Sundance Institute today announced the eight new projects selected for its pilot Theatre Lab in the MENA region, held in Morocco, May 2016. The Lab is part of the Institute's international cultural exchange programs for independent artists, which include a new, multi-year commitment to support artists from the Middle East and North Africa (MENA), broadening the work of its East African Theatre Exchange over the past 15 years. For the Lab, the Institute will provide promising, fresh voices from the U.S. and MENA region with a rigorous artistic retreat and new opportunities for cross-cultural discovery, artistic reflection and creative experimentation.
Updated this week! Check out upcoming Equity Auditions from Sunday, March 6, 2016 for both productions in your area and around the country including what/when/where and how to audition!
Lincoln Center Theater welcomes McKinley Belcher III, Khris Davis, Montego Glover, John Lavelle, and Clarke Peters to the stage in its production of The Royale, a new play by Marco Ramirez, directed by Rachel Chavkin, currently in previews at the Mitzi E. Newhouse Theater (150 West 65 Street). Opening night is Monday, March 7, and BroadwayWorld has a first look at the cast onstage below!
Vineyard Theatre, in association with La Jolla Playhouse and Yale Repertory Theatre, will present the New York premiere of INDECENT, a new play with music, written by Paula Vogel, created by Paula Vogel and Rebecca Taichman, and directed by Rebecca Taichman, at The Vineyard (108 East 15th Street) with previews beginning April 27 and opening night set for May 17. INDECENT features music composed by Lisa Gutkin (KLEZMATICS) and Aaron Halva (RED NOSES) and choreography by David Dorfman (GREEN VIOLIN).
Artists/educators/activists Willa J. Taylor and Bobby Biedrzycki of Goodman Theatre's Education and Engagement team have been invited to present an interactive workshop at South by Southwest Education (SXSWedu) an internationally renowned convergence of creative artists and educators, in Austin, Texas, next week.
Playhouse Creatures Theatre Company will host a post-show discussion centered on the later work of Tennessee Williams following the March 5, 3pm performance of Tennessee Williams 1982. The participants include Tony-winning playwright John Guare, scholar and writer David Savran, scholar and current Tennessee Williams' editor Thomas Keith, and professor and writer Annette J. Saddik.
Women's Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the complete lineup for the inaugural Pipeline Festival, showcasing the work of the celebrated WP Lab residency for playwrights, directors and producers from March 24 - April 23 at the McGinn/ Cazale Theater at Broadway & 76th Street.
FEINSTEIN'S/54 Below, Broadway's Supper Club, presents "THE WHOLE MEGILLAH" on March 24, 2016 at 9:30pm. From Adam Spiegel and Dan Wolpow, the writers of Cloned! (NYMF 2014 Best of Fest Audience Prize and New York Times Critic's Pick), The Whole Megillah! is a raucous, raunchy and ribald take on the Book of Esther, which tells the ridiculous story of the Jewish holiday of Purim.
First Draughts is a developmental reading series produced by Amios, a theater collective whose mission is to build community through art. First Draughts is dedicated to expanding first produced at Shotz (Amios' monthly short-play series) into full-length plays over the course of a six-month development process.
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
Rattlestick Playwright's Theater and Women's Project Theater welcome Tony Award nominee Marin Ireland (Reasons to be Pretty) to star in the New York premiere of IRONBOUND by Martyna Majok (Petty Harbor).
The second installment of the new David Rubenstein Atrium series The History of the World in 100 Performances With Adam Gopnik, on Tuesday, March 8 at 7:30 PM, spotlights Judy Garland's triumphant 1961 concert at Carnegie Hall. Through commentary and performance, New Yorker writer Adam Gopnik, WNYC host Jonathan Schwartz, and actress, singer Melissa Errico delve into what is widely considered one of the greatest nights in show business history. The event will be live-streamed, free-of-charge, and available for 24-hours at lincolncenter.org/lc-live.
The American Academy of Arts and Letters announces that librettist/lyricist Michael Korie will receive the Marc Blitzstein Award for Musical Theater of $10,000. Established in 1965 by friends of the late Academician Marc Blitzstein in his memory, the award is given to a composer, lyricist, or librettist to encourage the creation of works of merit for musical theater and opera. The jurors were John Harbison (chairman), J. D. McClatchy, Shulamit Ran, Augusta Read Thomas, and Yehudi Wyner.
Soho Rep., in association with John Adrian Selzer, presents the U.S. premiere of Revolt. She Said. Revolt Again. by award-winning British playwright Alice Birch. Originally commissioned by the Royal Shakespeare Company, the American premiere is directed by Lileana Blain-Cruz, 30, with both rigor and a playful spirit, and features Daniel Abeles, Molly Bernard, Eboni Booth and Jennifer Ikeda. The production introduces American audiences to Birch, 29, who was a finalist for the Susan Smith Blackburn Prize in 2012 and 2015 and is a co-winner of the 2014 George Devine Award for Most Promising Playwright.
Under the direction of Bartlett Sher (whose work is currently represented on Broadway with Lincoln Center Theater's revival of The King and I, Charles Gounod's 1867 French opera ROMEO AND JULIET comes to opulent, dramatic life--with the quality and grandiosity that characterize Lyric Opera's productions. This production of Gounod's opera--with libretto by Jules Barbier and Michel Carre and which was first performed at the Lyric in 1981--retains the original Renaissance setting of Shakespeare's classic play and renders it larger-than-life. The inherently dramatic nature of the play makes it a fitting choice for an operatic adaptation--Romeo and Juliet's tragic love story becomes even more heightened when set to Gounod's decadent score.
Several stage names are among the recipients of the newly renamed 2016 Lincoln Center Emerging Artist Awards, to be presented at The Appel Room at Jazz at Lincoln Center tonight, March 2, 2016.
On track to be one of San Jose Stage Company's biggest hits, the World Premiere of Valley of the Heart, in partnership with El Teatro Campesino, has been extended through March 20 with six additional performances for the second time in one month. Due to rave reviews and tremendous word of mouth resulting in sold out performances and few available seats, the show has been extended for one final week through March 20.
?Five-time Obie Award-winning theater company Clubbed Thumb has announced the line-up for SUMMERWORKS, its annual series of new plays. Now in its 21st season, SUMMERWORKS will run May 27 through July 9 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: EVERY ANGEL IS BRUTAL by Julia Jarcho and directed by Knud Adams; THE TOMB OF KING TOT by Eric Dufault and directed by Portia Krieger; and TUMACHO by Ethan Lipton and directed by Leigh Silverman. Festival passes are now on sale at: https://www.artful.ly/clubbedthumb/store/passes.
After suffering a major loss while on a cross-country bike trip, a young man, Leo, seeks solace from his feisty grandmother, Vera, in her Greenwich Village apartment. Over the course of a single month, these unlikely roommates infuriate, bewilder and ultimately reach each other. Vera and Leo use their anti-heroic, sometimes annoying attributes in sparring with each other. 4000 Miles looks at how two outsiders find their way in today's world.
