fake miracles and mouse infestations, to expose hucksters and the absurdities of the establishment, all in an attempt to elevate his position in society. Based on the first picaresque novel once banned by the Inquisition, this modern interpretation set in the Bronx of the 1980s integrates hip-hop, circus and comedia dell'arte traditions to create a vibrant evening of physical theatre. Bilingual.

La vida de Lazarillo de Tormes y de sus fortunas y adversidades was a pioneering book in many ways, and not just because it was published in 1554, barely 100 years after the printing press was invented. At a time when heroes and leaders were always portrayed as wealthy, refined noblemen, Lazarillo was the first picaresque novel (picaresco) - one that revolved around a poor man, a charming rogue (pícaro) whose antics revealed the hypocrisies and flaws of Spain's most powerful people.

"The Inquisition of Lazarillo: Raising the Question" is a conversation series that will accompany this year's production Lazarillo.

La vida de Lazarillo de Tormes y de sus fortunas y adversidades was a pioneering book in many ways, and not just because it was published in 1554, barely 100 years after the printing press was invented. At a time when heroes and leaders were always portrayed as wealthy, refined noblemen, Lazarillo was the first picaresque novel (picaresco) - one that revolved around a poor man, a charming rogue (pícaro) whose antics revealed the hypocrisies and flaws of Spain's most powerful people.

The John F. Kennedy Center for the Performing Arts announced 38 national awardees at the 41st annual Kennedy Center American College Theater Festival (KCACTF), April 14-18, 2009. The students from universities and colleges from across the United States secured their places at the national festival and the opportunity to earn awards, scholarships, and fellowships through their success at regional festivals in January and February 2009.