Desiree Roots Appointed Co-Artistic Director - Community At Virginia Repertory Theatre
Virginia Repertory Theatre has named Desirée Roots as Co-Artistic Director Community.
Virginia Repertory Theatre has named Desirée Roots as Co-Artistic Director Community.
The Leadership Intensive exemplifies OPERA America's long-standing commitment to identify and encourage the field's most promising administrators who will help move opera forward for years to come.
OPERA America has announced the three pairs of protégés and mentors selected for the organization's Mentorship Program for Women Administrators, now in its fourth year.
The company helps these leading creators expand their reach to all major podcast platforms and connects them with over 200 premium advertising partners.
This new initiative allows Professional Company Members to receive up to $10,000 to subsidize as much as 50 percent of the fee of a woman stage director or conductor who is contracted for the first time by the company.
A lifelong Westerner and recent Los Angeles transplant, Knowler spent his childhood in Yuma, Arizona and Houston, Texas, where much of his learning was self-directed: riding dirt bikes in the desert, writing poetry, or visiting antique stores with his mother, who sold vintage glass beads.
Coney Island USA has announced its Spring 2021 fundraiser, in partnership with musician Jesse Malin and his East Village club The Bowery Electric.
21c Museum Hotels, a multi-venue contemporary art museum and award-winning hospitality company, and Artadia, a nonprofit grantmaker and nationwide community of visual artists, curators, and patrons, have announced their collaboration on the inaugural 21c Artadia Award.
OPERA America will host the fifth annual Backstage Brunch, a virtual salon and fundraiser in support of its Mentorship Program for Women Administrators, on Saturday, April 17, 12:30 p.
OPERA America has announced the launch of the Opera Grants for Female Stage Directors and Conductors program, a new initiative developed to advance gender parity in the field by incentivizing opera companies to hire women for key artistic leadership roles.
As the world has moved almost entirely online, I have had the pleasure of virtually “meeting” cool people from around the globe, people with whom I otherwise would have never crossed paths.
Crosscut has reported on the various ways that Seattle theaters are looking ahead, seeing how their venues can adapt to present performances amid the new health standards brought on by the pandemic.
OPERA America is pleased to announce the three pairs of protégés and mentors selected for the organization's Mentorship Program for Women, now in its third year.
Three veterans of Woodstock Fringe, Bette Carlson Siler, Ric Siler and Wallace Norman will be performing three one-act solo plays on Friday, January 31 at 7pm at the Hudson Valley Performing Arts Laboratory in Poughkeepsie.
The Dramatists Guild Opera Committee's Librettist Initiative premieres the short film a?oeCredit the Librettist: Conversations with Today's Opera Makersa?? at Opera America's New Works Forum on Thursday, January 16 at 10am at the National Opera Center, 330 7th Avenue, 7th Floor, New York.
It may surprise you to learn that Stephen King didn't write 'The Shining' and Sister Helen Prejean didn't write 'Dead Man Walking.
OPERA America is pleased to announce the 15 participants from the United States, Canada, Europe and Latin America who have been selected for its 2020 Leadership Intensive program.
Based on the true story of a legendary brothel that operated from the 1840s to 1973, The Best Little Whorehouse in Texas is a rollicking hootenanny of a musical.
This April, Opera Memphis' seventh annual Midtown Opera Festival will be anchored by premiere performances of The Falling and the Rising, a new American opera written by Memphis playwright Jerre Dye and composed by Opera Memphis favorite Zach Redler.
I keep finding that theatre, even revivals of classic plays, is more often than not, about the moment.