BWW Reviews: Citilities Theatre's THE CRUMPLE ZONE Fails to Spark
by Harrison Kaplan
- Jul 11, 2011
Buddy Thomas takes the typical trappings of a romantic triangle and places them in a rundown New York apartment somewhere in Staten Island, with the twist here being that all the participants (in the triangle) are gay. THE CRUMPLE ZONE certainly has some entertaining moments and a few memorable lines, but unfortunately, it fails to spark. Part of this is the play itself, which recycles the situation with little verve or panache, and part of it is due to a lackluster presentation that's just a little too loose in execution, despite a fairly sharp cast, to succeed. Citilities Theatre is currently producing this fairly recent work as part of a double night of theatre, with SONGS FROM AN UNMADE BED taking the stage about a half hour after the initial show ends. I didn't see it in that manner, but those who do will find the latter far more engaging.
Photo Flash: ROSENCRANTZ AND GUILDENSTERN ARE DEAD At TRH
by Gabrielle Sierra
- Jun 21, 2011
Following a three week run at the Chichester Festival Theatre, Trevor Nunn directs a company led by Samuel Barnett and Jamie Parker in Tom Stoppard's Rosencrantz and Guildenstern Are Dead which runs at the Theatre Royal Haymarket from 16 June - 20 August, with press night on 21 June 2011.
Photo Flash: First Look at Theatre Royal Haymarket's ROSENCRANTZ AND GUILDENSTERN ARE DEAD
by Nicole Rosky
- Jun 20, 2011
Following a three week run at the Chichester Festival Theatre, Trevor Nunn directs a company led by Samuel Barnett and Jamie Parker in Tom Stoppard's Rosencrantz and Guildenstern Are Dead which runs at the Theatre Royal Haymarket from 16 June - 20 August, with press night on 21 June 2011. Set design is by Simon Higlett, with costumes by Fotini Dimou, lighting by Tim Mitchell, sound by Paul Groothuis and music by Steven Edis. Rosencrantz and Guildenstern are Dead is produced by the Chichester Festival Theatre, the Theatre Royal Haymarket and Triumph Entertainment Limited.
Forestburgh Playhouse Presents IDAHO, 6/1-12
by Nicole Rosky
- May 19, 2011
The Forestburgh Theatre Arts Center at the Forestburgh Playhouse announced today that it will open its Main Stage 2011 season with the original musical IDAHO!, winner of the Best of Fest Audience Prize at the New York Musical Theater Festival in 2008. Starring Austin Miller ('Grease: You're The One That I Want'), Jessica Hershberg (Little House on the Prairie), and Paul Vogt (Broadway's Hairspray, 'MadTV'), the original musical, with a book and lyrics by Buddy Sheffield and music by Sheffield and Keith Thompson will run at the Forestburgh Playhouse from June 1st through 12th. IDAHO! will be directed by Matt Lenz (Associate Director of Broadway's Hairspray and Catch Me If You Can).
Faye Lane’s Beauty Shop Stories Extends At Soho Playhouse Thru 9/4
by Gabrielle Sierra
- May 18, 2011
Winner of the 2010 New York International Fringe Festival's Overall Excellence Award for a Solo Show, Faye Lane's Beauty Shop Stories recently won two prestigious performance awards, the 2011 MAC Award for Special Production and the 2011 Bistro Award for Musical Comedy.
Faye Lane’s Beauty Shop Stories Closes at Huron Club at Soho Playhouse 1/9
by BWW News Desk
- Jan 9, 2011
Winner of the New York International Fringe Festival's 'Overall Excellence Award for a Solo Show,' Faye Lane's Beauty Shop Stories returns to the Huron Club at The SoHo Playhouse, 15 Vandam Street, NYC. Performances will end January 9th. Directed by MAC Award winner, Jay Rogers, Faye Lane's Beauty Shop Stories features with music written by Keith Thompson, Larry Rosen and Carol Hall (music and lyrics for 'The Best Little Whorehouse in Texas').
BWW Reviews: Premiere of THE STATE OF MARRIAGE
by Chris Gibson
- Jun 21, 2010
The St. Louis Actors' Studio and That Uppity Theatre Company have combined their efforts to close their season with the premiere of Joan Lipkin's (with collaborator JT Ricroft) original play, THE STATE OF MARRIAGE. The title does double duty here, allowing for commentary on the current state of nuptial bliss (or lack, thereof) in our country, while also referencing the fact that there are relatively few states that are currently allowing same sex marriages to be performed. The show is structured like a surreal wedding reception, with the audience invited to join in the festivities, including the distribution of cake to attendees. But there are also serious messages about tolerance and acceptance that are being conveyed here, making this an intriguing project.
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