Jennifer Edwards News

There is the rule of law, and there are the laws of the heart. Which do we follow and when? The Fountain Theatre presents the funny, passionate and poignantSouthern California premiere of Daniel's Husband, the 2018 off-Broadway hit play byMichael McKeever that was hailed as "compelling" by The New York Times, "emotionally charged" by the Huffington Post and "beautiful and powerful" by the Daily Beast. Opening night is set for May 4, with performances continuing through June 23. Pay-what-you-want previews begin May 1.

As part of its Live Feed program, New York Live Arts presents the New York City premiere of Bill Shannon's Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update investigates social constructions and specific physical movement patterns that emanate from disabled bodies. Video wearables and installation art animate corporeal abstractions of dance, digital intimacy and human touch.

As part of its Live Feed program, New York Live Arts presents the New York City premiere of Bill Shannon's Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update investigates social constructions and specific physical movement patterns that emanate from disabled bodies. Video wearables and installation art animate corporeal abstractions of dance, digital intimacy and human touch.

New York Live Arts presents the New York City premiere of Bill Shannon's Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update investigates social constructions and specific physical movement patterns that emanate from disabled bodies. Video wearables and installation art animate corporeal abstractions of dance, digital intimacy and human touch.

As part of its Live Feed program, New York Live Arts presents the New York City premiere of Bill Shannon's Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update investigates social constructions and specific physical movement patterns that emanate from disabled bodies. Video wearables and installation art animate corporeal abstractions of dance, digital intimacy and human touch.

CHICAGO, the longest-running American musical on Broadway, makes its long-awaited debut at the Moonlight Amphitheatre September 12 - 29 at 7:30 p.m. Two CHICAGO vets closely associated with the Broadway production bring extra spark to The Moonlight. Terra C. MacLeod, currently starring in the Broadway production of CHICAGO as Velma, takes on the role of Roxie at The Moonlight. Roxane Carrasco, playing Velma at The Moonlight, has played the same starring role in the Broadway production. Fellow Broadway vet David Engel returns to The Moonlight stage as Billy Flynn. MacLeod is also co-directing the Moonlight production alongside James Vasquez. Corey Wright, recently appearing in the Broadway national tour production of CHICAGO, choreographs while JD Dumas is musical director and Kenneth Gammie is conductor. Tickets range in price $17 - $57 and are on sale now through VisTix at (760) 724-2110 and online at moonlightstage.com.

On the very day that the newsboy strike began on July 18, 1899, Moonlight Stage Productions will open its second show of its summer season, DISNEY'S NEWSIES. The San Diego Regional Premiere production will run July 18 - August  4 at the Moonlight Amphitheatre.

The San Diego Theatre Critics Circle has announced the nominations for its 16th annual Craig Noel Awards for Theatrical Excellence, which will be presented in a ceremony on Feb. 12, 2018, at the Jacobs Center for Neighborhood Innovation in San Diego.

Frequently described as a cross between steel and gossamer, Kander and Ebb's musical of Manuel Puig's mind-boggling novel Kiss of the Spider Woman is nothing short of breathtaking when properly produced. Dealing with reality versus illusion (steel, for prison bars and gossamer, the feminine side of Molina's mind), the play adapts perfectly to musical form, where Molina (Jeffrey Scott Parsons) and his troupe play out Aurora's (Natalie Nucci) screen life through song and dance. In fact, I've always found the musical more intriguing than Hector Babenco's 1985 film also because of the omnipresent operatic themes of romance, love, passion, violence and betrayal.

Sometimes what you're searching for is right where you started. The Fountain Theatre presents a powerful, funny and deeply moving mother-daughter story byJeremy J. Kamps. Multiple award-winning Shirley Jo Finneyreturns to the Fountain to direct the world premiere of Runaway Home for a Sept. 16 opening.

TLAB Shares and Convergences Theatre Collective have unveiled a first look at Liz Stanton* in The Woman Who Was Me, written by Peter Grandbois and directed by Jeremy Williams. The Woman Who Was Me is currently playing through Sun, June 11th at TheaterLab NYC (357 West 36th Street, New York, NY 10018). Scroll down for photos!

Stage Raw announces the nominations for its third annual awards show 'A Wake and Sing!,' coming Monday, May 15 to Los Angeles Theatre Center, 514 S. Spring Street, Downtown.

Jacob's Pillow Dance announces a major expansion of its popular curated online video collection, Jacob's Pillow Dance Interactive. Beginning today, the site will feature a series of multimedia essays from renowned dance scholars on three distinct themes: Tap, Women in Dance, and Dance of the African Diaspora.

The Los Angeles premiere of playwright Elizabeth Irwin's MY MAñANA COMES receives a very detailed mounting at the Fountain Theatre. Armando Molina quite ably directs his very talented cast at a quick clip with Irwin's very words-heavy dialogue flowing non-stop from the quartet. Ingenious scene changes advancing time progression - So innovative. So effective.

Just beyond the elegant dining room of an Upper East Side restaurant, service workers angle for shifts, pray for tips and cling to dreams of life beyond their daily back-of-house grind. Armando Molina directs the Los Angeles premiere of My Mañana Comes by Elizabeth Irwin, opening April 16 at the Fountain Theatre in Hollywood.

The Fountain Theatrecontinues its 15-year relationship with master playwright Athol Fugard, presenting the West Coast premiere of his newest play. Directed by Simon Levy, The Painted Rocks at Revolver Creek opens on November 7 at the Fountain Theatre in Hollywood.

The Fountain Theatre continues its 15-year relationship with master playwright Athol Fugard, presenting the West Coast premiere of his newest play. Directed by Simon Levy, The Painted Rocks at Revolver Creek opens tonight, November 7 at the Fountain Theatre in Hollywood.

The Colony Theatre is pleased to announce that it is bringing to its mid-size Equity theatre the wildly successful, LA Times Critic's Choice production of EL GRANDE CIRCUS DE COCA-COLA by Ron House, directed by Alan Shearman and based on El Grande de Coca-Cola by Ron House, Diz White, Alan Shearman, and John Neville-Andrews.

The Fountain Theatre continues its 15-year relationship with master playwright Athol Fugard, presenting the West Coast premiere of his newest play. Directed by Simon Levy, The Painted Rocks at Revolver Creek opens on November 7 at the Fountain Theatre in Hollywood.

Legendary Off-Broadway extravaganza spawns a sequel, El Grande CIRCUS de Coca-Cola is now making its World Premiere in Los Angeles at the Skylight Theatre, and will add performances through September 30, 2015.