Hailed as a?oeone of the great amateur choruses of our timea?? (New York Today) for its a?oefull-bodied sound and supplenessa?? (The New York Times), the 50-member Dessoff Choirs begins its 2019-20 season highlighting choral works by esteemed composers of the 19th and 20th centuries. Featuring full orchestra, and soloists Laquita Mitchell (soprano) and Donovan Singletary (baritone), the program is centered around the original 1893 version of Gabriel Fauré's Requiem, the composer's masterpiece. Complementing the Requiem is Ich lasse dich nicht, a motet attributed to J.S. Bach, William Schuman's evocative Prelude for Voices, and the a?oeKyriea?? from Louis Vierne's Messe solennelle.
The 2019-20 season of the Oratorio Society of New York, the city's standard for grand choral performance led by its acclaimed music director, Kent Tritle, is highlighted by two premieres that reflect its 146-year history: the U.S. premiere of a new critical edition of a Brahms masterwork that the Society performed in 1877; and the world premiere of A Nation of Others, an OSNY-commissioned oratorio for soloists, chorus, and orchestra by composer Paul Moravec and librettist Mark Campbell on the subject of immigrants' arrival at Ellis Island.
"Summertime" has just about arrived in the UK and Grange Park Opera continue their 2019 season with George and Ira Gershwin's Porgy & Bess. The audience are whisked away from West Horseley Place's idyllic setting to Charleston, South Carolina in this production directed by Jean-Pierre van der Spuy.
Hylton Performing Arts Center announced today its 2019-2020 season of mainstage performances, featuring a diverse lineup of artists and ensembles across genres, as part of Hylton Presents, Hylton Family Series, Matinee Idylls, and the American Roots Series. The Hylton Center also announced the first Hylton Center EXTRA! for the season: the husband and wife duo and banjo icons, B la Fleck and Abigail Washburn, in a special concert event featuring their unique blend of alternative bluegrass. Season subscriptions are on sale to Friends of the Hylton Center at HyltonCenter.org/preview or by phone at 703-993-7700. For the general public, subscriptions go on sale Wednesday, April 24 and single tickets on Thursday, August 1. More details are available at HyltonCenter.org.
Well, it's that time of the year again--time for a look-back on what was worth making note of during the calendar year that's about to come to an end. It's from a totally personal, subjective point of view, of course, but frankly that's the way opera-lovers always seem to like it, n'est-ce pas? The productions worth noting come from places big, small and in-between, from composers old as the hills to freshly minted or somewhere in between (likewise the performers), from traditional or boldly modern to simply stand up and sing.
Hamstrung by a libretto that sidesteps Martin Luther King's 'I Have a Dream' and 'Mountaintop' speeches, Douglas Tappin's I DREAM sustains audience enthusiasm with a powerhouse Opera Carolina cast.
The world premiere performance of SANCTUARY ROAD (subtitled “An Oratorio Based on the Writings of William Still, a Conductor for the Underground Railroad”), by composer Paul Moravec and librettist Mark Campbell, performed by the Oratorio Society of New York under Kent Tritle, burst forth from the stage of Carnegie Hall the other night, with energy, humanity and, of course, great musicality from all involved.
World premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English: Sanctuary Road, music by Paul Moravec and text by Mark Campbell based upon the writings of William Still, a conductor for the Underground Railroad; and We Are One for chorus and orchestra by Behzad Ranjbaran, both completed within the last year, will be given their first performances by the Oratorio Society of New York (OSNY) led by Music Director Kent Tritle as the culminating concert of the OSNY's 145th season on Monday, May 7, 2018, at Carnegie Hall.
World premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English: Sanctuary Road, music by Paul Moravec and text by Mark Campbell based upon the writings of William Still, a conductor for the Underground Railroad; and We Are One for chorus and orchestra by Behzad Ranjbaran, both completed within the last year, will be given their first performances by the Oratorio Society of New York (OSNY) led by Music Director Kent Tritle as the culminating concert of the OSNY's 145th season on Monday, May 7, 2018, at Carnegie Hall.
In the spring of 2018, choral conducting superstar (Time Out New York) Kent Tritle leads two programs featuring world premieres of works with American themes that are resonating especially strongly today: with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad with music by Paul Moravec and text by Mark Campbell (commissioned by the OSNY) based upon the accounts of William Still, as well as Behzad Ranjbaran's We Are One (commissioned by the Los Angeles Chamber Orchestra) on May 7; and a program at the Cathedral Choir of St. John the Divine celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, text by Reverend Victoria Sirota, on April 9.
World premieres of works by Paul Moravec and Behzad Ranjbaran that speak to humanity's quest for freedom and peace highlight the Oratorio Society of New York's 2017-18 season, led by Music Director Kent Tritle.
???????As the summer ends and the fall 2017 concert season comes into view, Kent Tritle will be found playing an organ recital at Himmerod Abbey, a Cistercian monastery in Grosslittgen, Germany. From there, it is off and running - the 2017-18 season for "New York's foremost choral conductor" (The New Yorker) is highlighted by the world premieres of two works with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad by Paul Moravec, libretto by Mark Campbell, commissioned by the OSNY, and Behzad Ranjbaran's We Are One; concerts with the Cathedral Choir of St. John the Divine including a program celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, and a program of Kodaly, Stravinsky, and Part's Miserere; programs of repertoire ranging from Gregorian chant to Morton Lauridsen with Musica Sacra; and Bach's St. John Passion with ensembles and soloists from the Manhattan School of Music.
A selection of the brightest stars of classical music and Broadway will participate in a filmed concert performance of two of Hillary Clinton's watershed speeches, both of which have been set to music by the composer and conductor Glen Roven.
A selection of the brightest stars of classical music and Broadway will participate in a filmed concert performance of two of Hillary Clinton's watershed speeches, both of which have been set to music by the composer and conductor Glen Roven.
Sing for Hope, the country's leading "artists' peace corps," mobilizes a roster of 2,000 artists of all disciplines who volunteer their time and talent in under-resourced schools, hospitals, and communities, transforming lives through the power of the creative arts. The organization's flagship program is The Sing for Hope Pianos, which is made possible in large part by The Fosun Foundation and 28 Liberty.
Arizona Opera opens its 2016/17 Season with a 45th Anniversary Celebration Concert. Hosted by mezzo-soprano Frederica von Stade, the full Arizona Opera orchestra, chorus, guest artists and the Marion Roose Pullin Studio Artists will perform a sparkling concert of opera's most beloved repertoire. Audience members are encouraged to wear their brightest blue to join in this Sapphire-themed opening to the new Arizona Opera season.
Classical Roots is an important Detroit Symphony Orchestra tradition. For 37 years, the Classical Roots concert has celebrated African-American contributions to classical music. Tonight, guest conductor Roderick Cox leads NEA Jazz Master Branford Marsalis and soprano Laquita Mitchell in paying tribute to Jessye Norman and the late Dr. Silas Norman Jr, with a program featuring Gershwin, Marsalis' own composition, and more.
Mezzo-soprano Deborah Nansteel, in her New York Philharmonic debut, will replace Marietta Simpson, who has withdrawn due to illness, in In Their Footsteps: Great African American Singers and Their Legacy.
Eric Owens will begin his tenure as The Mary and James G. Wallach Artist-in-Residence by curating, hosting, and performing in In Their Footsteps: Great African American Singers and Their Legacy, conducted by Thomas Wilkins in his Philharmonic debut.
