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Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival

Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understanding of the comedy within. Annabel Arden's production makes a triumphant return to Glyndebourne because it does just that.

Review: THE PROMISE, Minerva Theatre, Chichester

'To promise nearly fifty million people truly universal health care - ‘cradle to the grave’ - is crackers.' Despite this quote featuring quite prominently in promotional material, and the poster image showing a pair of midwives, The Promise isn’t wholly about the founding of the NHS. Paul Unwin’s new play instead depicts the rise of Clement Attlee’s Labour Party in the wake of the Second World War, and their attempts to create unity and growth in the years that follow.

THE PEARL FISHERS and REQUIEM Lead Opera North's Spring Season

Opera North's season for Spring 2023 includes two new productions exploring loss, memory and renewal: Bizet's The Pearl Fishers and a contemporary dance staging of Mozart's Requiem paired with After Tears, a new commission by South African composer Neo Muyanga. 

Abbey Theatre to Present the World Premiere Of Marina Carr's IGIRL

The Abbey Theatre will produce the world premiere of Marina Carr's newest play, iGirl. Performed solo by the mesmerising Olwen Fouéré, iGirl is directed by Caitríona McLaughlin, in her first production as the new Abbey Theatre Artistic Director.

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