Asia Society Texas Center will host Representation and 21 st Century Responsibilities in the Performing Arts, a free panel discussion and public forum in collaboration with Houston Grand Opera (HGO) on Friday, March 31, at 7 p.m.
Lincoln Center for the Performing Arts presents All These Wonders: The Moth at Lincoln Center on March 29, 2017, at 7:30 pm in Alice Tully Hall. This special evening celebrates the release of THE MOTH PRESENTS ALL THESE WONDERS: True Stories about Facing the Unknown, the second book from The Moth-a nonprofit organization dedicated to the art and craft of storytelling.
La Jolla Playhouse announces a collaboration with the acclaimed theatre group Ping Chong + Company to develop and present South of The 8, a brand-new, community-engaged piece, created with and performed by a group individuals living in neighborhoods south of the I-8. Scripted by Sara Zatz and Daniela Rivera and directed by Sara Zatz, South of The 8 will have three public presentations on Friday, March 31 at 7:30pm and Saturday, April 1 at 2:30pm and 7:30pm at the City Heights Performance Annex (3795 Fairmount Avenue). Tickets are $15 and are available online at LaJollaPlayhouse.org or by calling (858) 550-1010.
Tom Gold Dance presents its sixth annual New York City season, Tuesday, March 14 and Wednesday, March 15 at the Gerald W. Lynch Theater at John Jay College of Criminal Justice with a program of three recent and new works-Company Premieres of Oasis and Served; and the World Premiere of Counterpoint-from Tom Gold Dance Founder and Director Tom Gold.
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
Since 2013 the Cherry Orchard Festival has built a solid reputation for presenting moving and intriguing concerts and productions by international artists and ensembles to New York City audiences.
Lincoln Center for the Performing Arts announced today its second class of Emerging Artists, recognizing diverse talents, from a visionary filmmaker to world-class musicians to a singer-songwriter currently starring on Broadway.
Keen Company welcomes Ana Reeder, who won an Obie Award for her role in Small Tragedy at Playwrights Horizons, starring in the World Premiere of Courtney Baron's When It's You, directed by Mr. Silverstein.
Manhattan Theatre Club's American premiere of Linda, a new play by Penelope Skinner (The Ruins of Civilization at MTC, The Village Bike) directed by MTC's award-winning Artistic Director Lynne Meadow (The Assembled Parties, Wit), opens tonight, February 28, 2017 at MTC at New York City Center - Stage I (131 West 55th Street).
The McKittrick Hotel and The National Theatre of Scotland announced today that their critically acclaimed production of The Strange Undoing of Prudencia Hart, a transporting, music-filled folk theater fable, created by writer David Greig and director Wils Wilson, has been extended for a third and final time by popular demand. Originally scheduled to close January 29, 2017, the production will now run through Sunday, April 23rd at The McKittrick Hotel (542 West 27th Street). For tickets and info, please visit www.strangeundoing.com
Tom Gold Dance presents its sixth annual New York City season, Tuesday, March 14 and Wednesday, March 15 at the Gerald W. Lynch Theater at John Jay College of Criminal Justice with a program of three works from Tom Gold Dance Founder and Director Tom Gold, including the Company premieres of Gold's Oasis and Served.
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
The 'play that changed American theater forever' (New York Times) comes to Arena Stage at the Mead Center for American Theater for the first time ever this spring.
Lincoln Center for the Performing Arts announced today its second class of Emerging Artists, recognizing diverse talents, from a visionary filmmaker to world-class musicians to a singer-songwriter currently starring on Broadway.
Theatre for a New Audience (Jeffrey Horowitz, Founding Artistic Director) presents director Arin Arbus's new staging of Thornton Wilder's tragicomic masterpiece The Skin of Our Teethtonight, February 14, through March 19 at Polonsky Shakespeare Center(262 Ashland Place), TFANA's state-of-the-art permanent home in the heart of the Brooklyn Cultural District.
Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.
This week's guest is Projection Designer Peter Nigrini! Peter is currently represented on Broadway with DEAR EVAN HANSEN and he takes us through the process of creating over 4,000 pieces of video content and how he blended reality with artistry in creating the social media pages that make up the bulk of the projected content.
Lincoln Center for the Performing Arts presents All These Wonders: The Moth at Lincoln Center on March 29, 2017, at 7:30 pm in Alice Tully Hall.
Ardea Arts in partnership with The Garden State Philharmonic presents the World Concert Premiere of ANIMAL TALES at The Jay & Linda Grunin Center for the Arts at Ocean County College (1 College Drive, Toms River, NJ 08754) on Saturday, March 25, 2017 at 7pm.
Music Director Alan Gilbert will conduct the New York Philharmonic in the World Premiere-New York Philharmonic Commission of Lera Auerbach's NYx: Fractured Dreams (Violin Concerto No. 4).
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