Matt Marks News

Get the latest updates on the cast announcement for 'POTUS' at Arena Stage. Find out who will be performing in this highly-anticipated show. Don't miss your chance to see this exciting production.

Flutist, composer, and producer Allison Loggins-Hull has announced her 2022-2023 season featuring eight world premieres, a U.S. premiere, a New York premiere, and her first season of three with The Cleveland Orchestra as their eleventh Daniel R. Lewis Composer Fellow.

Alarm Will Sound has selected Damon Davis and the duo Joshua Edward and Zharia O'Neal as the most recent recipients of support from the Matt Marks Impact Fund (MMIF).

Alarm Will Sound returns to the 560 Music Center on February 1st with world premieres of music by Alyssa Pyper and Lucrecia Dalt. Pyper joins Alarm Will Sound as singer and violinist for the world premiere of her new work, Descansos. Descansos are roadside memorials that mark where a loved one has died. Pyper's work reflects on the composer's own life experience growing up as a gay woman in a Mormon family, and trying to mark and move on from those spots in life where loss and trauma have occurred. Pyper is one of the first recipients of support from Alarm Will Sound's Matt Marks Impact Fund, the goal of which is to support new work that may not otherwise receive funding because of systemic barriers to unconventional work or under-represented artists.

Alarm Will Sound, 'one of the most vital and original ensembles on the American music scene' (The New York Times), returns for its eighth St. Louis Season. The four concerts spread out from November to May include multiple world premieres and see the ensemble not only return to the stage of The Sheldon but also visit two spaces for the first time: The 560 Music Center at Washington University, and The Grandel. Details on the performances are available at alarmwillsound.com/events.

Alarm Will Sound, 'one of the most vital and original ensembles on the American music scene' (The New York Times), returns for its eighth St. Louis Season. The four concerts spread out from November to May include multiple world premieres and see the ensemble not only return to the stage of The Sheldon but also visit two spaces for the first time: The 560 Music Center at Washington University, and The Grandel. Details on the performances are available at alarmwillsound.com/events.

Utah Opera continues its 2018-19 season with Wolfgang Amadeus Mozart's The Magic Flute, a fairytale-like story with lessons of courage, respect, and truth. Utah Symphony Music Director Thierry Fischer together with Stage Director Paul Peers will lead five performances at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on March 9 and 15 at 7:30 PM, March 11 and 13 at 7 PM, and March 17 at 2 PM. Tickets, priced from $29-$108, and $15 student tickets, are available for purchase through www.utahopera.org or by calling 801-533-6683.

Utah Opera continues its 2018-19 season with Wolfgang Amadeus Mozart's The Magic Flute, a fairytale-like story with lessons of courage, respect, and truth. Utah Symphony Music Director Thierry Fischer together with Stage Director Paul Peers will lead five performances at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on March 9 and 15 at 7:30 PM, March 11 and 13 at 7 PM, and March 17 at 2 PM. Tickets, priced from $29-$108, and $15 student tickets, are available for purchase through www.utahopera.org or by calling 801-533-6683.

New York's PROTOTYPE OperaTheatreNow Festival returns for its seventh season from January 5 to the 13th and the one thing that you can't ask about it is “What's new?” That's not because there's nothing to answer. On the contrary--there's too much, in style, in content, in the sizes of its venues: This year's Festival is larger than ever, with a dozen works, 24 composerlibrettists and over 150 collaborators.

String Quartet New York, Fordham University's (Fordham) annual series featuring contemporary works by New York City composers, will take place Friday, November 16 at Fordham's Lowenstein Building. The concert is curated by Lawrence Kramer (Kramer), Distinguished Professor of English and Music at Fordham. Kramer has long provided artistic oversight to several compelling concert series that extend and challenge traditional classical forms, founding the Voices Up! vocal concert series at Fordham nearly 10 years ago.  

String Quartet New York, Fordham University's (Fordham) annual series featuring contemporary works by New York City composers, will take place Friday, November 16 at Fordham's Lowenstein Building. The concert is curated by Lawrence Kramer (Kramer), Distinguished Professor of English and Music at Fordham. Kramer has long provided artistic oversight to several compelling concert series that extend and challenge traditional classical forms, founding the Voices Up! vocal concert series at Fordham nearly 10 years ago.  

Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.

String Quartet New York, Fordham University's (Fordham) annual series featuring contemporary works by New York City composers, will take place Friday, November 16 at Fordham's Lowenstein Building. The concert is curated by Lawrence Kramer (Kramer), Distinguished Professor of English and Music at Fordham. Kramer has long provided artistic oversight to several compelling concert series that extend and challenge traditional classical forms, founding the Voices Up! vocal concert series at Fordham nearly 10 years ago.  

PROTOTYPE: Opera/Theatre/Now announces full programming for the seventh annual festival of fresh opera-theatre & music-theatre, running January 5-13, 2019 and featuring ten presentations that "shift the whole paradigm of what opera is and can be" (New York Observer).

Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.

Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.

Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.

Opera/Theatre/Now announces full programming for the seventh annual festival of fresh opera-theatre & music-theatre, running January 5-13, 2019 and featuring ten presentations that "shift the whole paradigm of what opera is and can be" (New York Observer).

Baruch Performing Arts Center announces their 2018/2019 season, featuring premieres by composers Huang Ruo, Gregory Spears, and the late Matt Marks, and choreographer Dusan Týnek. The season includes the 27th year of the Milt Hinton Jazz Perspectives series, a 5th Anniversary celebration of the CUNY Dance Initiative, and work in progress by veteran writer-performer Penny Arcade. For more information and tickets, visit http://www.baruch.cuny.edu/bpac/. All performances take place at 55 Lexington Ave. (enter 25th Street between Lexington & 3rd Aves.)

Baruch Performing Arts Center announces their 2018/2019 season, featuring premieres by composers Huang Ruo, Gregory Spears, and the late Matt Marks, and choreographer Dusan Týnek. The season includes the 27th year of the Milt Hinton Jazz Perspectives series, a 5th Anniversary celebration of the CUNY Dance Initiative, and work in progress by veteran writer-performer Penny Arcade. For more information and tickets, visit http://www.baruch.cuny.edu/bpac/. All performances take place at 55 Lexington Ave. (enter 25th Street between Lexington & 3rd Aves.)