The Washington Stage Guild continues its Season of Life Lessons with a tour-de-force performance of one of the Western world's greatest texts. INFERNO, by the Italian poet Dante Alighieri, is adapted and performed by five-time Helen Hayes Award nominee Bill Largess into a theatre piece that takes full advantage of all the effects that contemporary production can offer - a Hell of a show. BroadwayWorld has a first look at the show below!
The Washington Stage Guild continues its Season of Life Lessons with a tour-de-force performance of one of the Western world's greatest texts. INFERNO, by the Italian poet Dante Alighieri, is adapted and performed by five-time Helen Hayes Award nominee Bill Largess into a theatre piece that takes full advantage of all the effects that contemporary production can offer - a Hell of a show. The story of Dante's journey from error and darkness back to salvation was described by him as a pilgrimage through Hell, whose nine circles contain horror, humor, and everything in between. As he journeys he meets mythical monsters and historical figures, some of whom are unexpectedly among the damned. Last seen in DC in 2001, Inferno returns in a re-imagined form, directed by Laura Giannarelli.
The Washington Stage Guild continues its Season of Life Lessons with a tour-de-force performance of one of the Western world's greatest texts. INFERNO, by the Italian poet Dante Alighieri, is adapted and performed by five-time Helen Hayes Award nominee Bill Largess into a theatre piece that takes full advantage of all the effects that contemporary production can offer - a Hell of a show. The story of Dante's journey from error and darkness back to salvation was described by him as a pilgrimage through Hell, whose nine circles contain horror, humor, and everything in between. As he journeys he meets mythical monsters and historical figures, some of whom are unexpectedly among the damned. Last seen in DC in 2001, Inferno returns in a re-imagined form, directed by Laura Giannarelli.
The Washington Stage Guild kicks off its 27th season with one of the most beloved plays of the past century, an indelible hit by the Stage Guild's 'playwright in residence' - George Bernard Shaw. PYGMALION was written in 1912, and the story of Cockney flower girl Eliza Doolittle, her speech lessons at the hands of the temperamental Henry Higgins, and the sparks that fly between them, has rarely left the stage since its premiere. Directed by Stage Guild Artistic Director, Bill Largess, Shaw's comedy is sharp and insightful, asking questions as valid today as a century ago. Exactly what 'makes' a lady a lady? The way she behaves, or the way she is treated?
The Washington Stage Guild kicks off its 27th season with one of the most beloved plays of the past century, an indelible hit by the Stage Guild's 'playwright in residence' - George Bernard Shaw. PYGMALION was written in 1912, and the story of Cockney flower girl Eliza Doolittle, her speech lessons at the hands of the temperamental Henry Higgins, and the sparks that fly between them, has rarely left the stage since its premiere. Directed by Stage Guild Artistic Director, Bill Largess, Shaw's comedy is sharp and insightful, asking questions as valid today as a century ago. Exactly what 'makes' a lady a lady? The way she behaves, or the way she is treated?
The Washington Stage Guild celebrates its 27th Season with its distinctive repertory, an array of eloquent plays of idea and argument, passion and wit-smart theatre for a smart town. As always, The Washington Stage Guild's 2012-2013 season will include four productions of plays that delight and challenge audiences with wit, insight, and truth. There are always lessons to be learned in these great works, and the plays of the Stage Guild's 27th season revolve around the complex relationship between teacher and student, mentor and disciple, expert and novice, when the inevitable happens and the pupil takes flight. Three plays by a trio of the greatest writers the world has known-Dante, Shaw, T.S. Eliot-will be joined by the DC premiere of a recent Off-Broadway hit by the Englishwoman Karoline Leach.
The Washington Stage Guild presents the area premiere of George Bernard Shaw's Wives & Wits, Overruled, directed by Alan Wade and Village Wooing, directed by Laura Giannarelli through May 20.
Government in gridlock! Parties refusing to compromise! A charismatic leader ruling as much by personal appeal as by principles! No, not the present day - Shaw's 'political extravaganza,' written in the past and set in the future, is amazingly topical and as funny as it is foresighted. The Stage Guild presents GBS for the twentieth time!
Government in gridlock! Parties refusing to compromise! A charismatic leader ruling as much by personal appeal as by principles! No, not the present day - Shaw's 'political extravaganza,' written in the past and set in the future, is amazingly topical and as funny as it is foresighted. The Stage Guild presents GBS for the twentieth time!
In less than a week, The Stage Guild will return to the boards with an evening of one-acts written by their favorite playwright, George Bernard Shaw. Biting, witty, and just down-right funny! Don't you think its time for DC to take itself less seriously?
In less than a week, The Stage Guild will return to the boards with an evening of one-acts written by their favorite playwright, George Bernard Shaw. Biting, witty, and just down-right funny! Don't you think its time for DC to take itself less seriously?
This is not the first time I've seen productions I've enjoyed better at the Everyman Theatre than on Broadway. Sure, Doubt on Broadway won the Tony Award for Best Play, Cherry Jones received the Tony for Best Actress in a Play, won the Pulitzer Prize for Drama, but I found the play lacking and unenjoyable.
Washington Stage Guild is currently offering a lively production of Fanny's First Play, which is far from Shaw's best but features its own kind of passion...
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