One of just a handful of this style poster released to promote Universal's 1933 monster classic The Invisible Man may bring as much as $125,000 in Heritage Auctions' Movie Poster auction March 21-22. The sale is filled with first-time offerings ranging from stone litho masterpieces to early War and advertising posters.
Ian McKellen is giving fans a peek into what his life was like while working on Lord of the Rings. He took to Twitter yesterday to share a link to some journal entries, during his time working on the film franchise over 20 years ago.
The CoHo Clown CoHort is cooking up the classical music/monster mash-up you never knew you needed, just in time for Fertile Ground 2020. Step into the lab to see what happens when you take Mary Shelley's classic horror novel Frankenstein, mix in elements from James Whale's dark cinematic interpretation along with Abbot & Costello's precise wackiness, throw in classical music legends Beethoven and Chopin (why not?), add a healthy pinch of Romanticism, and distill it all with the pure physical comedy of clowning. The experimental ensemble that brought you Philip's Glass Menagerie and Witch Hunt returns for more Fertile Ground mischief when Beethoven & Chopin Meet the Bride of Frankenstein, January 25 - February 2 at CoHo Theatre.
Could Ian McKellen be headed back to Broadway? According to The New York Post, the actor says he'd consider bringing his one-man show, Ian McKellen On Stage, to the Great White Way.
Usually when people hear the word Frankenstein one image comes to mind: the inarticulate groaning hulk. Opening this weekend and running through Halloween on Stagecrafters' 2nd Stage is A. S. Peterson's version of Frankenstein, where The Monster is unlike the popular film adaptions that comes to everyone's mind. The play doesn't feature a terrifying and unthinking creature, instead The Monster feels emotions and asks questions that all humans ask themselves a?" according to Peterson, a?oehis Frankenstein is not your mama's Frankenstein.a?? BroadwayWorld Detroit was able to have an in-depth interview with the play's director, Andrew Clements, and the man behind The Monster in the show, Michael Meike, to find out what makes this new version so unique and thrilling, yet still be inspired by the classic Frankenstein story by Mary Shelley that audiences have come to know and love.
In his curtain speech, Artistic Director of Louisville's newest theatre company and director of this production stated that both the company and The Mystery of Irma Vep were long-held dreams coming true.
Who'd have ever thought a seven-foot-tall, dark, handsome and green chap a?' crafted from the bits and pieces of various fellows gone home to meet their maker, as it were a?' could prove to be so likable, charming and, we daresay, sexy? But leave it to Mel Brooks (and Gene Wilder, his co-writer on the 1974 film) to create such a protagonist and to surround him with memorable characters in a story set to music that's a wonderful homage to the very best of classic Broadway and silver screen musicals!
Profiles in History is proud to announce treasures from the collection of legendary Writer, Director, Producer, Frank Darabont, are going up for auction on July 11th in Los Angeles. Items include comic and illustration art, movie posters, props, costumes and more from some of the most iconic films and TV shows ever made. Highlights are below.
Arena Stage presents Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.
This review includes a longer than usual list of credits in the header, and that may point to a deficiency in the posting of other reviews, but the exception made here is to indicate the particularly balanced collaboration among the team members.
Rep Stage, the professional regional theatre in residence at Howard Community College (HCC), brings its 25th season to a close with Sam Shepard's "True West." Founded in 1993, Rep Stage's opening production featured director Vincent Lancisi, who has returned to helm "True West." This production also features Rep Stage's founding director Valerie Lash in the role of Mom.
2018 marks the 200th Anniversary of Frankenstein's publication. Mary Shelley was just 18 years old when she started writing it, and all of 20 by the time the first edition came out. Never out of print since, this enthralling tale of a mad scientist, who creates a grotesque but intelligent creature from assembled body parts is not only a seminal work of gothic horror, but also one of the earliest examples of science fiction literature. British author, Brian Aldiss (who would later write an unauthorised sequel - Frankenstein Unbound), is one of many literary luminaries to make the case that Shelley's book should be considered the very first science fiction novel, because it 'turns to modern experiments in the laboratory' to inspire and rationalise its fantastic events. Giving rise to countless imitators, Frankenstein has also spawned hundreds of stage and screen adaptations over the years - probably the most well-known being James Whale's haunting 1931 movie version starring Boris Karloff in what would become an iconic interpretation of The Creature, and Kenneth Branagh's flashy 1994 film, which featured a sensitive 'method' interpretation of Frankenstein's tragic creation from Robert De Niro.
Today the Lyric Hammersmith announces their 2018 Season comprising a new adaptation, an innovative Shakespeare staging, a major festival production, a stunning revival, an award-winning contemporary opera and a brand new dance production
The Film Society of Lincoln Center announces the lineup for Revivals, taking place during the 55th New York Film Festival (NYFF), September 28-October 15. The Revivals section showcases important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners.
King Kong (A Comedy) tries a little too hard for laughs, but captures some of the pathos of its 1933 movie inspiration in a breathless 80 minutes show..