Finding a brand-new way to open the doors of the King’s Theatre, despite the pandemic, Edinburgh’s favourite panto venue has teamed up with professional photographer Tom Duffin to create a virtual theatre tour.
If you were planning the first in-person performance in the Kennedy Center in six months, a kind of historic cultural awakening after the darkness of the pandemic lockdown, you couldn't go wrong with a double bill of Renée Fleming and Vanessa Williams.
Capital Theatres, Scotland's largest theatre charity, has received £168,000 from The National Lottery Heritage Fund to support its three venues a?" Festival Theatre, King's Theatre and The Studio, through this period of closure.
Jon Bon Jovi will join NBC's annual “Christmas in Rockefeller Center” with a performance of his new song “Unbroken.' The song, which is featured in the Netflix documentary “To Be of Service,” is a compelling anthem that shines a spotlight on the thousands of veterans living with Post Traumatic Stress Disorder.
Wow! When two brothers from East Africa dream their childhood dreams they imagine an Abyssinian circus. The Tesfamarian brothers, Bichu and Bibi, magical, marvelous circus arrives at the Minneapolis Children's Theatre Company (CTC) by way of Ethiopian culture, a country previously titled Abyssinia. In a traveling production performed worldwide, CTC Artistic Director Peter C. Ambrosius arranged for Circus Abyssinia: Ethopian Dreams to dazzle the Twin Cities. Created and produced by the two Tesamarian brothers, the circus also collaborates with Writer Cal MC Crystal and Choreographer Kate Smith to transfix the audience on the amazing 19 member cast.
Broadway legend Patti LuPone wows theatergoers with her dazzling DON'T MONKEY WITH BROADWAY cabaret act at BYU's de Jong Concert Hall. The opportunity to experience the world of an authentic Broadway star in a Utah seat is a rare privilege. And Audra McDonald and Bernadette Peters are set to perform at UVU's Noorda Center for the Performing Arts in the next few months.
From June 5th to June 8th, Great Canadian Theatre Company and the County of Carleton Law Association will be presenting the 20th Annual Lawyer Play Fundraiser. A cast of 23 local lawyers and judges will perform War of Two Worlds, a new work and adaptation by GCTC's Artistic Director and Managing Director, Eric Coates and Hugh Neilson, with apologies to Orson Welles. The production is a radio-play-within-a-play, following an ensemble of voice actors in the late 1940s as they attempt to save their radio station while recreating Orson Welles' The War of the Worlds.
Directed with grace and wit by Tennessee Women's Theater Project founder Maryanna Clarke, Sistas the Musical is now onstage through May 19 at The Z. Alexander Looby Theatre, located conveniently just off Rosa Parks Boulevard in north Nashville, a historically black enclave that has been central to the civil rights struggles of the citizens of Tennessee's capital city.
The only thematic message, apart from the goes-without-saying affirmation of LGBTQ life choices, is that we should not 'be afraid to play,' which is about as anodyne as they come. But since when need hilarity justify itself with a message?
Bard College announces the appointment of celebrated opera singer and recitalist Stephanie Blythe as artistic director of the Bard College Conservatory of Music Graduate Vocal Arts Program (VAP) beginning in July 2019. One of the most highly respected and critically acclaimed artists of her generation, mezzo-soprano Blythe possesses a repertoire ranging from Handel to Wagner and from German lieder to contemporary and classic American song. Blythe has performed on many of the world's great stages, such as Carnegie Hall; the Metropolitan Opera; Covent Garden; Paris National Opera; and San Francisco, Chicago Lyric, and Seattle Operas. She was named Musical America's Vocalist of the Year, received an Opera News Award, and won the Richard Tucker Award. Blythe recently released her first crossover recording on the Innova label with pianist Craig Terry.
Ella Mai, the New York City Ballet's production of "George Balanchine's The Nutcracker," Rob Thomas and the Radio City Rockettes have been added to the list of spectacular performances slated for this year's "Christmas in Rockefeller Center®" telecast on Wednesday, Nov. 28 at 8-10 p.m. ET/PT.
The most wonderful time of the year kicks off with the annual lighting of New York City's famous tree on NBC's “Christmas in Rockefeller Center®” on Wednesday, Nov. 28 at 8-10 p.m. ET/PT. The evening will include festive performances by Diana Ross, Tony Bennett & Diana Krall, Brett Eldredge, Darci Lynne Farmer, Diana Krall, John Legend, Martina McBride, Pentatonix and Kellie Pickler, with a special appearance by Howie Mandel. Additional acts to be announced. NBC's “Today” anchors Hoda Kotb, Savannah Guthrie, Al Roker and Craig Melvin will co-host the highly anticipated holiday special.
Chopin Theatre, the multidisciplinary arts center in the heart of Wicker Park, 1543 W. Division, turns 100 in 2018. To mark the centennial anniversary, owners Lela Headd Dyrkacz and Zygmunt Dyrkacz are hosting a celebration on Oct 29 from 5 p.m. to Midnight, providing a sneak peek of the forthcoming book on Nov. 5 during the "All Souls Jazz Festival" and releasing the book "Around Chopin Theatre: A Century in Pictures & Stories"on Nov. 24. The Oct. 29 celebration is free for past artists associated with Chopin Theatre and general admission tickets are $30. For more information and to RSVP visit www.ChopinTheatre.com
I had the pleasure of being invited to attend the premiere of The Great Canadian Theatre Company's production of Kate Hennig's The Virgin Trial, directed by Eric Coates. Although this production is the sequel to Hennig's The Last Wife, the play stands on its own so no prior knowledge is needed. The play is set in modern times, but the characters and events are from the Tudor era. English history buffs will particularly enjoy the story as it is partially based on factual events with some speculation thrown in, which makes for a fascinating crime drama.
With recent events related to the #metoo movement within the dance world, notably at New York City Ballet (NYCB), the voice of women in a setting such as this felt sacred. Among art forms, dance is the ultimate challenge to the agency of the female body, which is often at the direction and control of male directors, choreographers, and partners.
Opera Philadelphia – “one of the most creative and ambitious companies in this country” (New York Times) – is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O, with the “spirit ... not to follow taste but to lead it” (Philadelphia Inquirer). Festival 018comprises five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city from September 20-30, and features two superstar opera divas: coloratura soprano Brenda Rae and mezzo-soprano Stephanie Blythe, co-stars of Opera Philadelphia's acclaimed spring 2017 production of Rossini's Tancredi. Rae headlines a new production of Donizetti's Lucia di Lammermoor from celebrated director and designer Laurent Pelly that anchors both the O18 festival and the company's year-round Opera at the Academy series. Blythe (aka Blythely Oratonio) takes the stage at Philadelphia's Theatre of Living Arts (TLA) for a three-night, three-part cabaret takeover titled Queens of the Night, along with self-described “drag queen king” Dito van Reigersberg (aka Martha Graham Cracker). It all leads up to a reprise performance of Dito & Aeneas: Two Queens, One Night, Opera Philadelphia's 2017 cabaret-play spectacular, which was hailed as “smart and bubbly in all the right places” (Philadelphia Inquirer). The two divas even perform together on the TLA stage, when Rae makes a special guest appearance opposite Blythe, comedically echoing the tragic lovers of Tancredi.
Opera Philadelphia is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O.