Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, takes great joy in announcing its 46th consecutive season under new leadership.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, takes great joy in announcing its 46th consecutive season under new leadership.
The UNFringed Festival and The Secret Theatre are pleased to present AN INTOLERANT VAUDEVILLE, conceived by Sam Viverito, written by Wendy Biller, Chris Hawthorne and Sam Viverito, with music by Ronnie Lawson and lyrics by Ronnie Lawson, Wendy Biller and Chris Hawthorne. Direction by Sam Viverito. Performances run tonight, August 25 at 7:00 pm, Thursday, August 27 at 7:00 pm, Saturday, August 29 at 5:00 pm, and Sunday, August 30 at 7:00 pm. All tickets are $18.00. For reservations and information visit http://unfringed2015.bpt.me or https://web.ovationtix.com/trs/pe.c/10017942 or call (718) 392-0722. The Secret Theatre is located at 4402 23rd St, Long Island City, NY 11101. E, M, G & 7 trains to Court Square or the N or Q train to Queensboro Plaza.
New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
The UNFringed Festival and The Secret Theatre are pleased to present AN INTOLERANT VAUDEVILLE, conceived by Sam Viverito, written by Wendy Biller, Chris Hawthorne and Sam Viverito, with music by Ronnie Lawson and lyrics by Ronnie Lawson, Wendy Biller and Chris Hawthorne. Direction by Sam Viverito.
Hailed recently by The New York Times as "ingenious," New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
New York City, NY (FOR RELEASE 7.20.15) --- Hailed recently by The New York Times as “ingenious,” New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
Composer John Supko's s_traits, created in collaboration with media artist Bill Seaman, comes out Tuesday, November 4 on the Manchester-based Cotton Goods label. It is the second album devoted to Supko's music, following drawn only once on New Amsterdam in 2011. A live performance event is planned in conjunction with the release; watch this space for details.
Composer John Supko's s_traits, created in collaboration with media artist Bill Seaman, comes out Tuesday, November 4 on the Manchester-based Cotton Goods label. It is the second album devoted to Supko's music, following drawn only once on New Amsterdam in 2011. A live performance event is planned in conjunction with the release; watch this space for details.
The Ensemble for the Romantic Century (ERC) returns to Lenox, Massachusetts, for the second consecutive summer, with 12 performances of the fully staged theatrical concert, Beethoven Love Elegies. With a script drawn from Beethoven's letters and diaries and accounts by his contemporaries, interwoven with performances of some of his greatest music, this poignant, humorous, and emotionally intense production dramatizes Beethoven's young years in Vienna and his search for the perfect wife. Actor Kire Tosevski as Beethoven heads an outstanding company of five esteemed actors and four musicians (violinist Rachel Lee Priday, cellist Sebastian Bäverstam, pianist Eve Wolf, and baritone Chad Sloane).
The Ensemble for the Romantic Century (ERC) returns to Lenox, Massachusetts, for the second consecutive summer, with 12 performances of the fully staged theatrical concert, Beethoven Love Elegies. With a script drawn from Beethoven's letters and diaries and accounts by his contemporaries, interwoven with performances of some of his greatest music, this poignant, humorous, and emotionally intense production dramatizes Beethoven's young years in Vienna and his search for the perfect wife. Actor Kire Tosevski as Beethoven heads an outstanding company of five esteemed actors and four musicians (violinist Rachel Lee Priday, cellist Sebastian Bäverstam, pianist Eve Wolf, and baritone Chad Sloane).
Fresh off its recent Tchaikovsky production at BAM Fisher, the Ensemble of the Romantic Century (ERC) presents another fully staged theatrical concert interweaving drama and music about one of the most famous trials of the 19th century. Delivered by a top-caliber cast in an intimate setting, The Trial of Oscar Wilde focuses on the tragic shackling, public scrutiny, and subsequent imprisonment of the homosexual playwright/writer Oscar Wilde (1854-1900). A script based on Wilde's correspondence, plays, and short stories (performed by Broadway's Michael Halling as Oscar Wilde and esteemed Robert Ian Mackenzie as Lord Queensbury) provides a dramatic backdrop for chamber music by French and English composers from the late 19th and early 20th centuries including Chausson's masterful Concerto for violin, piano and string quartet, and works by Satie, Elgar, Faure and Franck in performances by the dynamic Amphion String Quartet, violinist Susie Park, pianist Max Barros and a romping barbershop quartet.
Fresh off its recent Tchaikovsky production at BAM Fisher, the Ensemble of the Romantic Century (ERC) presents another fully staged theatrical concert interweaving drama and music about one of the most famous trials of the 19th century. Delivered by a top-caliber cast in an intimate setting, The Trial of Oscar Wilde focuses on the tragic shackling, public scrutiny, and subsequent imprisonment of the homosexual playwright/writer Oscar Wilde (1854-1900). A script based on Wilde's correspondence, plays, and short stories (performed by Broadway's Michael Halling as Oscar Wilde and esteemed Robert Ian Mackenzie as Lord Queensbury) provides a dramatic backdrop for chamber music by French and English composers from the late 19th and early 20th centuries including Chausson's masterful Concerto for violin, piano and string quartet, and works by Satie, Elgar, Faure and Franck in performances by the dynamic Amphion String Quartet, violinist Susie Park, pianist Max Barros and a romping barbershop quartet.
Celebrating its 13th season, the Ensemble of the Romantic Century (ERC) presents Tchaikovsky: None But the Lonely Heart at The Fishman Space in the new BAM Fisher. A fully staged theatrical concert blending striking music, powerful language and biography, Tchaikovsky: None But the Lonely Heart delves into the unconventional 16-year long relationship between one of the great composers of the 19th century and his patroness, Madame von Meck. Written by Eve Wolf and directed by Donald T. Sanders, this evening-length production seamlessly interweaves a dramatic script performed by actor Simon Fortin (Tchaikovsky) and actress Ariel Bock (Madame von Meck) of Shakespeare & Company with live chamber and vocal music performed by violinist Rachel Lee Priday, cellist Adrian Daurov, pianist Eve Wolf and tenor Blake Friedman. Featuring some of Tchaikovsky's epic pieces including Piano Trio in A Minor, Tchaikovsky: None But the Lonely Heart represents some of the composer's balletic works through dance both choreographed and performed by American Ballet Theatre dancer Daniel Mantei.
Celebrating its 13th season, the Ensemble of the Romantic Century (ERC) presents Tchaikovsky: None But the Lonely Heart at The Fishman Space in the new BAM Fisher. A fully staged theatrical concert blending striking music, powerful language and biography, Tchaikovsky: None But the Lonely Heart delves into the unconventional 16-year long relationship between one of the great composers of the 19th century and his patroness, Madame von Meck. Written by Eve Wolf and directed by Donald T. Sanders, this evening-length production seamlessly interweaves a dramatic script performed by actor Simon Fortin (Tchaikovsky) and actress Ariel Bock (Madame von Meck) of Shakespeare & Company with live chamber and vocal music performed by violinist Rachel Lee Priday, cellist Adrian Daurov, pianist Eve Wolf and tenor Blake Friedman. Featuring some of Tchaikovsky's epic pieces including Piano Trio in A Minor, Tchaikovsky: None But the Lonely Heart represents some of the composer's balletic works through dance both choreographed and performed by American Ballet Theatre dancer Daniel Mantei.
The Martin E. Segal Theatre Center at The Graduate Center, CUNY announces POETRY IN THEATRE, today, June 3 from 2pm - 9pm, a special day-long program of new and rarely-performed works of poetry and theatre, featuring readings and discussions with Judith Malina, Lemon Anderson, Jim Fletcher, Kenneth Goldsmith, Bob Holman, Sibyl Kempson, Christopher Knowles, Yusef Komunyakaa, and Ariana Reines.
The Martin E. Segal Theatre Center at The Graduate Center, CUNY announces POETRY IN THEATRE, Monday, June 3 from 2pm - 9pm, a special day-long program of new and rarely-performed works of poetry and theatre, featuring readings and discussions with Judith Malina, Lemon Anderson, Jim Fletcher, Kenneth Goldsmith, Bob Holman, Sibyl Kempson, Christopher Knowles, Yusef Komunyakaa, and Ariana Reines.
Videos
