?Hale Centre Theatre (HCT) is ringing in the New Year with the long-lost production of Is He Dead? written by American author Mark Twain. The play was "rediscovered" in a drawer of Twain's forgotten works at the University of California at Berkeley in 2001. It has since appeared on Broadway and will hit HCT's stage Wednesday, December 31, 2014, through Saturday, February 7, 2015.
As 'king of the overture,' Rossini certainly knew how to put an audience in a good mood and his GUGLIELMO TELL--better known as WILLIAM TELL--is no exception. With an elaborate introduction that most Americans over a certain age know from “The Lone Ranger” serials and other themes used in decades of cartoon features, it's still dazzling and great fun to hear. It's particularly so, when it's in the hands of an exciting ensemble like the orchestra of Turin's Teatro Reggio Torino, under music director, Gianandrea Noseda.
In a regional premiere, Hale Centre Theatre (HCT) is producing Catch Me If You Can, a sophisticated story of cops and robbers turned friends. Set in the 1960s, Catch Me showcases the elegance of the decade with beautiful costuming and glamorous sets. Catch Me If You Can plays at Hale Centre Theatre, Utah's Premiere Family Theatre, today, October 8 through Saturday, November 29.
In a regional premiere, Hale Centre Theatre (HCT) is producing Catch Me If You Can, a sophisticated story of cops and robbers turned friends. Set in the 1960s, Catch Me showcases the elegance of the decade with beautiful costuming and glamorous sets. Catch Me If You Can plays at Hale Centre Theatre, Utah's Premiere Family Theatre, Wednesday, October 8 through Saturday, November 29.
Cabaret singers Claudia Hommel and Elizabeth Doyle will be accompanied by classical pianist Eugenia Cheng and accordionist Patricia Spaeth in a program that interweaves song and projected artwork. Called 'Vocal Canvas' by its creator Claudia Hommel, the multilayered, multimedia performance tour de force is the collaborative work of an A-list of Chicago's dynamic entertainers and artists past and present.
Cabaret singers Claudia Hommel and Elizabeth Doyle will be accompanied by classical pianist Eugenia Cheng and accordionist Patricia Spaeth in a program that interweaves song and projected artwork. Called 'Vocal Canvas' by its creator Claudia Hommel, the multilayered, multimedia performance tour de force is the collaborative work of an A-list of Chicago's dynamic entertainers and artists past and present.
Jane Moss, Ehrenkranz Artistic Director of Lincoln Center and the Mostly Mozart Festival, announced today that Lincoln Center has extended the contract for Louis Langree, the Renee and Robert Belfer Music Director of the Mostly Mozart Festival and Orchestra through 2017. Maestro Langree made his Mostly Mozart Festival debut with the Festival Orchestra in 1998, and was named Music Director in 2002. The artistic partnership between Langree and the musicians of the Mostly Mozart Festival Orchestra has been an exceptionally inspired and 2017 will mark his 15th year as Music Director of the ensemble and the Festival. Under his musical leadership, the Mostly Mozart Festival Orchestra's stature and recognition as an outstanding ensemble has received extensive critical acclaim, and the orchestra's concerts are an annual highlight for summertime classical music lovers in New York City. In addition to its focus on the classical repertoire, concerts by the Mostly Mozart Festival Orchestra now regularly feature works from musical periods following Mozart including the 20th century and beyond.
Ensemble ACJW kicks off a new three-concert series this season at Greenwich Village venue Subculture on Wednesday, January 22 at 7:30 p.m. with an eclectic program, titled Encounters, that features interesting contemporary works and world premieres of new music, composed and/or arranged by the Ensemble ACJW fellows themselves.
The brilliant Polish composer Krzysztof Penderecki seems to be enjoying something of a renaissance - especially in New York this month! His works were performed in at least three concert halls over the last month and the composer himself made appearances at several of the performances. While hardly a household name, Penderecki has emassed a sizable fan base (if the packed house of rabid fans at Avery Fisher Hall was any indicator). Ever since his 'Threnody for the Victims of Hiroshima' hit the scene in 1961, he had the new music crowd's attention. And he always delivered the goods - loud, noisy, bombastic, iconoclastic explosions of sound that often hinted at form but never long enough to be noticeable. It would be practically impossible to try to describe Penderecki's music in mere words.
Musical America, now in its third century as the indispensable resource for the performing arts, today announced the winners of the annual Musical America Awards, recognizing artistic excellence and achievement in the arts.
On Monday, September 9, at 8 p.m. the Young People's Chorus of New York City conducted by its Artistic Director/Founder Francisco J. Núñez will give the broadcast premiere of the four newest compositions in Radio Radiance, its ground-breaking commissioning series for young voices.
Kent Kritle's 2012-2013 season marks his 30th year conducting in New York City. The landmark season includes Britten's War Requiem with the Oratorio Society of New York, Bach's Mass in B Minor with at the Cathedral of St. John the Divine, Mendelssohn's Elijah at the Manhattan School of Music, and travels across the U.S. for Carnegie Hall's National High School Choral Festival. See full details below.
Kent Kritle's 2012-2013 season marks his 30th year conducting in New York City. The landmark season includes Britten's War Requiem with the Oratorio Society of New York, Bach's Mass in B Minor with at the Cathedral of St. John the Divine, Mendelssohn's Elijah at the Manhattan School of Music, and travels across the U.S. for Carnegie Hall's National High School Choral Festival. See full details below.
Back by 'Popular' demand, Broadway's biggest blockbuster, WICKED returned to its Los Angeles home, the Pantages Theatre, for a strictly-limited engagement this holiday season running through January 29, 2012. When it first played the Pantages in 2005, it broke box office records and sold out in record time. WICKED returned two years later to begin an extended engagement that would go on to run two years, becoming one of the longest-running Broadway musicals in L.A. history. Check out phots fromt he starry opening below!
Rover Dramawerks is pleased to present the charming musical Little Mary Sunshine, Book, Music and Lyrics by Ray Besoyan, opening on Thursday, July 14.
Rover Dramawerks is pleased to present the charming musical Little Mary Sunshine, Book, Music and Lyrics by Ray Besoyan, opening on Thursday, July 14.
.jpg?format=auto)
The 29th Annual Fred & Adele Astaire Awards, hosted by Bebe Neuwirth and Lee Roy Reams at the magnificent Skirball Center for The Performing Arts at NYU once again honored excellence in dance and choreography on Broadway and in film. Susan Stroman took top honors for Best Choreographer on Broadway in a field of nine nominees for her stunning work in 'The Scottsboro Boys'. It was a record breaking 5th Astaire Award for the 5 time Tony Award and 5 time Drama Desk winner. Two time Tony Award Winner Bebe Neuwirth presented the award to Ms. Stroman. Sutton Foster star of 'Anything Goes' took home her second Astaire for Best Female Dancer on Broadway for her rousing performance as 'Reno Sweeney'. Her first Astaire was for 'Thoroughly Modern Millie'. Desmond Richardson, Tony nominee for 'Fosse' and co-founder and co-artistic director of Complexions Contemporary Ballet presented the award to Ms. Sutton. First timer Norbert Leo Butz star of 'Catch Me if You Can' took the prize for Best Male Dancer on Broadway presented by Tony and Drama Desk winner Karen Ziemba . Australia's Graeme Murphy and Janet Vernon won the Astaire for Excellence in Choreography in Film for their breathtaking dances in 'Mao's Last Dancer' presented by Tony Award winner Bill Irwin. Legendary dancer, choreographer, teacher and founder of the National Dance Institute Jacques d'Amboise received the Douglas Watt Lifetime Achievement Award named for the late drama critic and co-founder of the Award with Fred Astaire. Following a major tribute in dance including a brilliant performance by NYCB's Russell Janzen of a piece from the ballet 'Who Cares' created by George Balanchine and first danced by d'Amboise; an exuberant performance of 'Shall We Dance' by d'Amboise's students at the National Dance Institute and praiseful introductions by Len Cariou, Charlotte & Christopher d'Amboise, Brian Stokes Mitchell presented the award to Mr. d'Amboise.
Patricia Watt, Executive Producer of the 2011 Fred & Adele Astaire Awards, has announced the first group of Presenters for the 29th Annual Fred & Adele Astaire Awards, In addition to Len Cariou and Brian Stokes Mitchell who will co-present the Douglas Watt Lifetime Achievement Award to legendary, dancer, choreographer, teacher and star of stage, film and television Jacques D'Amboise, additional presenters include Bill Irwin, Maurice Hines, Christine Andreas, Charlotte D'amboise, Christopher D'amboise and Karen Ziemba.
The 29th Annual Fred & Adele Astaire Award Nominees will be announced at a special reception hosted by Carolyn Kendall Buchter, Ronald Buchter, Cassandra Seidenfeld Lyster and Patricia Watt, Producer of the Astaire Awards at Theater Row's Firebird Russian Restaurant, 365 West 46th Street, New York 10036 on Tuesday April 26 from 5:30 to 7:30 pm. The 'Astaires' are the only awards to honor excellence in dance and choreography on Broadway and in film. Actor, Choreographer , director and dancer Lee Roy Reams will announce the nominees.
The Fred and Adele Astaire Awards will once again recognize excellence in dance on both stage and film. This year's Awards gala will take place May 15,2011 at the Skirball Center for the Performing Arts at New York University, 566 LaGuardia Place) New York City 10019.
Videos
