Long Beach Opera (LBO) announces the world premiere of Fallujah, the first opera composed about the Iraq War experience. This powerful work by Canadian composer Tobin Stokes and Iraqi-American librettist Heather Raffo is about the anguish of war, the residual scars of battle, and the search for hope and redemption. Like many veterans returning from combat, the opera's central character struggles to come to terms with the violence he has experienced and to reconnect the broken bonds to his family and friends.
Long Beach Opera (LBO) announces the world premiere of Fallujah, the first opera composed about the Iraq War experience. This powerful work by Canadian composer Tobin Stokes and Iraqi-American librettist Heather Raffo is about the anguish of war, the residual scars of battle, and the search for hope and redemption. Like many veterans returning from combat, the opera's central character struggles to come to terms with the violence he has experienced and to reconnect the broken bonds to his family and friends.
The University of the Arts' Ira Brind School of Theater Arts announces the 2016 lineup for Polyphone, a "festival of the emerging musical" on the UArts campus in Philadelphia. Running March 20-27, the 2016 the Polyphone festival produces staged concerts of new musicals and re-imagined canonical works offering professional composers, librettists and directors an opportunity to develop their work among the rich creative community of the Brind School at UArts. The festival will program five musicals, including both classical and new works, with three performances each.
As part of the artist commissioning program New York Voices, Joe's Pub at The Public presents Estuary: an artist/mother story, a new show conceived and written by Jamie Leonhart and directed by Joanna Settle. Estuary's original music is co-written and arranged by Grammy-winner Michael Leonhart. This presentation of Estuary features a live band that includes Saskia Lane, Pauline Kim, Sara Phillips Budde and Katie Scheele. Performances will run Monday through Wednesday, November 1-3 at 7:00PM at Joe's Pub at The Public (425 Lafayette, NYC). Tickets are ($20) available now online, via phone (212.967.7555) or in-person at The Public's Box Office.
Turning away from what she calls Oscar Wilde's "Dance of Death" and instead creating a "Dance of Life," internationally acclaimed adaptor-director Yael Farber has reinterpreted the biblical figure known as Salome as an agent of revolution whose mysterious act-demanding the head of John the Baptist-changed the course of history. The world premiere of Salome opens the Shakespeare Theatre Company's 2015-2016 Mainstage Season and marks the Company's entry in the Women's Voices Theater Festival. The production runs October 6-November 8, 2015, at the Lansburgh Theatre (450 7th Street NW).
Long Beach Opera's 2016 season has been announced and includes a new production of the 1974 version of Leonard Bernstein's comic operetta Candide, winner of four Tony Awards; the world premiere of Tobin Stokes' Fallujah, with a libretto by Iraqi-American Heather Raffo, based on the story of a US Marine and his experience during the Iraq war; Suzan Hanson starring in Francis Poulenc's La Voix Humaine (The Human Voice), a moving monodrama about unrequited love; and the West Coast premiere of the video-pop opera The News by Jacob TV – the Andy Warhol of new music.
Join us for an evening investigating contemporary Arab American Theatre and for the launch of the new Segal Center journal, Arab Stages, by Editor-in-Chief, Marvin Carlson. 'Towards an Arab American Theatre' will present readings, panels, screenings and a book celebration for free on Monday, December 8.
The monologues will be read at a public reading tonight, November 6, 2014 following the 8:00 p.m. performance. The writers will also receive a session with American Voices New Play Institute Dramaturg Jocelyn Clarke, a listing in the Our War program and an award certificate. The finished monologues along with video clips of the performed monologues will be posted on Arena Stage's website and shared via social media. Directed by Anita Maynard-Losh, Our War runs October 21 - November 9, 2014 in the Arlene and Robert Kogod Cradle.
In a bold undertaking as part of the company's involvement with the multi-year, multi-city National Civil War Project, Arena Stage at the Mead Center for American Theater has commissioned Our War, a dynamic new theatrical event and collection of short stories that explores-through diverse perspectives-the historical memory and present-day reverberations of the U.S. Civil War. The series launched on October 21 and continues through November 9, 2014. BroadwayWorld has a first look at opening night below!
It's not an easy one, but there are ample chances to not only marvel at the work it took to put it together, but the ambition of the actors and creative team.
In a bold undertaking as part of the company's involvement with the multi-year, multi-city National Civil War Project, Arena Stage at the Mead Center for American Theater has commissioned Our War, a dynamic new theatrical event and collection of short stories that explores-through diverse perspectives-the historical memory and present-day reverberations of the U.S. Civil War. The series launched on October 21 and continues through November 9, 2014. BroadwayWorld has a first look at the cast in action below!
In a bold undertaking as part of the company's involvement with the multi-year, multi-city National Civil War Project, Arena Stage at the Mead Center for American Theater has commissioned Our War, a dynamic new theatrical event and collection of short stories that explores-through diverse perspectives-the historical memory and present-day reverberations of the U.S. Civil War. The series launches today, October 21, and continues through November 9, 2014.
In a bold undertaking as part of the company's involvement with the multi-year, multi-city National Civil War Project, Arena Stage at the Mead Center for American Theater has commissioned Our War, a dynamic new theatrical event and collection of short stories that explores-through diverse perspectives-the historical memory and present-day reverberations of the U.S. Civil War. The company just met the press, and BroadwayWorld has photos below!
In June, Arena Stage at the Mead Center for American Theater announced a national call for three-minute monologues held in conjunction with the world premiere of Our War, a dynamic new theatrical event and collection of short stories by 25 esteemed playwrights that explores--through diverse perspectives--the historical memory and present-day reverberations of the U.S. Civil War. The open monologue contest inspired by Our War brought in more than 150 entries from around the world, and the theater is pleased to announce the three winning monologues: Tree by Dave Lankford of New York, NY; Mary/Marcus by Sarah Pitard of London, UK; and The Peacock's War by Lisa Sillaway of Wichita, KS.
Troubled by the news here at home and coming out of the Middle East, Noor Theatre's leadership grappled with how to engage artistically and meaningfully with the world around them. Their programming is a direct response to these questions - questions that they look to their community of artists and audience to help answer.
In a bold undertaking as part of the company's involvement with the multi-year, multi-city National Civil War Project, Arena Stage at the Mead Center for American Theater has commissioned Our War, a dynamic new theatrical event and collection of short stories that explores-through diverse perspectives-the historical memory and present-day reverberations of the U.S. Civil War.
The Davis Performing Arts Center and the Laboratory for Global Performance and Politics at Georgetown University, a joint initiative between the Theater and Performance Studies Program and the School of Foreign Service, are pleased to announce that they will present MYRIAD VOICES: A CROSS-CULTURAL PERFORMANCE FESTIVAL. This series of performances from leading artists around the world will be accompanied by convenings, public forums, interdisciplinary courses, and the creation of new work. Georgetown is one of six campuses nationwide to receive a competitive grant from the Association of Performing Arts Presenters (APAP), funded by the Doris Duke Charitable Foundation and the Doris Duke Foundation for Islamic Art. This two-year Festival is part of the Building Bridges Campus Community Engagement Program - Expanding Awareness and Understanding about Muslim Societies through the Performing Arts.
