Stages Repertory Theatre presents the regional premiere of Houston native Philip Boehm's play Alma en venta (Soul on Sale), running January 24 February 11, 2018. Boehm, who wrote and directed the production, is the Artistic Director of Upstream Theatre in St. Louis, MO, and previously collaborated with Stages to bring the US Premiere of De Kus (The Kiss) to Houston in 2016. Alma en venta, a story about the commodification of Latino art and culture, is presented in conjunction with Stages' first annual Latina/o theater festival, Sin Muros, a free event featuring the world premiere of Josh Innocencio's Purple Eyes, play readings from notable writers Bernardo Cubr a, Tanya Saracho and Mando Alvarado, workshops, poetry readings, and more, taking place February 1-4.
Houston's Queensbury Theatre and Kirkwood Music Services, along with a dedicated team of local theatre practitioners and artists, present Houston Artists for Harvey Relief, a benefit featuring presentations by local performance organizations and groups on September 21, 2017 at 7:30 PM at Queensbury Theatre in CityCentre, hosted by Ernie Manouse and St John Flynn.
Houston's Queensbury Theatre and Kirkwood Music Services, along with a dedicated team of local theatre practitioners and artists, present 'Houston Artists for Harvey Relief,' a benefit featuring presentations by local performance organizations and groups on September 21, 2017 at 7:30 PM at Queensbury Theatre in CityCentre, hosted by Ernie Manouse and St John Flynn.
Houston's Queensbury Theatre and Kirkwood Music Services, along with a dedicated team of local theatre practitioners and artists, present 'Houston Artists for Harvey Relief,' a benefit featuring presentations by local performance organizations and groups on September 21, 2017 at 7:30 PM at Queensbury Theatre in CityCentre, hosted by Ernie Manouse and St John Flynn.
The Gravity Players present an encore performance of THE LAST DAYS OF JUDAS ISCARIOT, where the courtroom is in purgatory, the special witnesses include Mother Teresa and the Devil, and the defendant is Judas Iscariot.
On Friday night The Gravity Players opened a courtroom comedy and exploration of faith, THE LAST DAYS OF JUDAS ISCARIOT, to a lively audience. Set in the Court of Purgatory, a place of redemption and a 'waiting list' between Heaven and Hell, the audience was to witness trials regarding sinners' placement in Purgatory, as many desired to appeal their judgment to move on to Heaven. Judge Littlefield, played by Paul Menzel, demands Bailiff (Philip Hays) to call the cases, 'God and the Kingdom of Heaven and Earth versus Thorseen the Implacable', 'God and the Kingdom of Heaven and Earth versus Benedict Arnold', and finally 'God and the Kingdom of Heaven and Earth versus Judas Iscariot'.
What has become of Jesus' most notorious follower? In this dark comedy, time and space bend in a provocatively poignant quest to decide Judas' fate. Set in a courtroom in Purgatory, an uproarious cast of characters from Heaven and Hell swarm the stage to determine whether he has any grounds for redemption.
Gravity Players Theatre Group presents The Last Days of Judas Iscariot (in an Equity MPC Showcase) by Stephen Adly Guirgis, running August 10 through September 3, 2017.
Snow White is tired of being "just a horsewife" to Bill, Dan, Edward, Hubert, Henry, Clem and Kevin, who, in her estimation, "only add up to the equivalent of about two real men." While the seven men toil in commercial real estate and manufacture exotic high-end baby foods, she whiles away her days reading Mao Tse-tung, drinking vodka with orange juice, and impatiently waiting for the prince promised to her by history.
4th Wall Theatre Company launches its inaugural play reading festival, 4th Wall Reads: Women's Voices. Running March 2nd - March 12th at STUDIO 101, the festival showcases five exceptional female playwrights, including Pulitzer Prize finalist and renowned playwright Theresa Rebeck who is headlining the event.
4th Wall Theatre Company launches its inaugural play reading festival, 4th Wall Reads: Women's Voices. Running March 2nd - March 12th at STUDIO 101, the festival showcases five exceptional female playwrights, including Pulitzer Prize finalist and renowned playwright Theresa Rebeck who is headlining the event. The five plays, which are new to Houston audiences and range from insightful comedies to hard-hitting dramas, will be read twice over the 10-day festival with each reading to be followed by moderated talk-backs. All general admission tickets are Pay What You Can, with a limited number of reserved seats available for advance purchase.
4th Wall Theatre Company launches its inaugural play reading festival, 4th Wall Reads: Women's Voices. Running March 2nd - March 12th at STUDIO 101, the festival showcases five exceptional female playwrights, including Pulitzer Prize finalist and renowned playwright Theresa Rebeck who is headlining the event.
There's no doubt that Obsidian Theater's THE MOTHERF*#CKER WITH THE HAT wins the award for most attention-grabbing title of the season, but does James Belcher's production live up to the promise of that title? Is it as honest and unapologetically in-your-face as that title would have you believe? Why yes, it is.
There has never been a funnier tragedy than The Mofo with the Hat. Some may call this a dark comedy, but the humor here is so wonderfully and naturally integrated that the laughs come freely. At its core, this play is, surprisingly, a love story. It revolves around people thrown apart by lies and abuse issues, who just happen to have the most furiously colorful use of language. It's as heart-wrenching as it is side-splitting.
It's charmingly adolescent, and full of cock and pecker jokes which feature prominently in this lark of a piece. Who knew Greek comedy could be so broad and bawdy?
Walking up to this warehouse building in the downtown area I was excited. Was I in the East Village seeing a production at La MaMa, or I was in the Bayou City seeing The Stark Naked Theatre Company's production of A MIDSUMMER NIGHT'S DREAM? From the rugged factory exterior of the venue to the perfectly designed industrial theatre space I was in artistic heaven.
