Cleveland Play House (CPH) will reimagine the epic Greek tragedy Antigone with a contemporary interpretation, freely adapted by Emily Mann from the ancient play written by Sophocles. Performances begin March 28th, 2020 and continue through April 19th, 2020 in the intimate Outcalt Theatre at Playhouse Square. Led by Director Lauren Keating, the cast features Amara James Aja, Alex Brightwell, Mariah Burks, Conor Canning, Kasey Connolly, Comfort Dolo, Steve Gladstone, Gregory James, Jessica Ko, Vanessa Morosco, Fabio Polanco, Abdul Seidu, Laura Starnik and Elisabeth Yancey. Cleveland Play House is proud to recognize DLR Group/Westlake Reed Leskosky as Presenting Sponsor of Antigone.
The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about a young girl with a crucial superpower, curiosity, and the beloved fantastical dream adventure in which she tries to figure out how to stay true to who she is-under the stars when its flagship outdoor theatre opens the weekend of June 7-9, 2019. The Allen Elizabethan Theatre will feature Macbeth, directed by Jose Luis Valenzuela; Alice in Wonderland, adapted from Lewis Carroll by Eve Le Gallienne and Florida Friebus, directed by Sara Bruner; and All's Well That Ends Well, directed by Tracy Young. Previews begin May 28, and all three shows will run through the weekend of October 11-13.
The Tony Award winning Oregon Shakespeare Festival (OSF) will launch its 84th year and Bill Rauch's final season as artistic director with preview performances beginning on March 1. The 2019 season officially kicks off Friday night, March 8, in the Angus Bowmer Theatre with Shakespeare's As You Like It (director, Rosa Joshi). On Saturday afternoon, Cambodian Rock Band (director, Chay Yew) opens in the Thomas Theatre, and Hairspray The Broadway Musical (director, Christopher Liam Moore) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, the drama by Southern Oregon based playwright Octavio Solis, Mother Road (director, Bill Rauch), will see its world premiere in the Angus Bowmer Theatre.
The Oregon Shakespeare Festival will open the U.S. premiere of Frances Ya-Chu Cowhig's Snow in Midsummer, directed by Justin Audibert, on August 5 in the Angus Bowmer Theatre. Preview performances are August 2, 3 and 4, and the play runs through Oct. 27, 2018.
The Tony Award-winning Oregon Shakespeare Festival will launch its 83nd year with preview performances beginning on February 16. The 2018 season officially kicks off Friday night, February 23, in the Angus Bowmer Theatre with Shakespeare's Othello (director, Bill Rauch). On Saturday afternoon, Shakespeare's Henry V (director, Rosa Joshi) opens in the Thomas Theatre, and the West Coast premiere of Kate Hamill's adaptation of Jane Austen's novel Sense and Sensibility (director, Hana S. Sharif) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, Karen Zacarias's Destiny of Desire (director, Jose Luis Valenzuela) will be staged in the Angus Bowmer Theatre.
General ticket sales are underway for the Oregon Shakespeare Festival's (OSF) 83rd season, which begins with the first preview on Feb. 16 and continues through Oct. 28. The 2018 season features four plays by William Shakespeare, a re-imagined classic musical, two West Coast premieres, one U.S. premiere and two world premieres as well as a host of events and opportunities to further engage with the onstage works.
The Oregon Shakespeare Festival will present the world premiere of Hannah and the Dread Gazebo by Jiehae Park, directed by Chay Yew, on April 2 in the Thomas Theatre. Preview performances are March 29, 31 and April 1.
Andrew Lloyd Webber's Really Useful Group is very pleased to announce that Ken Davenport will join the company as Executive Producer for North America, effective immediately.
We all know what it's like. You go to a performance that presents four different pieces, and by the end you swear that you've been seeing the same thing danced all night. It's like asking yourself: where did it start and finish, because you're in a Kafkaesque mode, and all you want is to be rescued into the realm of logic. Why exactly did the curators present this?
The Really Useful Group ('RUG') announces that it is to increase the size of its production team and to locate all of its global production and first class licensing operations in London. As a consequence, The Really Useful Company Asia Pacific ('RUCAP') based in Sydney is scheduled to close in 2016.
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