Marnie Schulenburg News

Giving audiences an unbridled and candid look behind the scenes of the Broadway curtain, NCM(R) Fathom Events, Overnight Musicals and The Broadway League present 'One Night Stand: Creating a Play in a Day,' a unique one-night event broadcast to movie theaters nationwide on Wednesday, Jan. 30 at 7:30 p.m. local time. This fast-paced, hilarious and entertaining film follows some of New York's top actors, including Cheyenne Jackson (30 Rock, Glee), Jesse Tyler Ferguson (Modern Family) and Rachel Dratch (Saturday Night Live), as well as teams of writers, composers and directors as they are given 24 hours to write, cast, compose, rehearse and perform four short musicals. At the end of the 24 hours, the musicals make their opening, and closing, night at New York City's Gramercy Theatre. The event will also present exclusive behind-the-scenes footage and interviews with the stars of 'One Night Stand' as they share intimate stories of life on Broadway.

Duncan Pflaster's darkly comedic play in verse The Tragedy of Dandelion will be presented by On the Square Productions' Write Angle Reading series at University Settlement tonight, December 17th at 7:30pm in Speyer Hall where On the Square Production is an Artist-In-Residence for their 2012-2013 season. The play will be directed by Michael Swartz.

Duncan Pflaster's darkly comedic play in verse The Tragedy of Dandelion will be presented by On the Square Productions' Write Angle Reading series at University Settlement on December 17th at 7:30pm in Speyer Hall where On the Square Production is an Artist-In-Residence for their 2012-2013 season. The play will be directed by Michael Swartz.

Second Stage Theatre's production of Paula Vogel's Pulitzer Prize-winning play, How I Learned to Drive, directed by Kate Whoriskey, has extended one week though March 18th at Second Stage Theatre (305 West 43rd Street). For tickets or more information, please visit www.2ST.com.

Whether you've been living under a rock for the past week, or you're just in the mood for a recap of everything theatre, BroadwayWorld's feature, 'This Week in Pictures' is here to satisfy your end of the week fix. Take a look below to catch up on the latest happenings from the Great White Way to the West End (and everywhere in between) with coverage of press events, rehearsals, opening nights and more! For last week's biggest events: visit THIS WEEK IN PICTURES: February 4-10.

Given its pedigree as a Pulitzer winner that swept every playwriting award an Off-Broadway entry could win during its premiere run in 1997, you would think that Paula Vogel's How I Learned To Drive would follow the lead of other Off-Broadway successes like Driving Miss Daisy, Steel Magnolias and, most recently, Wit, and return to New York in a Broadway production.

The original Broadway cast album of Stephen Sondheim and George Furth's Merrily We Roll Along is one of those handful of recordings - like Mack and Mabel and Candide - that a musical theatre lover can listen to hundreds of times without hearing a clue as to why the show flopped.  The quick answer, and usually the most unfair one, is 'the book.'  More often, though, the more complete answer is ambition.

Second Stage Theatre's opened Paula Vogel's Pulitzer Prize-winning play, HOW I LEARNED TO DRIVE, directed by Kate Whoriskey and starring Norbert Leo Butz and Elizabeth Reaser, last night, February 13. BroadwayWorld was inside the after party to celebrate. Click below to hear from the cast and company!

Second Stage Theatre's opened Paula Vogel's Pulitzer Prize-winning play, HOW I LEARNED TO DRIVE, directed by Kate Whoriskey and starring Norbert Leo Butz and Elizabeth Reaser, last night, February 13.

Second Stage Theatre's opened Paula Vogel's Pulitzer Prize-winning play, HOW I LEARNED TO DRIVE, directed by Kate Whoriskey and starring Norbert Leo Butz and Elizabeth Reaser, last night, February 13. BroadwayWorld was on hand for the event and brings you photo coverage of the theater arrivals below!

Second Stage Theatre's opened Paula Vogel's Pulitzer Prize-winning play, HOW I LEARNED TO DRIVE, directed by Kate Whoriskey and starring Norbert Leo Butz and Elizabeth Reaser, last night, February 13. BroadwayWorld was on hand for the event and brings you photo coverage of the after party below!

Kevin Cahoon (The Wedding Singer, The Foreigner), Jennifer Regan (Born Yesterday) and Marnie Schulenburg (24-hour Musical) join two-time Tony Award winner Norbert Leo Butz (Catch Me If You Can) and Emmy and Independent Spirit Award nominee Elizabeth Reaser (Twilight, Grey's Anatomy) in Second Stage Theatre's upcoming production of Paula Vogel's Pulitzer Prize-winning play, HOW I LEARNED TO DRIVE.

Steven Bost is the featured playwright for On the Square Productions second reading in their Developmental Series for their 2011-2012 season.

Steven Bost is the featured playwright for On the Square Productions second reading in their Developmental Series for their 2011-2012 season.

On the Square Productions, an award winning not for profit theatre company, announces their season on August 29th, 2011. On the Square has worked with has worked with such talents as Cyrilla Baer (The Adding Machine, Uncle Vanya at CSC), Lauren Molina (Sweeney Todd, Rockof Ages, Candide-Helen Hayes Award, Ten Cents a Dance-Williamstown), Wesley Taylor (Rock of Ages, The Addams Family, Tales From the City- ACT), Marnie Schulenburg (As The World Turns, South Pacific- Pennsylvania Shakespeare Festival). Highlights for the upcoming season include readings by playwrights Delaney Britt Brewer (Youngblood Playwrights) and Jacqueline Goldfinger (current semi-finalist F.Otto Haas award for Emerging Philadelphia Theatre Artist, nominee 2010 L. Arnold Weissberger Award). Other highlights include The Festival of Dionysia:Ten Minute Play Festival, and a site specific production of The Minervae by Steven Bost for the Queens community. On the Square Productions is currently nominated for a New York Innovative Theatre Award for Best Short Script for their 2010 production at The Flea Theater of Monroe, Illinois: Over Here/Townie by Aaron Wigdor Levy (Public Theatre Emerging Writers Group).

The hilarious documentary 'One Night Stand' gives an unbridled and candid look behind the Broadway curtain, as some of New York's top theatre, film and television actors, writers and directors are given 24 hours to write, cast, rehearse and perform four short musicals.

The hilarious documentary 'One Night Stand' gives an unbridled and candid look behind the Broadway curtain, as some of New York's top theatre, film and television actors, writers and directors are given 24 hours to write, cast, rehearse and perform four short musicals. Likened to 'A Chorus Line' meets 'Project Runway', 'One Night Stand' captures the excitement, anxiety, camaraderie, and sheer panic that leads to the final thrill of the finished performance. From the blank page to the live stage: 'One Night Stand' unveils the magic as talented artists take the dare to create something from nothing. BroadwayWorld was there for the premiere, and brings you full coverage below!

The hilarious documentary 'One Night Stand' gives an unbridled and candid look behind the Broadway curtain, as some of New York's top theatre, film and television actors, writers and directors are given 24 hours to write, cast, rehearse and perform four short musicals.

The hilarious documentary 'One Night Stand' gives an unbridled and candid look behind the Broadway curtain, as some of New York's top theatre, film and television actors, writers and directors are given 24 hours to write, cast, rehearse and perform four short musicals.