On Thursday, June 16th, 1904 a young man and his new belle spent their first day together wandering the streets of Dublin. The experience had such a profound impact on him that over the following 2 decades he commemorated the milestone by writing a fictional account about the lives of a group of Dubliners on that eventful day.
The young man was James Joyce, that day is now universally known as Bloomsday, and his immortal novel, is Ulysses.
Soulpepper Theatre Company today announced programming details for the 2018 summer season line-up which includes three plays as well as an exciting concert series.
Hunter College President Jennifer J. Raab announced today the inaugural production of the Hunter Theater Project, the New York premiere of Anton Chekhov's UNCLE VANYA at the Frederick Loewe Theater at Hunter College (E. 68th Street and Lexington Avenue), directed by Richard Nelson. Translated byRichard Nelson, Richard Pevear, and Larissa Volokhonsky. This production is the first time renowned Russian literature translators Pevear and Volokhonsky will have a work premiere in New York City, following the show's world premiere at The Old Globe in San Diego, California. Previews for UNCLE VANYA begin Friday, September 7. The production runs through Sunday, October 14, with an official press opening on Sunday, September 16. Tickets are on sale now.
Keith Allen, Phil Davis, Paapa Essiedu, Rupert Graves, Gary Kemp, John Simm and Maggie Steed have joined the extraordinary company of Pinter at the Pinter, the unprecedented season featuring all twenty of Harold Pinter's one-act plays, running from September 2018 to February 2019, to mark the tenth anniversary of the Nobel Prize winner's death. The plays are directed by Jamie Lloyd, Patrick Marber, Ed Stambollouian, Lyndsey Turner and Lia Williams, with design by Soutra Gilmour, lighting design by Jon Clark and Richard Howell, and sound and music by George Dennis and Ben & Max Ringham. Further casting to be announced.
Lakewood Theatre Company opens its 66th season with international intrigue, super-power politics and romance in the musical rock opera Chess. The show begins July 6 and continuing through August 12, 2018 on the Headlee Mainstage at Lakewood Center for the Arts, 368 S. State Street in Lake Oswego.
Unlike the other the major characters in Travesties, the real Henry Carr holds little claim to fame. Stoppard learned about Carr and became intrigued by a real-life incident mentioned in a biography of James Joyce. In Zurich during World War I, Joyce worked with an English theatre to produce Oscar Wilde's The Importance of Being Earnest. Joyce cast a mix of professionals and amateurs, including Henry Carr, an Englishman living in exile, as the lead role of Algernon. Apparently, Carr gave an enthusiastic performance, but afterwards, a small financial dispute with Joyce escalated into dueling lawsuits. Carr sued Joyce for reimbursement on clothes he bought as his costume; Joyce counter-sued Carr for money owed on five tickets. Carr lost his case and was further punished by Joyce when he named an unlikeable character in Ulysses after Carr. Stoppard knew little more about the real Henry Carr while writing Travesties; however, after its 1974 London premiere, a surprise letter from Carr's widow provided more details of the real man's life.
New York's only immersive Bloomsday Breakfast -- hosted by Origin Theatre Company and Bloom's Tavern, 208 East 58th Street -- will be bursting with talent this year in an expanded edition, at a new time. Landing on a Saturday, the June 16 free event will begin at 11:30am instead of the usual time and feature an expanded line-up of talent and a juried costume competition that will be bigger and more festive than ever.
LAUNDRYFEST will make its world premiere at The Soap Box, 110 Saratoga Ave, Brooklyn NY 11233. The show will be comprised of site specific and site responsive pieces in an actual laundromat. The festival, produced by The Motor Company (Lillian Meredith, Artistic Director; Jessica Schmidt, Producing Director), will feature new short plays and musicals by Sean Pollock, Billy Recce, Ben Holbrook and Cherry Lou Sy. Directors include NJ Agwuna, David Kahawaii, Phoebe Padget, and Lillian Meredith. The festival is co-curated and co-produced by Sean Pollock. The performance schedule is Today, June 8th, Saturday June 9th, Today, June 15th, and Saturday June 16th at 9:00PM; Sunday June 10th and Sunday June 17th at 7:00PM. Admission is free of charge to the public.
SHN today announced a special engagement of the most acclaimed American play in recent memory: The Humans, which will be coming to the SHN Orpheum Theatre in San Francisco from June 5 through 17, 2018.
The Play Company (PlayCo), led by Founding Producer Kate Loewald and Managing Director Robert G. Bradshaw, today announces the complete cast for Toshiki Okada's Time's Journey Through a Room, marking PlayCo's third collaboration with Okada, translator Aya Ogawa, and director Dan Rothenberg, May 10 - June 10, 2018. This haunting play, set in post-Fukushima Japan, will star three Japanese born performers, all of whom are now based in New York: Yuki Kawahisa (Honoka), Maho Honda (Arisa) and Kensaku Shinohara (Kazuki). The play is both an intimate examination of how we move forward from life-altering events, and a study of how we experience time, asking whether we can ever be alive to the present moment.
Buffalo, New York will join hundreds of cities around the world in the festivities surrounding Bloomsday, the international celebration of James Joyce's literary masterpiece Ulysses, on Saturday, June 16.
The most honorable of the honorable mentions in 2018's Tony race will likely turn out to be Travesties, Tom Stoppard's 1974 tragifarce which took top Tony honors for Best Play and Best Actor (John Wood) in 1976 and is now putting up a game bid for Best Revival, Best Actor (Tom Hollander) and Best Director (Patrick Marber).
Previews begin this Friday, June 1 for the Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) world premiere production of LOG CABIN, a new play by Pulitzer Prize finalist Jordan Harrison (Marjorie Prime, Maple and Vine, Doris to Darlene at Playwrights; "Orange Is the New Black"). Directed by Tony Award and Obie Award winner Pam MacKinnon (Clybourne Park, The Qualms at Playwrights; Who's Afraid of Virginia Woolf?, The Parisian Woman), LOG CABIN is the sixth and final production of the theater company's current 2017/2018 Season.
A group of young performers (Donna Lee, Darell Hanes, Alexander Simoes, Carrie Getman, Udo Wiegand, and Sara McKee) work with 100% commitment, futilely trying to turn Ken Shakin's THE WANDERING, a musicalized re-imagining of James Joyce's 'Ulysses,' (factually a short Oratorio), into a fully-staged operatic performance. They only partly succeed.
LAUNDRYFEST will make its world premiere at The Soap Box, 110 Saratoga Ave, Brooklyn NY 11233. The show will be comprised of site specific and site responsive pieces in an actual laundromat. The festival, produced by The Motor Company (Lillian Meredith, Artistic Director; Jessica Schmidt, Producing Director), will feature new short plays and musicals by Sean Pollock, Billy Recce, Ben Holbrook and Cherry Lou Sy. Directors include NJ Agwuna, David Kahawaii, Phoebe Padget, and Lillian Meredith. The festival is co-curated and co-produced by Sean Pollock. The performance schedule is Friday, June 8th, Today June 9th, Friday, June 15th, and Today June 16th at 9:00PM; Sunday June 10th and Sunday June 17th at 7:00PM. Admission is free of charge to the public.
At first glance, Travesties may seem to be a nearly impossible work to crack. Traversing literary styles and references, delving headfirst into the history of World War I and the Russian Revolution, and pitting dense intellectual arguments on the meaning and purpose of art against each other, Tom Stoppard's absurdist and avant-garde play can seem hopelessly out of reach for anyone who isn't an expert in these particular topics. But Stoppard has created a roadmap that allows his audiences to untangle the characters, plotlines, and references of Travesties as they watch, and his first clue for doing so is provided in the title of the play itself. What exactly, then, is a travesty?
LAUNDRYFEST will make its world premiere at The Soap Box, 110 Saratoga Ave, Brooklyn NY 11233. The show will be comprised of site specific and site responsive pieces in an actual laundromat. The festival, produced by The Motor Company (Lillian Meredith, Artistic Director; Jessica Schmidt, Producing Director), will feature new short plays and musicals by Sean Pollock, Billy Recce, Ben Holbrook and Cherry Lou Sy. Directors include NJ Agwuna, David Kahawaii, Phoebe Padget, and Lillian Meredith. The festival is co-curated and co-produced by Sean Pollock. The performance schedule is Friday, June 8th, Saturday June 9th, Friday, June 15th, and Saturday June 16th at 9:00PM; Sunday June 10th and Sunday June 17th at 7:00PM. Admission is free of charge to the public.
The U.S. Premiere of Toshiki Okada's Time's Journey Through a Room opens this Sunday, May 20, at the Mezzanine Theatre at the A.R.T./New York Theatres. Presented by The Play Company (PlayCo), led by Founding Producer Kate Loewald and Managing Director Robert G. Bradshaw, Time's Journey Through a Room is PlayCo's third collaboration with Okada, translator Aya Ogawa and director Dan Rothenberg. This haunting play, set in Japan after the Fukushima disaster, stars the Japanese-born, New York based performers Yuki Kawahisa (Honoka), Maho Honda (Arisa) and Kensaku Shinohara (Kazuki). The play is both an intimate examination of how we move forward from life-altering events, and a study of how we experience time, asking whether we can ever be alive to the present moment.
The Jamie Lloyd Company, Ambassador Theatre Group, Benjamin Lowy Productions, Gavin Kalin Productions and Glass Half Full Productions present an extraordinary season of Harold Pinter's one-act plays on the tenth anniversary of the Nobel Prize winner's death, performed in the theatre that bears his name.
Tim Hatley/Costume and Set Design
My starting point as a designer is always to read the play, and in the case of Travesties, which is a complex play, it required careful reading and thought to begin to understand the threads and layers of the writing, and talking closely with the director, Patrick Marber. It seemed to me that our production needed a strong yet simple approach to the design. The shifting of time and location is clear in the writing and did not need physical transitions to interrupt the flow. Our space is both present and memory, library and apartment, and allows for characters to appear and disappear within. The costumes are rooted strongly in the period, and their palette was developed in tandem with the development of the space. Cross references to Oscar Wilde's play, The Importance of Being Earnest, were an enjoyable anchor to designing the play.
