M. Wood News

After developmental productions that drew high praise from prominent theatre critics, and left audiences alternately speechless and effusive, engaged and enraged, the Huntington Theatre Company presents the world premiere of Eleanor Burgess's explosive new play, The Niceties, running August 31 to October 6 at the South End/Calderwood Pavilion at the Boston Center for the Arts. The Huntington is pleased to produce the play in association with two other leading theatre companies. The production will move Off Broadway to Manhattan Theatre Club immediately following the Boston run, and then continue on to Princeton, NJ for performances at McCarter Theatre Center.  

Sitting with a group of contracted, professional artists whose ages ranged from only seventeen to early twenties, seemed surreal as the show they aspired to perfect. Each question was target for their sharp tongues and good humor, giving one of the most riotous interviews in Miami's theatre scene.

Known nationally and internationally for its professional cultivation of vibrant new plays, the Contemporary American Theater Festival (CATF) at Shepherd University welcomes the 2018 company to Shepherdstown, West Virginia. Each July, artists from around the country, including cities such as New York, Chicago, and Los Angeles, gather in historic Shepherdstown to create the future of American theater.

Merrimack Repertory Theatre presents the world premiere of LOST LAUGHS: THE SLAPSTICK TRAGEDY OF FATTY ARBUCKLE, bringing to life the story of one of the great comics of silent films. A century ago, he was Hollywood's first million-dollar man, but fell from grace when charged with murder. Despite his eventual acquittal, Arbuckle was never able to reclaim his place at the pinnacle of the entertainment world. LOST LAUGHS features memorable performances by co-writer Aaron Muñoz and Kristen Mengelkoch, under the direction of Nathan Keepers.

Merrimack Repertory Theatre (MRT) is proud to present the world premiere of Lost Laughs: The Slapstick Tragedy of Fatty Arbuckle, written by Andy Bayiates and Aaron Muñoz, directed by Nathan Keepers, with performances February 14 - March 11, 2018, at the Nancy L. Donahue Theatre located at 50 East Merrimack Street in historic downtown Lowell. In addition, MRT is hosting a panel discussion on the historical context of Lost Laughs titled "Women's Rights, Prohibition, and the Fall of Fatty," on Thursday, March 1, immediately after the 7:30 pm show (details below).

Today the Lyric Hammersmith announces their 2018 Season comprising a new adaptation, an innovative Shakespeare staging, a major festival production, a stunning revival, an award-winning contemporary opera and a brand new dance production

The Contemporary American Theater Festival (CATF) at Shepherd University announces their 130-member company for the 2017 season.

The Contemporary American Theater Festival (CATF) at Shepherd University announces their 130-member company for the 2017 season.

Mosaic Theater Company of DC presents the culmination of its expansive and hugely successful second season with the 2017 Voices From a Changing Middle East Festival. This year's festival is of particular resonance in this 50th year since the Six Day War and the start of The Occupation, and focuses on two taut dramas about the lives, circumstances, and humanity of Palestinians in Israel and Gaza.

Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. The repertory launches with Athol Fugard's seminal masterpiece, BLOOD KNOT (March 29-April 30, 2017)-an intimate parable about a brotherhood devastated by the constraints of Apartheid-under the direction of Studio Theatre Founding Artistic Director Joy Zinoman, making her Mosaic Theater Company debut.

Mosaic Theater Company of DC's 'Clamorous Encounters' series about coming-of-age in America continues with Philip Dawkins' groundbreaking comedy-drama CHARM (January 5-29, 2017), under the direction of one of DC's most innovative directors, Natsu Onoda Power (The T Party, Wind Me Up Maria: A Go-Go Musical).

Mosaic Theater Company of DC's 'Clamorous Encounters' series about coming-of-age in America continues with Philip Dawkins' groundbreaking comedy-drama CHARM (January 5-29, 2017), under the direction of one of DC's most innovative directors, Natsu Onoda Power (The T Party, Wind Me Up Maria: A Go-Go Musical).

Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.

Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.

Suspense and hilarity ensues with Actors Theater of Louisville's 2016-17 season opener!

Cherry Lane Theatre has announced casting for the third and final production of the company's award-winning MENTOR PROJECT 2016:  Antoinette Nwandu's PASS OVER, being presented at Cherry Lane (38 Commerce St.) from April 13-23, it has been announced by Seri Lawrence and Janio Marrero, MENTOR PROJECT's Producing Artistic Directors.  Angelina Fiordellisi is Cherry Lane's Founding Artistic Director.

The Lyric Hammersmith today announces its Spring 2016 Season. They will present the first professional production of Simon Stephen's HERONS since the play premiered at the Royal Court in 2001, directed by the Lyric's Artistic Director Sean Holmes. This is followed by the return of their co- production with Filter Theatre of A MIDSUMMER NIGHT'S DREAM last staged in 2012. Whilst the Royal Opera will present, two contemporary operas, PLEASURE by Mark Simpson featuring well-known British soprano Lesley Garrett and the world premiere of Sarah Kane's 4:48 PSYCHOSIS by Philip Venables, both presented in association with the Lyric.

Florida Studio Theatre is proud to announce that the FST Schools Endowment Fund has reached its $1 million goal.

The Lyric Hammersmith today announces its Spring 2016 Season. They will present the first professional production of Simon Stephen's HERONS since the play premiered at the Royal Court in 2001, directed by the Lyric's Artistic Director Sean Holmes. This is followed by the return of their co- production with Filter Theatre of A MIDSUMMER NIGHT'S DREAM last staged in 2012. Whilst the Royal Opera will present, two contemporary operas, PLEASURE by Mark Simpson featuring well-known British soprano Lesley Garrett and the world premiere of Sarah Kane's 4:48 PSYCHOSIS by Philip Venables, both presented in association with the Lyric.