Get a first look at the cast of American Conservatory Theater's upcoming production of Men on Boats, Jaclyn Backhaus's subversive retelling of 19th-century American explorers, performing at A.C.T.'s Strand Theater October 17-December 16, 2018.
American Conservatory Theater announces casting for Men on Boats-Jaclyn Backhaus's hilarious, historical, and moving adventure-playing at A.C.T.'sStrand Theater (1127 Market St., San Francisco) October 17-December 16, 2018.
Magic Theatre (Loretta Greco, Artistic Director and Jaimie Mayer, Managing Director) announced today the complete cast of Jessica Hagedorn's World Premiere THE GANGSTER OF LOVE, the final production of the 2017-2018 season. Previews begin on Wednesday, April 11, 2018 at Magic Theatre's Fort Mason location, with a press opening on Wednesday, April 18, 2018 at 8:00 p.m. Tickets are on-sale now.
Inspired by tales of his Coast Miwok and Southern Pomo ancestors, author and Tribal Chair of the Federated Indians of Graton Rancheria, Greg Sarris tells 16 interconnected stories in his recently released book, How a Mountain Was Made, published by HeyDey Press.
Madame Ho, by Eugenie Chan, Eugenie Chan Theater Projects' (ECTP) first full production, premieres at the Exit Theater, 156 Eddy St in San Francisco's Mid-Market arts district October 5-21, 2017, then goes to Chinatown's Donaldina Cameron House, 920 Sacramento St for three free community performances October 28-29, 2017.
Madame Ho, by Eugenie Chan, Eugenie Chan Theater Projects' (ECTP) first full production, premieres at the Exit Theater, 156 Eddy St in San Francisco's Mid-Market arts district October 5-21, 2017, then goes to Chinatown's Donaldina Cameron House, 920 Sacramento St for three free community performances October 28-29, 2017.
California Shakespeare Theater begins its 43rd Season with Shakespeare's genderbending comedy, As You Like It. In director Desdemona Chiang's all new production, adaptable and resilient Rosalind must leave everything she knows behind to find her true family.
Director Desdemona Chiang makes her Cal Shakes debut, infusing Shakespeare's romantic comedy with the vibrant, complicated, and shifting energy of the Bay Area. Berkeley, CA, April 26 - California Shakespeare Theater begins its 43rd Season with Shakespeare's gender-bending comedy, As You Like It. In director Desdemona Chiang's all new production, adaptable and resilient Rosalind must leave everything she knows behind to find her true family.
Education. It's like the weather: everyone has an opinion but nobody does anything about it. That's how Lavinia Jones feels about her son Thomas' new school, Eleanor Roosevelt High. Decades of funding cuts have resulted in old textbooks, crumbling classrooms, and underpaid teachers, making Roosevelt exactly the sort of public school that has failed students time and time again. Isn't it time for something... efficient? And efficient is exactly what Fredersen Babbit, from Learning Academy for Virtual Achievement (LAVA Corp.), promises to bring to the district. New Technology, remote learning, computer-generated teachers -LAVA promises to put the 'virtual' in achievement! But with kids learning from home, do we need all these empty schools? And with privatization on the line, a Wall Street heavy hitter on one side and a feisty octogenarian teacher Ethel Orocuru on the other, suddenly the next School Board election is more about a hidden agenda than the open curriculum. Are schools the last chance for democracy, or is education the next frontier for profit? Can we trust a politician's public/private plan to replace an out-of-date system, or is there something even more sinister than privatization going on behind the doors of LAVA? And wait - when did the hall monitors start wearing brown shirts and arm bands? When it comes to the real plan for the future of education - and of our democracy - are we all about to get... Schooled?
Education. It's like the weather: everyone has an opinion but nobody does anything about it. That's how Lavinia Jones feels about her son Thomas' new school, Eleanor Roosevelt High. Decades of funding cuts have resulted in old textbooks, crumbling classrooms, and underpaid teachers, making Roosevelt exactly the sort of public school that has failed students time and time again. Isn't it time for something... efficient? And efficient is exactly what Fredersen Babbit, from Learning Academy for Virtual Achievement (LAVA Corp.), promises to bring to the district. New Technology, remote learning, computer-generated teachers -LAVA promises to put the 'virtual' in achievement! But with kids learning from home, do we need all these empty schools? And with privatization on the line, a Wall Street heavy hitter on one side and a feisty octogenarian teacher Ethel Orocuru on the other, suddenly the next School Board election is more about a hidden agenda than the open curriculum. Are schools the last chance for democracy, or is education the next frontier for profit? Can we trust a politician's public/private plan to replace an out-of-date system, or is there something even more sinister than privatization going on behind the doors of LAVA? And wait - when did the hall monitors start wearing brown shirts and arm bands? When it comes to the real plan for the future of education - and of our democracy - are we all about to get... Schooled?
Word for Word closes the 2015 Season with Word for Word's HOLIDAY HIGH JINX -- Bums, Broads and Broadway: Stories by Damon Runyon, Joseph Mitchell, and E.B. White, opening tonight Saturday Nov. 28, 8pm (Press opening) and run through December 24, 2015 at Z Below in San Francisco's Mission/SOMA district.
Word for Word closes the 2015 Season with Word for Word's HOLIDAY HIGH JINX -- Bums, Broads and Broadway: Stories by Damon Runyon, Joseph Mitchell, and E.B. White, to open on Saturday Nov. 28, 8pm (Press opening) and run through December 24, 2015 at Z Below in San Francisco's Mission/SOMA district.
Skyrocketing rents. Loss of diversity. Evictions, Google Glass wearing nouveau riche, The War on the Poor. What is The City coming to? The Tony Award-winning San Francisco Mime Troupe (SFMT) opens its 55th season with RIPPLE EFFECT, a musical comedic tale of intersecting lives and cultures that reflect the familiar neighborhood tensions that are polarizing San Franciscans today.
Skyrocketing rents. Loss of diversity. Evictions, Google Glass wearing nouveau riche, The War on the Poor. What is The City coming to? The Tony Award-winning San Francisco Mime Troupe (SFMT) opens its 55th season with RIPPLE EFFECT, a musical comedic tale of intersecting lives and cultures that reflect the familiar neighborhood tensions that are polarizing San Franciscans today.
The Tony Award-winning San Francisco Mime Troupe (SFMT) opens its 54th season with OIL & WATER - Two New One Act Musical Productions. After a successful grassroots fundraising effort, SFMT fans rallied to underwrite the SFMT's 54th season. This summer SFMT is doing something different. Within a larger musical/comedic frame, OIL & WATER is actually two shorter plays - CRUDE INTENTIONS and DEAL WITH THE DEVIL - each stylistically unique but topically linked and musically interwoven. True to the SFMT's theatrical grassroots of exaggerated genre and oversized characters, the plays challenge the dangerous energy practices of both corporations and the rest of us. In addition SFMT is committed to creating a smaller carbon footprint with this 2013 production.
The Tony Award-winning San Francisco Mime Troupe (SFMT) opens its 54th season with OIL & WATER - Two New One Act Musical Productions. After a successful grassroots fundraising effort, SFMT fans rallied to underwrite the SFMT's 54th season. This summer SFMT is doing something different. Within a larger musical/comedic frame, OIL & WATER is actually two shorter plays - CRUDE INTENTIONS and DEAL WITH THE DEVIL - each stylistically unique but topically linked and musically interwoven. True to the SFMT's theatrical grassroots of exaggerated genre and oversized characters, the plays challenge the dangerous energy practices of both corporations and the rest of us. In addition SFMT is committed to creating a smaller carbon footprint with this 2013 production.
The Tony Award-winning San Francisco Mime Troupe (SFMT) opens its 54th season with OIL & WATER - Two New One Act Musical Productions. After a successful grassroots fundraising effort, SFMT fans rallied to underwrite the SFMT's 54th season. This summer SFMT is doing something different. Within a larger musical/comedic frame, OIL & WATER is actually two shorter plays - CRUDE INTENTIONS and DEAL WITH THE DEVIL - each stylistically unique but topically linked and musically interwoven. True to the SFMT's theatrical grassroots of exaggerated genre and oversized characters, the plays challenge the dangerous energy practices of both corporations and the rest of us. In addition SFMT is committed to creating a smaller carbon footprint with this 2013 production.