Hila Plitmann News

DALLAS, TX, NOVEMBER 23, 2015 – The Dallas Opera is proud to announce that the gift of Christmas will come early this year for opera lovers in New York City!  The Texas opera company's world premiere production of Mark Adamo's Becoming Santa Claus will be simulcast—live—to 150 lucky music lovers in the David Rubenstein Atrium at Lincoln Center, located at 61 West 62nd Street, NY, NY 10023.

The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening on Friday, December 4th at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. 

DALLAS, NOVEMBER 11, 2015 – The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening on Friday, December 4that 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center.  

Jane Moss, Lincoln Center's Ehrenkranz Artistic Director, today announced details of the 49th season of Lincoln Center's Mostly Mozart Festival, New York's annual summer celebration of the genius of Mozart and his enduring impact, with vibrant performances running from today, July 25-August 22, 2015.

The third week of Lincoln Center's Mostly Mozart Festival, August 11 through 16, features 11 events comprising orchestral performances, late-night recitals, contemporary music, a lecture, and the U.S. stage premiere ofWritten on Skin, a highly-acclaimed opera by George Benjamin, this summer's Composer-in-Residence and the centerpiece of the Festival's focus on his music.

One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer. 

Orange County, Calif.-May 11, 2015-One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer. 

Jane Moss, Lincoln Center's Ehrenkranz Artistic Director, today announced details of the 49th season of Lincoln Center's Mostly Mozart Festival, New York's annual summer celebration of the genius of Mozart and his enduring impact, with vibrant performances running from July 25-August 22, 2015.

LA Phil Creative Chair John Adams leads the LA Phil New Music Group in an evening of edgy works by some of today's most avant-garde composers - HK Gruber, John Zorn and Olga Neuwirth - at Walt Disney Concert Hall, tonight, January 13, at 8 pm. The concert features performances by chansonnier Pieter Embrechts and countertenor Nathan Medley in a staged production by Chromatic, a Los Angeles-based production company led by director James Darrah.

LA Phil Creative Chair John Adams leads the LA Phil New Music Group in an evening of edgy works by some of today's most avant-garde composers - HK Gruber, John Zorn and Olga Neuwirth - at Walt Disney Concert Hall, Tuesday, January 13, at 8 pm. The concert features performances by chansonnier Pieter Embrechts and countertenor Nathan Medley in a staged production by Chromatic, a Los Angeles-based production company led by director James Darrah.

The Brooklyn-based composer Paola Prestini's work has been deemed "radiant [and] amorously evocative" by The New York Times, which has also hailed "her gift for bringing together disparate artists, technicians and other creative professionals to produce cross-disciplinary works greater than the sum of their parts." Her multimedia opera Oceanic Verses perfectly reveals her sensibility as a composer, a creator of multimedia productions, and a wholeheartedly entrepreneurially artist. She commissioned the work through her non-profit company, VisionIntoArt (VIA), whose new label, VIA Records, will release Prestini's music and collaborator Ali Hossaini's visuals as a beautifully designed CD/DVD package on November 18.

The first Los Angeles Philharmonic Green Umbrella series performance of the 2014/15 season showcases acclaimed ensemble So Percussion performing at Walt Disney Concert Hall, Tuesday, October 7, at 8 pm. The program features innovative works for percussion produced by two of Bang on a Can's co-founders, David Lang and Michael Gordon - Lang's the so-called laws of nature for four percussionists which was commissioned for and premiered by So Percussion, and Gordon's Timber, a piece played entirely on six 2x4 pieces of wood called simantras.

VisionIntoArt (VIA), the non-profit company founded by Brooklyn-based composer Paola Prestini, is pleased to announce the launch of a record label, VIA Records, with three inaugural albums this fall. The formation of the label expands upon VIA's already vast body of work, which, over the last ten years, has included commissioning and producing new music by a wide range of artists. VIA Records will help to broaden the canon of new multimedia works through the commissioning and recording of artists on VIA's roster.

VisionIntoArt (VIA), the non-profit company founded by Brooklyn-based composer Paola Prestini, is pleased to announce the launch of a record label, VIA Records, with three inaugural albums this fall. The formation of the label expands upon VIA's already vast body of work, which, over the last ten years, has included commissioning and producing new music by a wide range of artists. VIA Records will help to broaden the canon of new multimedia works through the commissioning and recording of artists on VIA's roster.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with 'From Screen to Score: New Concert Music by Famous Film Composers'-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ('Star Wars,' 'Raiders of the Lost Ark,' 'E.T., the Extra Terrestrial'), Howard Shore ('Lord of the Rings,' 'The Hobbit,' 'Hugo'), James Horner ('Titanic,' 'Star Trek,' 'Apollo 13') and Elliot Goldenthal ('Alien 3,' 'Batman Forever' and 'Batman and Robin'). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for 'Titanic' sold 30 million copies), yet their music is the least performed.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.

Pacific Symphony's newest recording of a three-part oratorio crafted by one of the most sought-after composers of his generation, Richard Danielpour, is set to be released by Naxos today, March 25.

Pacific Symphony's newest recording of a three-part oratorio crafted by one of the most sought-after composers of his generation, Richard Danielpour, is set to be released by Naxos on March 25. Written for the Persian holiday of Nowruz in 2012, "Toward a Season a Peace" was premiered by Pacific Symphony, conducted by Music Director Carl St.Clair, in the Renee and Henry Segerstrom Concert Hall in Orange County, Calif. The work features Pacific Chorale (Artistic Director John Alexander) and Grammy-winning soprano Hila Plitmann. By weaving together sacred passages with texts by the great Sufi poet Rumi, Danielpour explores violence and war in the name of religion, using the season of spring as a metaphor for change and transformation. The work was commissioned for the Symphony's 2012 American Composers Festival, "Nowruz-Celebrating Spring," presented in collaboration with the Farhang Foundation.

Pacific Symphony's newest recording of a three-part oratorio crafted by one of the most sought-after composers of his generation, Richard Danielpour, is set to be released by Naxos on March 25. Written for the Persian holiday of Nowruz in 2012, “Toward a Season a Peace” was premiered by Pacific Symphony, conducted by Music Director Carl St.Clair, in the Renée and Henry Segerstrom Concert Hall in Orange County, Calif. The work features Pacific Chorale (Artistic Director John Alexander) and Grammy-winning soprano Hila Plitmann. By weaving together sacred passages with texts by the great Sufi poet Rumi, Danielpour explores violence and war in the name of religion, using the season of spring as a metaphor for change and transformation. The work was commissioned for the Symphony's 2012 American Composers Festival, “Nowruz—Celebrating Spring,” presented in collaboration with the Farhang Foundation.