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Review: THE FROZEN SECTION thaws at Catastrophic Theatre

It has a stunning cast, technical brilliance, and enough great poetic ideas to keep you thinking about it for days. It’s an intriguing piece that should have a long life. But in its current iteration playing at the MATCH, THE FROZEN SECTION runs long at almost two hours with no intermission, and the pacing seems off throughout its inflated run time.

Lisa D'Amour's FROZEN SECTION To Play At Catastrophic Theatre

Lisa D'Amour's FROZEN SECTION will run March 28 - April 19, 2025, at the Midtown Arts and Theater Center Houston (MATCH. Performances are Thursdays at 7:30 PM, Fridays and Saturdays at 8:00 PM, and Sundays at 2:30 PM, with a Special Monday Night performance to be announced. 

Review: SPIRITS TO ENFORCE from Catastrophic Theatre

Are the superheroes really simply the spirits that Prospero conjured on the island? Could Fathom City have been taken over by Dr. Cannibal (an anagram for Caliban) because he fled and tossed his books into the sea? Is this a sequel, a salute, or a sardonic spoof of Shakespeare’s work?

BWW Review: Comedy Takes a Bittersweet Turn in Catastrophic's TRAGEDY: A TRAGEDY

It wasn't the comedy of broadcasters who have absolutely no information to share but share it anyway that stayed with me, nor was it watching each of these characters disintegrate into their lowest common denominators as they desperately cling to order. It was instead in their attempts, on the last night of the world, to stay connected. They hold on to their microphones (quite literally) and to each other and their unseen audiences to their last coherent moment, 'speaking to keep loneliness at bay'.

BWW Review: FIRST SUBURB at The Catastrophic Theatre is All That and a Bag of Chips

The Catastrophic Theatre's production of FIRST SUBURB is utterly relatable and simply unshakable. From the open to the close, the show felt like a hug from an old friend. Set in the 90's, the show actively triggers your sense memory, and immerses audiences into the way-back-when. But like most memories of yore, things are seldom what they seem. FIRST SUBURB delivers an evening of levity and warmth. And on these cold winter nights, there is simply nothing better.

Horse Head Announces Annual Staged Reading Conventions

Horse Head Theatre Co. (HH) is proud to continue our 9th Season with a free staged reading of ADVANCE MAN by Abe Koogler at Comedy Sportz (2201 Preston St., Houston 77003) on Monday October 8, 2018 at 8pm, directed by Rachael Logue. Featuring a cast of eleven actors; modern dancers from Frame Dance, choreographed by Lydia Hance; live original music and foley sound by Alli Villines (Horse Head's We're Gonna Die); and live lighting by J. Mitchell Cronin; Horse Head continues their 2018 experiment for what a staged reading could be.

Horse Head Demolishes Staged Reading Conventions

Horse Head Theatre Co. (HH) is proud to continue the 9th Season with a free staged reading of ADVANCE MAN by Abe Koogler at Comedy Sportz (2201 Preston St., Houston 77003) on Monday October 8, 2018 at 8pm, directed by Rachael Logue. Featuring a cast of eleven actors; modern dancers from Frame Dance, choreographed by Lydia Hance; live original music and foley sound by Alli Villines (Horse Head's We're Gonna Die); and live lighting by J. Mitchell Cronin; Horse Head continues their 2018 experiment for what a staged reading could be.

Photo Flash: The Catastrophic Theatre Presents the World Premiere of LEAP AND THE NET WILL APPEAR

The Catastrophic Theatre continues its 2017-2018 season with the rolling world premiere of Leap and the Net Will Appear by Chana Porter, who two-time Obie Award-winning playwright and director Craig Lucas has called 'the most original and funny and touching and interesting young playwright out there at this moment.' The production will be directed by Porter's collaborator, NYC director Tara Ahmadinejad, and features original music by composer Andrew Lynch.

BWW Review: SONG ABOUT HIMSELF Confounds at Catastrophic Theatre

SONG ABOUT HIMSELF is a linguistic fantasia set inside of the chatroom of a post-apocalyptic social network. This is intellectual sci-fi drama played on a sparse set and focused on how we connect as humans and machines. There are ghosts here on both sides of humanity's line, and language suffers the most as a result.

The Catastrophic Theatre Presents SONG ABOUT HIMSELF

In a dystopian future, a corrupted and crumbling version of the Internet, now called "the Weed," allows human beings to communicate in only the most banal and fragmentary ways. A woman named Carol, perhaps the only person left able to string together a few coherent sentences in a world devolving into gibberish, joins YouSpake, a rogue social media site maintained by an enigmatic host/hostess. The secrets Carol uncovers will either reconnect her to humanity or destroy her heart.  

The Catastrophic Theatre Presents SONG ABOUT HIMSELF

In a dystopian future, a corrupted and crumbling version of the Internet, now called "the Weed," allows human beings to communicate in only the most banal and fragmentary ways. A woman named Carol, perhaps the only person left able to string together a few coherent sentences in a world devolving into gibberish, joins YouSpake, a rogue social media site maintained by an enigmatic host/hostess. The secrets Carol uncovers will either reconnect her to humanity or destroy her heart.  

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