The New York International Fringe Festival's production of Jane Elias's solo play, Do This One Thing for Me, directed by Tracy Bersley, opens on Sunday, October 14, and runs through October 27.
The New York International Fringe Festival's production of Jane Elias's solo play, Do This One Thing for Me, directed by Tracy Bersley, opened on October 14, and continues through October 27. Check out photos from the show below!
DO THIS ONE THING FOR ME, a one-woman show, is a playwright's tribute to her Holocaust-survivor father.
The New York International Fringe Festival's production of Jane Elias's solo play, Do This One Thing for Me, directed by Tracy Bersley, opens on Sunday, October 14, and runs through October 27.
The New York International Fringe Festival proudly presents Do This One Thing for Me, written and performed by Jane Elias, and directed by Tracy Bersley (Lincoln Center, Roundabout, Clubbed Thumb), running from October 14 - 27, 2018.
The New York International Fringe Festival proudly presents Do This One Thing for Me, written and performed by Jane Elias, and directed by Tracy Bersley (Lincoln Center, Roundabout, Clubbed Thumb), running from October 14 - 27, 2018.
The New York International Fringe Festival proudly presents Do This One Thing for Me, written and performed by Jane Elias, and directed by Tracy Bersley (Lincoln Center, Roundabout, Clubbed Thumb), running from October 14 - 27, 2018.
Ever dreamt of touring with your favorite band or, better yet, dating the lead singer? Writer-performer Felicity Seidel takes audiences on a no-holds-barred, hilarious, 60-minute road trip through her crazy, adventure-clad youth as the girlfriend of Bob Weir of Grateful Dead. This autobiographical solo show is sure to leave you entertained, reminiscing about your favorite rock star moments and bad teenage decisions, and enjoying one helluva ride! Directed by Padraic Lillis, Lucky Chick heads into previews at the Paradise Factory main stage on Thursday, April 19, and Friday, April 20, opens on Saturday, April 21, and runs through Saturday, May 12.
After three sold-out, award-winning runs in international Fringe Festivals (New York City, Edinburgh, and Chicago), a critically-acclaimed Off-Broadway run, and a featured performance at the The Last Frontier Theatre Conference in Valdez, Alaska, Valerie Hager's autobiographical solo play about her years stripping in the Alaskan frontier will open at Bootleg Theater today, October 28 at 7:30 p.m.
Few fears seem as intense as those experienced in childhood, and often those fears that linger through your entire life.
Few fears seem as intense as those experienced in childhood, and often those fears that linger through your entire life.
After three sold-out, award-winning runs in international Fringe Festivals (New York City, Edinburgh, and Chicago), a critically-acclaimed Off-Broadway run, and a featured performance at the The Last Frontier Theatre Conference in Valdez, Alaska, Valerie Hager's autobiographical solo play about her years stripping in the Alaskan frontier will open at Bootleg Theater on Saturday, October 28 at 7:30 p.m.
Listen Can You Hear Me Now?, the award-winning show portraying the complex life of a CODA (Child of Deaf Adults), written and performed by Gloria Rosen and directed by Suzanne Bachner, makes its encore performance at the United Solo Theatre Festival on New York's Theater Row on Saturday, October 14 at 4:00 PM.
Sufferers of anxiety disorders are set to get a dose of inspiration when Mia Raye Smith takes center stage in her solo show, I Am Hope in the Toronto Fringe Festival. Written by Mia Raye Smith, I Am Hope is an autobiographical play about a young girl's transition to one of New York's toughest neighborhoods.
Theaterlab presents the return engagement of the critically acclaimed solo show Such Nice Shoes, written and performed by Christine Renee Miller and directed by Andrea Dantas April 6 through 8, 2017.
Six D.C.-area playmakers have been selected to participate in the third installment of Playwrights' Arena, a year-long program that invites a small group of local theater makers to investigate their artistic process and develop their dramaturgical practice. The program is co-facilitated by Arena Stage Deputy Artistic Director Seema Sueko and Dramaturg Jocelyn Clarke, and participants convene once per month at Arena Stage at the Mead Center for American Theater.
Written and performed by Christine Renee Miller, Such Nice Shoes follows a private yoga teacher and hopeful actress-to-be on a typical day from hell. Filled to the brim with characters who are as vibrant as they are believable Such Nice Shoes starts off like any New York City day: with a commute.
Written and performed by Christine Renee Miler, Such Nice Shoes follows a private yoga teacher and hopeful actress-to-be on a typical day from hell. Filled to the brim with characters who are as vibrant as they are believable Such Nice Shoes starts off like any New York City day: with a commute.
Written and performed by Christine Renee Miler, Such Nice Shoes follows a private yoga teacher and hopeful actress-to-be on a typical day from hell. Filled to the brim with characters who are as vibrant as they are believable Such Nice Shoes starts off like any New York City day: with a commute.
When one describes a meal or a performance as 'interesting,' it's usually a euphemism for awful, or at least deeply flawed. But Rosemary Loar's STING*chronicity, the musical theater and cabaret performer's second show devoted to Sting's songbook, is genuinely interesting---and ballsy. Featuring 13 characters who share little beyond a profound love for Sting (and mutual attendance at the Police reunion tour at Madison Square Garden in 2007), the show presents Loar's highly stylized and unusual interpretations of songs both from the Police era and Sting's forays into jazz as a solo artist.
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