Hannah Kenah News

The Austin-based theatre collective Rude Mechs opens 'The Method Gun' at Center Theatre Group's Kirk Douglas Theatre on Wednesday, June 15. Part of the CTG's DouglasPlus program and the Radar L.A. theatre festival, this inventive, lively and playful production has one preview on June 14 and continues through June 26, 2011.

The Austin-based theatre collective Rude Mechs bring their characteristically inventive, lively and playful production, "The Method Gun," to the Kirk Douglas Theatre June 14 through 26, 2011, as part of Center Theatre Group's DouglasPlus.

Austin, Texas-based ensemble, The Rude Mechanicals (fondly known as the Rude Mechs) are creating a spectacle at the Dance Theater Workshop with Kirk Lynn's THE METHOD GUN.

Critically acclaimed Austin, TX ensemble, Rude Mechs, returns to New York and makes its Dance Theater Workshop debut with the New York premiere of THE METHOD GUN, a piece exploring the life and techniques of Stella Burden, an apocryphal actor-training guru of the 60s and 70s. Ms. Burden's training technique, The Approach - often referred to as 'the most dangerous acting technique in the world' - fused Western acting methods with risk-based rituals in order to infuse even the smallest role with sex, death and violence.

The discourse surrounding new play development continues within the American Voices New Play Institute at Arena Stage at the Mead Center for American Theater, as the company presents the #NewPlay Festival.

The discourse surrounding new play development continues within the American Voices New Play Institute at Arena Stage at the Mead Center for American Theater, as the company presents the #NewPlay Festival.

The 34th annual Humana Festival of New American Plays, made possible by a generous grant from The Humana Foundation, will continue with The Method Gun, created by Austin?based theatre troupe Rude Mechs and written by Kirk Lynn. The Method Gun is a play about the ecstasy and excesses of performing, the dangers of public intimacy, and the incompatibility of truth on stage and6 sanity in real life.