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The Kitchen Presents SASQUATCH RITUALS

The Kitchen presents Sasquatch Rituals, a cycle of performance ritual installations initiated by Sibyl Kempson and her 7 Daughters of Eve Thtr. & Perf. Co., tracking and responding to her consuming experiences as an investigator for the Bigfoot Field Research Organization (April 24-28).

New Ohio Theatre & IRT's Archive Residency Premieres FROM BUILT FOR COLLAPSE & ANECDOTA

The Archive Residency is a vital incubator for New York City's most electrifying independent theater companies. This two-year residency offers companies an artistic home for the development and presentation of a new work. Each residency culminates with a world premiere production. Now in its fifth year, the Archive Residency is a collaboration between New Ohio Theatre and IRT Theater (likeminded neighbors in the historic Archive Building in the West Village).

VIDEO: Frank Wildhorn Teases THE MAN WHO LAUGHS in Seoul

Here's the WORLD PREMIERE video debut of Frank Wildhorn's THE MAN WHO LAUGHS, opening on July 10, 2018 Art Hall Opera Theater, Seoul. The spot features a solo violin and revealing the composer at the piano performing the theme from the show began running on Korean media this week. The Man Who Laughs is Wildhorn's 12th musical to open in Seoul. Based on Victor Hugo's novel, the romantic melodrama is credited with inspiring the comic book figure The Joker, based on the character, Gwynplaine.

Joe Perry Set For In-Store Signing at Newbury Comics In Boston

JOE PERRY--legendary guitarist, co-founding member, principal songwriter and co-producer of Aerosmith--is set for an in-store album signing at Newbury Comics in his Boston, MA hometown. The signing--in celebration of his just-released solo album, SWEETZERLAND MANIFESTO--will start at 6:00 PM on Thursday, January 25.

BWW Review: THE PHANTOM OF THE OPERA at Goteborgsoperan

I've seen The Phantom of the Opera around 25 times and it's really one of my favorite musicals. The music is amazing, the clothes are wonderful and the storyline is classic with the beauty and the beast, the hero. The fragile Christine, who is abducted by the horrible phantom but rescued by her youth love but the fragile side of the Phantom is shown and she is torn between them. It has been played the same way since 1986 and Andrew Lloyd Webber and The Really Useful Group have kept firm in how it gets played and staged, by who, where and when. But when the Finnish National Opera was going to play it, they got permission to make a new adoption of it. The creative team, Tiina Puumalainen director, ??Teppo J rvinen scenographer, Marjaana Mutanen, costume designer, Osku Heiskane choreographer, Teemu Nurmelin light designer and Andreas 'Stanley' L nnquist and Sakari Kiiski sound designer, create a totally reworked musical. It started playing in Finland and was transferred the 23rd of September 2017 to Sweden and the Opera in Gothenburg. As I wanted to see Fred Johanson as the Phantom and John Martin Bengtsson as Raoul, I had to find a date when they played in the same performance, and the date was set for December 9th. Before I saw it, I had seen some pictures that appear on the website and in press and I have to say that I was both excited and curious about what to expect. I've seen the musical so many times so it feels like I know every sequin on the fantastic dresses and when an eyebrow is to be raised so it was with mixed feelings I booked the ticket. Should I like the changes or not? I had no doubt that Fred and John Martin would deliver as I seen them several times. Fred lastest in Sunset Boulevard on West End in London. The same role as he did on Broadway this year with Glenn Close. John Martin was understudy to both The Phantom and Raoul in Stockholm this year and I had the privilege to see him as Phantom. Both has absolutely amazing voices. But for the new adoption I was not sure...

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