'Without our traditions, our lives would be as shaky as...as a FIDDLER ON THE ROOF,' announces Tevye, a humble milkman from the Russian village of Anatevka. And so begins a tale of love and laughter, devotion and defiance...and changing traditions.
Following three sold-out runs, The Flea Theater is set to announce Cycles 4 and 5 of #serials@theflea, the raucous late-night play competition featuring The Bats and some of NYC's hottest young playwrights.
'Without our traditions, our lives would be as shaky as...as a FIDDLER ON THE ROOF,' announces Tevye, a humble milkman from the Russian village of Anatevka. And so begins a tale of love and laughter, devotion and defiance...and changing traditions.
Following three sold-out runs, The Flea Theater is set to announce Cycles 4 and 5 of #serials@theflea, the raucous late-night play competition featuring The Bats and some of NYC's hottest young playwrights.
NBC News today announced that Natalie Morales, the news anchor of 'TODAY' and co-host of the third hour, has signed on as a correspondent on 'Rock Center with Brian Williams.'
Did William Shakespeare really write all of those plays? Mere proposition of said query's relative validity is more often than not met with confused looks, pretentious stares and general disdain for even entertaining such edgy ideas. Yet, are the plays not too worldly and wordy for a middle-class man to have composed completely by himself - even an actor who owned his own theater, the Globe; as Shakespeare, the man, most certainly did (any way you tell it)? Does it take anything away from these great works to consider for a moment or two that perhaps there was at least some outside influence on the texts to these plays, many of which are often cited as the finest literary works in the English language - and a legitimate theory given the fact co-authorship was even admitted at the time insofar as PERICLES, TIMON OF ATHENS and others are concerned. The case of the authorship of Shakespeare's plays has been a hot-button topic amongst critics, scholars and many in academe for centuries - and it even reached the Supreme Court in 1987 - and it is only now, with the worldwide release of ANONYMOUS, that these issues are being taken on in a dramatically compelling and filmatic way - played out much like the plays of intrigue and betrayal amongst kings and queens that we have come to love so much from Shakespeare's works. At the end of the day - or, should I say, at the end of the play - does it really matter as long as what you have witnessed onstage or onscreen spoke to you in a special, memorable way? Does knowing the identity of the author really matter as long as the plays enacted have an affect? Such are only a few of the many controversial questions being posed by the filmmakers behind the new film ANONYMOUS, opening in movie theaters nationwide on October 28, foremost among them being the director of the film himself, Roland Emmerich and the screenwriter, John Orloff, who have been trying to get this project off the ground for the better part of a decade. Tales of stolen authorial identity are as old and oft-told as many of the Bard's greatest hits, so it should come as no surprise that ANONYMOUS manages to present the facts as entertainingly as the plays presented within it. After all, the battle of the Oxfordians versus the Stratfordians has a certain royal Shakespearean ring to it, does it not?
Merging the vanguard of Polish theatre artists with America's most innovative contemporary music composers, Mozart's Sister tells the story of the keyboard virtuoso, composer, and child prodigy in her own right - Nannerl Mozart. This other Mozart toured throughout Europe, performing side by side with her brother Amadeus, to equal acclaim. Yet none of her compositions have survived and today hardly anyone knows she existed. Using Nannerl's own letters and those of her family, the performance investigates how this female prodigy, this Mozart, faded from the world - and whether this loss was inevitable.
Tonight at The Peabody Hotel, The Orpheum Theatre will pull out all the stops for the can't miss event of the season, the 'Hockadoo Hullabaloo', celebrating the international tour launch of the Tony Award winning MEMPHIS and arrival of the show's producers, cast, and creative team.
Tuneful and breezy with an avalanche of exuberant dancing could not better describe the family-oriented Seven Brides for Seven Brothers currently receiving a fast paced, energetic production at Glendale Centre Theatre under the expertise of Robert Marra and Lee Martino. From MGM in 1954 the film starred Howard Keel and Jane Powell and because of their beauty and director Michael Kidd's rip-roaring choreography, the movie, an Oscar nominee for Best Picture, was and still remains blockbuster entertainment. When the film became a Broadway show in the 1982, despite great work from Debby Boone and others, it failed to garner the audiences necessary to keep it afloat. Now after some 30 years, as long as we keep it in period piece perspective, Glendale's production of Brothers seems as good a choice as any for families as holidays approach.
Having wrapped a three-month summer tour in support of their current album Something For The Rest Of Us, The Goo Goo Dolls have announced that they will continue touring through the fall, launching a new string of dates on October 12th in Milwaukee. Tickets go on-sale this week. Please visit www.googoodolls.com/tour for more information.
The Solomon R. Guggenheim Museum presents Maurizio Cattelan: All, the first retrospective of the internationally acclaimed artist's work, from November 4, 2011, to January 22, 2012. Hailed simultaneously as a provocateur, prankster, and tragic poet of our times, Maurizio Cattelan (b. 1960) has created some of the most unforgettable images in recent contemporary art. His source materials range widely, from popular culture, history, and organized religion to a meditation on the self that is at once humorous and profound.
The Theater Company of Hoboken (TTC) has announced that after a successful run with their good friends at Symposia Bookstore, the Spoken Word's co-hosts David Vincenti and Siobhán Barry are moving their series from bookstore to performance space at TTC's Studio C-413.
On Saturday evening, October 8th, at The Peabody Hotel, The Orpheum Theatre will pull out all the stops for the can't miss event of the season, the 'Hockadoo Hullabaloo', celebrating the international tour launch of the Tony Award winning MEMPHIS and arrival of the show's producers, cast, and creative team.