The lovely cast of My Fair Lady is officially in rehearsals -- and they've posted video to let you in on the fun! 'Our main goal is to get people talking about how this piece relates to what's happening in our society and culture right now,' Hamilton alum Jordan Donica, who plays Freddy, said.
Norbert Leo Butz, who plays Mr. Doolittle, added, 'It's kind of a miraculous thing that something that is so entertaining sounds so beautiful and is so funny is about something so deep.
Broadway Records is proud to announce that the 2018 Broadway Cast Recording of Lincoln Center Theater's new production of Lerner & Loewe's MY FAIR LADY will be released on CD and digitally at most major music retailers on June 8, 2018. The album is currently available for pre-order at BroadwayRecords.com, Amazon.com and at the Vivian Beaumont Theater (150 West 65th Street). Opening night for MY FAIR LADY, which is currently in previews, is Thursday, April 19.
Lincoln Center Theater's upcoming production of Lerner & Loewe's My Fair Lady is officially in previews! Get to know the cast below as they begin Broadway performances!
The Geffen Playhouse today announced the nine productions that will make up its 2018/2019 season, the first from new Artistic Director Matt Shakman. The season will focus on world premiere plays from acclaimed playwrights that reflect a culturally diverse Los Angeles and revivals of classic works that are relevant to the issues of today.
Lincoln Center Theater (under the direction of Andre Bishop) has announced complete casting for its upcoming production of Lerner & Loewe's MY FAIR LADY. As previously reported, Lauren Ambrose will be playing as Eliza Doolittle and Harry Hadden-Paton will play Henry Higgins, alongside Norbert Leo Butz as Alfred P. Doolittle and Diana Rigg as Mrs. Higgins. Just announced are: Allan Corduner as Colonel Pickering, Jordan Donica as Freddy Eynsford-Hill, Linda Mugleston as Mrs. Pearce, and Manu Narayan as Zoltan Karpathy.
THE ROAD THEATRE COMPANY and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director are thrilled to announce that the first show of its 2017-2018 season, the smash-hit, critically acclaimed world premiere of STUPID KID, written by acclaimed playwright Sharr White (The Other Place) and directed by Cameron Watson (Cat on A Hot Tin Roof). STUPID KID is EXTENDING through SUNDAY, DECEMBER 3 at the Road Theatre on Magnolia, located in The NoHo Senior Arts Colony, 10747 Magnolia Blvd. in North Hollywood. After 14 years in prison for a crime he swears he didn't commit, Chick returns home to find his flat-broke family under the thumb of his dangerous Unclemike. A rollicking Gothic Western tale of a family isolated by shame, STUPID KID explores power, guilt and the limits of maternal love.
The Road Theatre Company and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, present the first show of its 2017-2018 season, the world premiere of STUPID KID, written by acclaimed playwright Sharr White (The Other Place) and directed by Cameron Watson (Cat on A Hot Tin Roof). STUPID KID opens tonight, September 22nd, and runs through November 12 at the Road Theatre on Magnolia, located in The NoHo Senior Arts Colony, 10747 Magnolia Blvd. in North Hollywood. BroadwayWorld has a first look at the cast in action below!
The Road Theatre Company and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, present the first show of its 2017-2018 season, the world premiere of STUPID KID, written by acclaimed playwright Sharr White (The Other Place) and directed by Cameron Watson (Cat on A Hot Tin Roof).
The Road Theatre Company and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, present the first show of its 2017-2018 season, the world premiere of STUPID KID, written by acclaimed playwright Sharr White (The Other Place) and directed by Cameron Watson (Cat on A Hot Tin Roof).
The Road Theatre Company and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, present the first show of its 2017-2018 season, the world premiere of STUPID KID, written by acclaimed playwright Sharr White (The Other Place) and directed by Cameron Watson (Cat on A Hot Tin Roof).
Echo Theater's world premiere of The Cake by Bekah Brunstetter has been extended through August 13, with added performances on Wednesdays and Thursdays.
Cathy Dresden (played by Joe Hartman), will take the stage at The Metropolitan Room this summer in 'An Old Fashioned Girl,' directed by Daniel Adams, with Michael Hicks on the piano and accordion.
The Echo Theater Company's world premiere of playwright Bekah Brunstetter's THE CAKE brilliantly demonstrates the success of following a winning recipe for a memorable theatre production. Start with Brunstetter's witty, relationship-focused script on very timely, hot-button issues of today; generously add a talented cast of actors (led by the most delicious Debra Jo Rupp); mix well with Jennifer Chambers' sure-handed direction; and top off with perfectly synchronized and fitting technical elements; and you have a very well-executed THE CAKE.
Faith, family and frosting collide in a touching and timely new play by Bekah Brunstetter (NBC's This Is Us). The Echo Theater Company continues its 20th Anniversary Season with the world premiere of The Cake. Jennifer Chambers directs for a July 1 opening at Atwater Village Theatre.
Faith, family and frosting collide in a touching and timely new play by Bekah Brunstetter (NBC's This Is Us). The Echo Theater Company continues its 20th Anniversary Season with the world premiere of The Cake. Jennifer Chambers directs for a July 1 opening at Atwater Village Theatre.
The Acoustic Led Zeppelin Tribute Orchestra Project - TALZTOP, announces its fourth season with shows in Norwood, MA, Dedham, MA, Worcester, MA, Norfolk, MA, and Foxboro, MA in June and July.
Faith, family and frosting collide in a touching and timely new play by Bekah Brunstetter (NBC's This Is Us). The Echo Theater Company continues its 20th Anniversary Season with the world premiere of The Cake. Jennifer Chambers directs for a July 1 opening at Atwater Village Theatre.
Because it is arguably one the most beloved and critically-acclaimed musicals of all time, WEST SIDE STORY is revisited often by regional theaters across the country (and, frankly, the world). So it is no surprise that yet another large regional theater in Southern California is reviving this nostalgia-baiting, reliably-entertaining, and thematically-resonant show, this time by the talented folks over at McCoy Rigby Entertainment at their home base at the La Mirada Theater for the Performing Arts, where performances continue through May 14, 2017. The resulting show---while mostly and genuinely enjoyable---presented a few jarringly curious presentation choices that didn't quite sit well. Unfortunately, in its admirable quest to inject some 'new-ness' into the well-known retro musical, some of the slight staging reinventions did enough to really lessen the impact of certain scenes that have previously been significant highlights.
Powerful, poignant and timely as ever, LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT presented the fourth show of its 2016-2017 season, the most acclaimed musical of all time, WEST SIDE STORY, book by Arthur Laurents, lyrics by Stephen Sondheim, music by Leonard Bernstein with musical direction by Brent Crayon, choreography by John Todd and directed by Ovation award-winner Richard Israel.
Indeed, West Side Story is the most acclaimed musical. And, ask musical actors/actresses what is their favorite Broadway musical of all time and most concur, West Side Story. Why? It has phenomenal music by Leonard Bernstein, with concise poetic lyrics by Stephen Sondheim and a tight and gripping book by Arthur Laurents. The brilliant choreography established in 1957 by Jerome Robbins will never be forgotten. The book presents one of the most powerful love stories ever, next to Romeo and Juliet. With all these elements complementing one another, from the first downbeat of the orchestra and the appearance of the Jets creeping in one by one on a half-lit stage, the show pulls you in and doesn't let go for its two and a half hours ... and its message and images of love linger long after the curtain falls.
