Tonight, June 4, 2012 Julia Jordan, Theresa Rebeck, Marsha Norman, Tim Sanford, Gary Garrison and The Committee for Recognizing Women in Theatre will present the 3rd Annual Lilly Awards at Playwrights Horizons. Named for playwright Lillian Hellman, The Lilly Awards were created to recognize the extraordinary contributions made by women to the American Theater. Producers, playwrights, actors, designers, and directors will be honored for their continued excellence in the theater community.
On June 4, 2012 Julia Jordan, Theresa Rebeck, Marsha Norman, Tim Sanford, Gary Garrison and The Committee for Recognizing Women in Theatre will present the 3rd Annual Lilly Awards at Playwrights Horizons. Named for playwright Lillian Hellman, The Lilly Awards were created to recognize the extraordinary contributions made by women to the American Theater. Producers, playwrights, actors, designers, and directors will be honored for their continued excellence in the theater community.
The Old Globe today announced that the World Premiere musical A Room with a View will receive an additional week of performances and will now run through April 15.
The Old Globe today announced the cast and creative team for the World Premiere of A Room with a View, a new musical based on the novel by E.M. Forster with book by Marc Acito, music and lyrics by Jeffrey Stock and additional lyrics by Acito. With direction by Scott Schwartz and music direction by Boko Suzuki, A Room with a View will run March 2 - April 8, 2012 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center. Preview performances run March 2 - March 9. Opening night is Saturday, March 10 at 8:00 p.m. Tickets are currently available by subscription only. Single tickets will go on sale on Sunday, Jan. 29 at 12:00 noon. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.
Today we are talking to a singular literary talent who has written for Broadway, Hollywood, television and film, but, besides her Pulitzer Prize-winning Broadway debut, ‘NIGHT MOTHER, which opened on Broadway in 1982, she is perhaps best known as the Tony-winning book-writer for two particularly beloved musicals of the last few decades: THE SECRET GARDEN and THE COLOR PURPLE. Generously covering her varied career writing for stage and screen, Ms. Norman and I discuss her process, her passions, her many projects old and new, and, most importantly, the two premieres she has looming large on the horizon in the next year, both coming after her highly successful collaboration with Jason Robert Brown on THE TRUMPET OF THE SWAN symphonic suite (available now on PS Classics) and the recent world premiere of her new play, THE MASTER BUTCHERS SINGING CLUB, at the Guthrie Theater: in addition to writing the book for Jason Robert Brown's musical adaptation of THE BRIDGES OF MADISON COUNTY, we also discuss her newest project for Theater For Humans which is focused on international women's and children's issues and the manner in which she will tackle the hot button topics of human trafficking and enslavement in it. Additionally, we touch on the bumpy Broadway road of THE RED SHOES and working with Jule Styne, NY versus LA, musicals versus plays, GLEE, WEST SIDE STORY at the Hollywood Bowl, playwrighting pal Teresa Rebeck, as well as much, much more!
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
On Tuesday, March 22, New York City Opera's spring season opening features Donizetti's The Elixir of Love in a revival of Jonathan Miller's production.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
Today New York City Opera released full casting, creative team, and production details for the company's 2010-2011 season. The season spotlights American composers and 20th-century works, world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season also will feature the launch of a new concert series showcasing the non-operatic works of several of the composers whose operas will be presented on the mainstage.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
'101 DALMATIANS' not baby enough to be considered children's theatre, nor polished or bulky enough to be a typical flashy Loop arrival, but BT McNicholl and Dennis DeYoung's show is a perfect family outing.
You don't have to be a dog lover to enjoy The 101 Dalmatians Musical, but it doesn't hurt! Now onstage at the Tennessee Performing Arts Center's Andrew Jackson Hall, the national touring company of the musical by Dennis DeYoung and BT McNicholl delivers a production that is pleasantly diverting, tuneful and fun to watch. Add those adorable doggies to the mix and it just adds to the fun you have during the two hours you're caught up in Dodie Smith's story of animals and 'their pets,' starring the gloriously over-the-top Rachel York as Cruella DeVil.
Rachel York steals the spotlight while alter ego Cruella De Vil steals the spotted pups in 'The 101 Dalmatians Musical' at Citi Performing Arts Center Wang Theatre for limited engagement
Emerging playwright Marisa Wegrzyn is the recipient of the 2009 Wasserstein Prize for her play Hickorydickory. The Wasserstein Prize was established in memory of the Pulitzer and Tony Award-winning playwright Wendy Wasserstein, who died in 2006. The $25,000 prize is awarded for an outstanding script by a young woman who has not yet received national attention. The Wasserstein Prize is funded by the Educational Foundation of America (EFA) and administered by Theatre Development Fund. It will be presented by Wendy's life-long friend and EFA Board member Heidi Ettinger and TDF's Executive Director Victoria Bailey at a reception at The Players at 16 Gramercy Park South in New York City on Tuesday, December 1. In addition to the $25,000 prize, Ms. Wegrzyn's play, Hickorydickory, will receive a reading at Second Stage Theatre in New York City.
