We assume you are aware that the Kentucky Derby is this Saturday and that the Iroquois Steeplechase runs the following weekend in Nashville, so we have you covered with suggestions for non-equestrian events.
Today, our focus is on one of our favorites: Jason Lewis, who's been in New York City for the past several years but has been able to maintain his connection to Music City through a variety of successful projects, some of which have brought him back to Nashville for another stint.
KB Productions, the team behind the recent sold-out smash, Southern Baptist Sissies, and the hard hitting Mysterious Skin, continues to cement its reputation in the Nashville theater community by presenting edgy, left of center productions that have not previously been seen on Music City stages.
KB Productions, the team behind the recent sold-out smash, Southern Baptist Sissies, and the hard hitting Mysterious Skin, continues to cement its reputation in the Nashville theater community by presenting edgy, left of center productions that have not previously been seen on Music City stages.
Compellingly dramatic and musically inspiring, Caroline, Or Change-the musical now onstage at Street Theatre Company through the end of the month-might very well be the most startling and thoroughly extraordinary production from the company in its rather brief existence in Nashville.
Kirk-Burgess Productions makes an auspicious debut on the Nashville theatrical scene with a solid production of Prince Gomolvilas' play Mysterious Skin, based on the Scott Heim novel of the same name, that weaves together the interconnected stories of two young men, each struggling to overcome his h
Described as "bold, captivating and often shocking," Mysterious Skin, a play by Prince Gomolvilas based on the novel by Scott Heim, is being brought to the Darkhorse Theatre stage, thanks to producing/directing duo of L.
Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut bu
Described as "bold, captivating and often shocking," Mysterious Skin, a play by Prince Gomolvilas based on the novel by Scott Heim, is being brought to the Darkhorse Theatre stage, thanks to producing/directing duo of L.
We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possi
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
City of Light, a new and original light opera set in the Spiritualist community of Lily Dale, New Yor-written by Michael McFaden, set to the music of Gilbert and Sullivan-will make its bow to the public in two staged readings on March 30 and 31 at Nashville's Global Education Center.
Dan McGeachy directs Nashville actress Pat Rulon as Maria Calls in Terrence McNally's Master Class, running February 10 and 11 at Nashville Opera's Noah Liff Opera Center, continuing a run that opened at Darkhorse Theatre in mid-January.
Imperious and commanding, confident and resolute, Maria Callas is the quintessential opera diva-Leonard Bernstein referred to her as "The Bible of opera"-and with her oversized personality and regal bearing, she remains a force to be reckoned with almost 35 years after her death.
Pat Rulon is cast in the enviable role of Maria Callas in the production, arguably her biggest challenge in a stage career that has included any number of enviable roles.
Next up is Emily Apuzzo, Rulon's oldest daughter (the younger, Sofia Apuzzo, is an acclaimed dancer), who has the unique experience of playing opposite her mom in bringing McNally's play to the stage.
First up is Jennifer Whitcomb-Oliva, one of the Nashville's most sought-after actresses, who in 2011 made headlines with her performances as MotorMouth Maybelle in Street Theatre Company's Hairspray and in the all-star cast of Chaffin's Barn Dinner Theatre's latest iteration of Annie, which ran last
Playing opposite Rulon as Sophie, the first soprano, is her daughter Emily Appuzzo, a well-known actress and singer in her own right, who is a member of the Nashville Opera Chorus.
I can now feel the tiny pin pricks of the needles piercing the flesh of the Jef Ellis voodoo dolls held about the neck by various members of the cast and crew as they exact their revenge while they continue reading this review.
