Kate Soper News

A Pulitzer Prize finalist, Guggenheim fellow, and Radcliffe alum, Kate Soper's music has been described as 'exquisitely quirky' (The New York Times) and 'epic' (WQXR). As a performer, she has been praised as a 'dazzling vocalist' (The New Yorker) and likened to 'Lucille Ball reinterpreted by Linda Blair' (Pitchfork). 

Wet Ink Ensemble announces its spring 2019 concerts, continuing the group's 20th anniversary season as a collective of composers, improvisers, and interpreters at the forefront of the performance and presentation of adventurous music

Wet Ink Ensemble teams up with renowned trumpeter/composer and longtime collaborator Peter Evans for an evening of sonic adventure today, December 1, 2018 at 8:00pm at St. Peter's Church in Chelsea.

Wet Ink Ensemble teams up with renowned trumpeter/composer and longtime collaborator Peter Evans for an evening of sonic adventure on Saturday, December 1, 2018 at 8:00pm at St. Peter's Church in Chelsea.

The 'sublimely exploratory' (The Chicago Reader) Wet Ink Ensemble continues its 20th anniversary season today, October 27, 2018 at 8:00pm with a staged production of Wet Ink-member Kate Soper's IPSA DIXIT, part of Miller Theatre at Columbia University's Composer Portrait: Kate Soper.

American Composers Orchestra (ACO) will open its 2018-2019 season with a concert honoring Phenomenal Women presented by Carnegie Hall in Zankel Hall on Friday, November 2, 2018 at 7:30pm. The performance, conducted by ACO Music Director George Manahan, will feature the world premiere of Valerie Coleman's Phenomenal Women performed by the Imani Winds with ACO; as well as the world premiere of Alex Temple's Three Principles of Noir with singer Meaghan Burke, director Amber Treadway, and costumes by Storm Garner. Grammy and Grawemeyer Award-winning composer Joan Tower's Chamber Dance from 2006, which treats the orchestra as a chamber ensemble, completes the program.

American Composers Orchestra (ACO) will open its 2018-2019 season with a concert honoring Phenomenal Women presented by Carnegie Hall in Zankel Hall on Friday, November 2, 2018 at 7:30pm. The performance, conducted by ACO Music Director George Manahan, will feature the world premiere of Valerie Coleman's Phenomenal Women performed by the Imani Winds with ACO; as well as the world premiere of Alex Temple's Three Principles of Noir with singer Meaghan Burke, director Amber Treadway, and costumes by Storm Garner. Grammy and Grawemeyer Award-winning composer Joan Tower's Chamber Dance from 2006, which treats the orchestra as a chamber ensemble, completes the program.

The 'sublimely exploratory' (The Chicago Reader) Wet Ink Ensemble continues its 20th anniversary season on Saturday, October 27, 2018 at 8:00pm with a staged production of Wet Ink-member Kate Soper's IPSA DIXIT, part of Miller Theatre at Columbia University's Composer Portrait: Kate Soper.

Musica Viva NY kicks off its 2018-19 season with Songs of Love, an evening of lieder by Johannes Brahms, Robert Schumann, and P.D.Q. Bach, on Sunday, September 23 at 5:00 p.m. at All Souls Church. The concert features soprano Devony Smith, mezzo-soprano Michele Eaton, tenor Nathan Siler, and baritone Brian Mextorf, accompanied by Artistic Director Alejandro Hernandez-Valdez and Trent Johnson.

The Wet Ink Ensemble launches its 20th anniversary season on Saturday, September 15, 2018 at 8:00pm at The DiMenna Center for Classical Music's Mary Flagler Cary Hall.

On Friday, September 15th, 2018, Wet Ink releases Wet Ink: 20 on Carrier Records, the group's first full-length album focused on works for sinfonietta, featuring the 28 musicians of the Wet Ink Large Ensemble. The release celebrates Wet Ink's 20th Anniversary, and highlights the ethos of innovation through collaboration that has guided the work of Wet Ink throughout the ensemble's history. The album includes works by Wet Ink's four acclaimed composer members Alex Mincek, Sam Pluta, Kate Soper, and Eric Wubbels alongside music by Katherine Young and Anthony Braxton.

The 'sublimely exploratory' (The Chicago Reader) Wet Ink Ensemble announces its fall 2018 concerts in New York City, celebrating the group's 20th anniversary season as a collective of composers, improvisers, and interpreters at the forefront of the performance and presentation of adventurous music.

The Ford Theatres presents legendary poet and performer Saul Williams, known for his distinctive marriage of "firebrand politics with metaphysical word play," joining with the adventurous Mivos Quartet, hailed as 'one of America's most daring and ferocious new-music ensembles' (The Chicago Reader) on Thursday, September 6 at 8:30pm.

Jess and Meredith are a married, interracial, gay couple living in New York in 2017 - the era of Trump - weathering a new wave of intolerance, discrimination and oppression, which is sweeping the nation and seeping into their home.

PATH New Music Theater, the upstart artist collective of composers, musicians, choreographers, and visual artists, proudly announces their debut work for the stage, Simulacrum, co-presented by the 3LD Art & Technology Center on June 8th, 9th, and 10th. A radically ambitious combination of opera, dance, and stunning visual technology, the work combines music of the five composers of PATH and one guest composer with three singers, six dancers, vivid projections, and interactive wearable technology. Based on the captivating Marianna Staroselsky original play Loved for Parts, the opera examines the fraught relationship between man and machine.

On Friday, August 3, 2018, violinist Josh Modney, Executive Director of the Wet Ink Ensemble and a member of the International Contemporary Ensemble (ICE), releases his debut solo violin album, Engage, on New Focus Records. The three-disc album brings together the varied threads of Modney's recent work, including long-term collaborations with composers Kate Soper, Eric Wubbels, and Sam Pluta, who perform on the album; solo violin music by Taylor Brook and Anthony Braxton; Modney's own improvised music for solo violin; and J.S. Bach's Ciaccona reinterpreted in Just Intonation.

PATH New Music Theater, the upstart artist collective of composers, musicians, choreographers, and visual artists, proudly announces their debut work for the stage, Simulacrum, co-presented by the 3LD Art & Technology Center on June 8th, 9th, and 10th. A radically ambitious combination of opera, dance, and stunning visual technology, the work combines music of the five composers of PATH and one guest composer with three singers, six dancers, vivid projections, and interactive wearable technology. Based on the captivating Marianna Staroselsky original play Loved for Parts, the opera examines the fraught relationship between man and machine.

American Composers Orchestra continues its commitment to the creation and development of new orchestral music with the 27thAnnual Underwood New Music Readings on June 21-22, 2018 at NYU's Loewe Theater (35 West 4th Street).

American Composers Orchestra continues its commitment to the creation and development of new orchestral music with the 27th Annual Underwood New Music Readings on June 21-22, 2018 at NYU's Loewe Theater (35 West 4th Street).

 The MacDowell Colony has awarded fellowships to 84 artists from 18 states and six countries, from Colorado to Virginia and from Portugal to Nigeria. They are working in seven disciplines, and 43 percent identify as culturally diverse while 56 percent are women. The fellowships are for upcoming summer residencies at one of the nation's leading contemporary arts organizations.