Thanks to the successful vaccines and the re-opening of clubs and cabaret rooms, we are starting to see a slow return to the normality of gathering to hear the work of fellow artists. I was privileged to be at such a gathering this afternoon when I attended the PANGEA SUNDAY OPEN MIC & JAZZ BRUNCH. Jazz Brunch was created before the pandemic by multi-award-winning cabaret artist, Sue Matsuki and her awesome musical director and composer, Gregory Toroian. And it is back with a bang, playing to a sold-out house.
BroadwayWorld in Omaha Columnist, Analisa Swerczek, sat down this week with one of Broadway's favorite leading ladies, Kelli O'Hara, to talk about life, performance, and what's next for her.
Tony nominee and Broadway star, Melissa Errico, will bring her “Sondheim by the Shore” concert to Holmdel Theatre Company on July 17. This show is part of the theatre’s “Broadway Outside the Barn” concert series.
After making a splashy smash with her Whitney Houston tribute show, Nicole Henry returns to the scene of the shine with a new nightclub act appropriately titled FEELING GOOD. Because she is.
Gavin Creel chatted about making his Lyric debut, his hopes for the future of equity and access on Broadway, and how he handled self-care during the height of the coronavirus pandemic.
Bob Nederlander Jr. and Nederlander Worldwide Productions, LLC announced today their plan to bring Darknights and Daydreams (working title), a new play adapted by Michael Uslan from his inspiring memoir, The Boy Who Loved Batman, to Broadway during the 2022 / 2023 season.
I keep asking myself if it’s worth it to sacrifice my time, energy and money to pursue a far fetch dream of working on Broadway. With all the paperwork I have to do, paying so much to move halfway around the world to a future with some much uncertainty. What keeps me motivated is this dream and the passion I hold on to.
Upon returning home, Los Angeles became stale for Santo as the city is wont to do. A partner breakup paired with the hiatus of HoneyHoney left her feeling lonely in her own home—sparking the cosmic relocation to Austin, TX—a city whose fingerprints are all over Yard Sale.
Our student bloggers write about how they're coping with the current global health crisis, give insight on their school's performing arts programs, share their opinions on the latest theater news, and so much more. An interview with cast members from A Strange Loop, a ranking of Glee songs, and more-- read the latest from our college student bloggers!
My junior year of college I was asked to stage manage Fleeting Full which was a compilation of 4 short Beckett plays. After just two rehearsals, I fell completely in love with the plays, specifically Act Without Words II.
What started as a family outing of dirt biking in the Moapa Valley 45 minutes from Planet Hollywood on the Las Vegas strip has turned into the latest passion for Criss Angel.
Westport Country Playhouse will open its all-virtual 2021 production season with the regional premiere of “Tiny House,” a timely new comedy about downsizing, going green, escaping urban life, and fresh starts, written by Michael Gotch, and directed by Mark Lamos, Playhouse artistic director.
There is an astonishing turn of events toward the end of I and You, but let’s not talk about that. Let’s talk about Walt Whitman instead.
Whitman was a revolutionary who overthrew poetry. He trashed the self-conscious, hyperstylized European tropes which had dominated the art and substituted something purely American: a rough, colloquial, muscular free verse which tumbles over itself like the streams and brooks of his Long Island home.
In honor of the 50th anniversary of Houston’s Rothko Chapel, DACAMERA and Rothko Chapel have commissioned boundary-breaking composer Tyshawn Sorey to create a new work inspired by the Chapel. In turn, Sorey drew inspiration from Morton Feldman’s 20th-century masterpiece, Rothko Chapel, which premiered there in 1972.
This Wednesday could be your day to own a piece of history from one of the brightest stars of Broadway's Golden Age. Doyle will feature pieces from the Celeste Holm Collection as a special section of the inaugural Stage & Screen auction on April 28, at 10am.
Je Ne Suis Pas Evangeline (I am not Evangeline) will be the final offering of the Digitus Theatrum Main Course subscription series, streaming April 22 - May 9th.
This year, the platform will again host the “How I Fell in Love With Jazz” video contest, which presented cash awards ($2,500 for first prize and $1,000 for second prize, with an additional 100 endearments of $100 to other entrants) for video diaries detailing jazz fans’ initial involvement with the music.
