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Anika Larsen's SHAFRIKA, THE WHITE GIRL Plays At The Vineyard 6/12-6/28

Jaradoa Theater will present SHAFRIKA, THE WHITE GIRL, a new musical, beginning Friday, June 12 through June 28 at the Dimson Theatre at The Vineyard, 108 East 15th Street (between Union Square East & Irving Place). Written by Anika Larsen, SHAFRIKA, THE WHITE GIRL is co-conceived and directed by April Nickell.

Amas Musical Theater Lauches A Live On-Line Auction

Amas Musical Theater presents an On-Line Auction, now live www.amasmusical.cmarket.com Bid on Vacation Homes - Beautiful Jewelry - Beautiful Artwork - Broadway Show Tickets - Delicious Restaurants- Haute Couture - Beauty Treatments - and LOTS MORE!

Lantern Theater Company Presents South African Sizwe Bansi is Dead Through March 1, 2009

Lantern Theater Company?s 15th Anniversary 2008-09 Season continues with Sizwe Bansi is Dead by Athol Fugard, John Kani and Winston Ntshona from January 30 ? March 1, 2009 at St. Stephen?s Theater in Center City. From South Africa's most celebrated playwright comes a drama as powerful today as in its first performance 35 years ago. Styles, an enterprising photographer, has a small storefront in a Port Elizabeth township. When Sizwe, a migrant worker, comes in to have his picture taken, the two explore issues of image and identity under South Africa's oppressive regime. Both soaring and personal, the play's attack on the dehumanizing laws of the apartheid era resonates with surprising humor and uplifting faith in the human spirit.

Lantern Theater Company Presents South African Sizwe Bansi is Dead Through March 1, 2009

Lantern Theater Company?s 15th Anniversary 2008-09 Season continues with Sizwe Bansi is Dead by Athol Fugard, John Kani and Winston Ntshona from January 30 ? March 1, 2009 at St. Stephen?s Theater in Center City. From South Africa's most celebrated playwright comes a drama as powerful today as in its first performance 35 years ago. Styles, an enterprising photographer, has a small storefront in a Port Elizabeth township. When Sizwe, a migrant worker, comes in to have his picture taken, the two explore issues of image and identity under South Africa's oppressive regime. Both soaring and personal, the play's attack on the dehumanizing laws of the apartheid era resonates with surprising humor and uplifting faith in the human spirit.

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