Red Bull Theater (Jesse Berger, Artistic Director) today announced the complete cast for their next Revelation Reading on Monday December 5th (7:30pm) at the Lucille Lortel Theatre (121 Christopher Street): John Webster's THE WHITE DEVIL, directed by Louisa Proske, featuring Tina Benko, Justin Blanchard, Kathleen Chalfant, Clifton Duncan, Danaya Esperanza, Allen Gilmore, Sheria Irving, Mark Nelson, Edward O'Blenis, Jeffrey Omura, Matthew Rauch, Rocco Sisto, and more. Remaining tickets are available at www.redbulltheater.com or by phone at (212) 352-3101.
The spirit of the late, great singer John Denver will be clearly evident at SCERA Center for the Arts in Orem today, Oct. 22 when Chris Collins and Boulder Canyon pay tribute to Denver using their own talent, warmth and humor.
The spirit of the late, great singer John Denver will be clearly evident at SCERA Center for the Arts in Orem on Saturday, Oct. 22 when Chris Collins and Boulder Canyon pay tribute to Denver using their own talent, warmth and humor.
CABARET's Tony Award-winning 1998 Broadway revival co-directed by Sam Mendes and Rob Marshall, still stands, arguably, as the show's definitive stage iteration. That same vibrant Roundabout Theatre Company production rightly serves as the basis for the newer 2014 revival that is now in the midst of a brand new North American national tour---currently performing at Orange County's Segerstrom Center for the Arts in Costa Mesa through August 21. Whether you're a fan of that amazing '98 revival or, better still, the iconic 1972 film adaptation, this brazenly confident new CABARET---a rousing combo-platter of the best elements of the show through its entire history---will surely entertain and, yes, even move you.
Perhaps Kander and Ebb's best musical, apart from Chicago, Cabaret has it all: a fine book, deliciously diverse characters, dynamite music and a subtext that will not quit. The subtext being: either compromise or get out if you value your life, the latter, to be sure, the wiser. This is Berlin, circa 1929/30, before Hitler, just as Nazi pressure hits the fan. Now a national tour based on Roundabout Theatre's 2014 revival docks at Segestrom for a mere 2 weeks with a glorious cast headed by Randy Harrison in a big, broad and devilishly fun performance as the Emcee.
Perhaps Kander and Ebb's best musical, apart from Chicago, Cabaret has it all: a fine book, deliciously diverse characters, dynamite music and a subtext that will not quit. The subtext being: either compromise or get out if you value your life, the latter, to be sure, the wiser. This is Berlin, circa 1929/30, before Hitler, just as Nazi pressure hits the fan. Now a national tour based on Roundabout Theatre's 2013 revival docks at the Pantages for a mere 3 weeks with a glorious cast headed by Randy Harrison in a big, broad and devilishly fun performance as the Emcee.
San Francisco's Orpheum Theatre plays host to the provocative and still darkly daring, Cabaret now through July 17. Set in 1931 Berlin, on the cusp of all that was to come with the rise of the Nazis, the Kander and Ebb musical revolves around the Kit Kat Club and its cast of characters who are determined to ignore the outside world. 'We have no troubles here! Here, life is beautiful,' shouts the garishly made-up emcee. He and the club's performers do their best to convince us that indeed, 'life is a cabaret' and, for a moment in time, it seems to be true. Yet they set aside the warning signs at their own peril. Coming directly from Broadway and originally directed by Sam Mendes and Rob Marshall, SHNSF's Cabaret is a spectacular sleight of hand, giving us sinfully sexy performances even as the real depravity lies in wait like spider outside the doors of the Kit Kat Club.
San Francisco's Orpheum Theatre plays host to the provocative and still darkly daring, Cabaret now through July 17. Set in 1931 Berlin, on the cusp of all that was to come with the rise of the Nazis, the Kander and Ebb musical revolves around the Kit Kat Club and its cast of characters who are determined to ignore the outside world. 'We have no troubles here! Here, life is beautiful,' shouts the garishly made-up emcee. He and the club's performers do their best to convince us that indeed, 'life is a cabaret' and, for a moment in time, it seems to be true. Yet they set aside the warning signs at their own peril. Coming directly from Broadway and originally directed by Sam Mendes and Rob Marshall, SHNSF's Cabaret is a spectacular sleight of hand, giving us sinfully sexy performances even as the real depravity lies in wait like spider outside the doors of the Kit Kat Club.
"Chris Collins & Boulder Canyon: A Tribute to John Denver" will bring the iconic songs of the legendary singer-songwriter to the Suncoast Showroom July 9 and 10.
This Sally (Andrea Goss) is definitely British, definitely a waif and of limited talent, and has her eyes wide open to the hell her generation of revelers is headed toward in a handcart. Her biggest number, Cabaret, is delivered as nearly a de profundis, a wail of a trauma victim.
Based on John Van Druten's play I Am a Camera which was adapted from Christopher Isherwood's short story Goodbye to Berlin, Cabaret is based in the nightlife at the seedy Kit Kat Klub as the Nazis were rising to power in Berlin back in 1931. The action is overseen by a Master of Ceremonies with the club serving as a metaphor for some of the ominous political developments in late Weimar Germany. The story revolves around 19-year-old English cabaret performer Sally Bowles and her relationship with the young American writer Clifford Bradshaw. A sub-plot involves a doomed romance between German boarding house owner Fraulein Schneider and her suitor Herr Schultz.
CABARET, the musical masterpiece comes direct from Broadway to the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, tonight, April 12, through April 17, 2016. BroadwayWorld has a sneak peek at the cast in action below!
Based on Christopher Isherwood's novella Goodbye to Berlin (1939) and the subsequent 1951 play by John Van Druten entitled I Am a Camera, CABARET is a musical by John Kander and Fred Ebb with a book by Joe Masteroff that opened on Broadway in 1966. The production was a hit that was subsequently made into the 1972 film by Bob Fosse. In 1993, Sam Mendes re-imagined the material for a new production in London's West End. Mendes' conception was very different from any previous revival. This production was the basis for Roundabout Theatre Company's 1998 and subsequent 2014 revivals, the latter of which is the version currently on tour and being presented at Bass Concert Hall by Lexus Broadway In Austin.
The tour Broadway Across America has brought into Houston is outstanding in how it handles expectations and shatters them in new and original ways. This is a great production of a thought-provoking show, and it brings the Roundabout Theatre Company experience out of New York City.
CABARET, the musical masterpiece comes direct from Broadway to the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, April 12 - 17, 2016. As part of their 50th Anniversary Season, Roundabout Theatre Company is proud to announce casting for the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET. Currently celebrating its 10th Anniversary Season, the Arsht Center, along with Broadway Across America and presenting sponsor Bank of America, are proud to close the 2015-2016 Broadway in Miami season with the hit musical. BroadwayWorld has a sneak peek at the cast in action below!
Life is beautiful inside the cabaret. As part of The Chicago Tribune's ongoing Theater Loop Showcase video series, Andrea Goss, the leading lady of Roundabout's CABARET national tour, performs the title track from the show. Check it out below!
A galaxy of comedy stars are coming together for a special show to help motor neurone disease patient and campaigner Gordon Aikman raise funds for vital MND research.
The touring production of Roundabout Theatre Company's CABARET dazzles just as much as it did on Broadway--where it was a critical and commercial success both from 1998-2004 and more recently, when it was remounted from March 2014-March 2015. Now Chicago audiences have the opportunity to witness original director Sam Mendes and co-director/choreographer Rob Marshall's stunning, beautifully constructed musical revival--undoubtedly one of the best I've ever seen. Robert Brill's Broadway set design is replicated almost exactly here, setting the stage with a powerful mix of glitz and decrepitness. The split-level stage showcases a large, lopsided frame with bright shining bulbs--though some are conspicuousness missing. Like John Kander and Fred Ebb's musical itself (with book by Joe Masteroff), this tour staging captures the vivacious and entertaining atmosphere of 1930s Berlin while also allowing us to clearly see the cracks beneath the surface. William Ivey Long's masterful costumes also strike this balance. And, of course, so do the performances. When the Kit Kat Klub ladies (portrayed here by Alison Ewing, Margaret Dudasik, Hillary Ekwall, Aisling Halpin, and Dani Spieler) walk onstage during CABARET's famous opening number 'Willkommen,' they execute their choreography with precision--but the looks of disdain and apathy on their faces indicate they'd rather be elsewhere. And yet, these captivating performances keep audiences engaged.
