In addition to adapting the script for Idle Muse Theatre Company's upcoming production The Hound of the Baskervilles,Shanghai Low Theatricals will design the puppetry for the production. Althos Low is the pen name for Shanghai Low Theatricals, an adaptation development group based in Chicago. Formed in 2001 as a group of theatre craftspeople adapting literary works for the stage, in 2009 the company expanded into the creation of graphics and visual development. In 2014 the group adapted George Orwell's Animal Farm for Director Hallie Gordon and the Steppenwolf Young Adults Program. For the Baskervillescollaboration, Steve Pickering serves as Adaptor, with input from the company, and House Artists Fred Baxter and Tom Kyzivat provide pre-production concept art. Pickering received a Joseph Jefferson Award for designing the costumes, masks, and puppets for Balliwick Repertory's production of Animal Farm in 1988.
Idle Muse Theatre Company announced casting forThe Hound of the Baskervilles, newly adapted by Althos Low and directed by Idle Muse Artistic Director Evan Jackson. First serialized in the Strand Magazine in 1901-1902 - and perhaps the most beloved of Conan Doyle's crime thrillers - Sherlock Holmes and Dr. Watson trade the foggy streets of London for the country wilds of Dartmoor to shield the life of a young heir whose family is believed cursed by a murderous hellhound.
Idle Muse Theatre Company's 10th season continues with The Hound of the Baskervilles by Sir Arthur Conan Doyle, newly adapted by Althos Low and directed by IMTC artistic director Evan Jackson. First serialized in the Strand Magazine in 1901-1902 - and perhaps the most beloved of Conan Doyle's crime thrillers - Sherlock Holmes and Dr. Watson trade the foggy streets of London for the country wilds of Dartmoor to shield the life of a young heir whose family is believed cursed by a murderous hellhound.
Rivendell Theatre Ensemble proudly announces its 2016 Season, 'The Body Politic.' As the election circus swirls around us, Rivendell Theatre Ensemble (RTE) presents a season in which the political is deeply personal. In the widening chasm between our diverse American dreams and the ways elected officials actually conduct our nation's affairs, we offer three bold productions, all directed by women RTE ensemble members, about women choosing to take matters into their own hands. The season will be performed at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago.
The Trap Door Theatre is proud to announce a two-week extension for THE FAIRYTALE LIVES OF RUSSIAN GIRLS, written by Meg Miroshnik and drected by Nicole Wiesner. The production will now close on Saturday, December 5, 2015 at 8PM.
As Steppenwolf Theatre Company enters its 40th anniversary season, the Steppenwolf Associates -- a group of highly motivated and passionate young professionals -- kick off the fall season with a new event, UNLOCKED: 1984.
Due to popular demand, Steppenwolf for Young Adults (SYA) extends the critically acclaimed production of George Orwell's 1984, adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon. Hailed as "highly recommended…chilling, hard-hitting" (Chicago Sun-Times) and "a skillful blend of grimy proletariat despair and slick multimedia collage" (Chicago Tribune), 1984 adds three additional public performances, extending the run through November 21, 2015 in Steppenwolf's Upstairs Theatre with the original cast. Tickets ($20; $15 with student ID) to the added performances are now on sale through Audience Services (1650 N Halsted St) at 312-335-1650 and steppenwolf.org.
Steppenwolf for Young Adults' production of 1984 opens on Collette Pollard's stark, barren set. No objects are present onstage, except for plain wooden sets of drawers on the perimeter and two prison cell-like spaces up above. The stage itself sets the tone for the narrative of what has been described as a "negative utopia": the regimented society that George Orwell laid out in his classic 1949 aimed to suppress original thought and feeling. Orwell's vision for the future was not ideal and optimistic but rather extremely bleak in its depiction of future society. With direction by Hallie Gordon, Andrew White's adaptation of 1984 effectively and clearly tells the story of this oppressive and startling vision of the fictional nation Oceania (a hybrid of the United States and the United Kingdom). As Joseph A. Burke's clever and expertly executed projections bombard audiences with images bordering on a fitting sensory overload, we certainly have the sense that Big Brother is watching over us all.
On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, 1984 receives a multi-media production that is a haunting, shockingly timely look at a future that seems disturbingly present. Performances began October 21 and continue through November 20, 2015 in the Upstairs Theatre (1650 N Halsted St); the press performance is Saturday, October 24 at 3pm. BroadwayWorld has a first look at the cast in action below!
On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, Orwell's 1984 receives a cutting-edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman. BroadwayWorld has a sneak peek at the company in rehearsal below!
The Trap Door Theatre is set to present The Fairytale Lives of Russian Girls. The show opens October 15 and runs through November 21. For more information or to make reservations go to www.trapdoortheatre.com, or call 773-384-0494.
On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, Orwell's 1984 receives a cutting-edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman. BroadwayWorld has a sneak peek at the company in rehearsal below!
As Steppenwolf Theatre Company enters its 40th anniversary season, the Steppenwolf Associates -- a group of highly motivated and passionate young professionals -- kick off the fall season with a new event, UNLOCKED: 1984.
On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, Orwell's 1984 receives a cutting-edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman.
Steppenwolf for Young Adults (SYA) is pleased to announce casting for the first production of its 2015/16 season, George Orwell's 1984, adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon. Gordon, who directed last season's sold-out production of Animal Farm, brings Orwell's dystopian masterpiece to the stage in a cutting edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman.
Steppenwolf for Young Adults (SYA) is pleased to launch its 2015/16 season with George Orwell's 1984, adapted by Andrew White, directed by SYA Artistic and Educational Director Hallie Gordon, who directed last season's critically acclaimed production of George Orwell's Animal Farm. White received a 2004 Joseph Jefferson Award for Best Adaptation for George Orwell's 1984. The season concludes with the world premiere of The Compass, devised and directed by Michael Rohd. The Compass is an interactive experience that explores the intersection of technology and decision-making.
Where does art belong and who gets to make it? Acclaimed playwright Idris Goodwin and Louder Than a Bomb creator Kevin Coval asked these questions in Steppenwolf for Young Adult's recent production of This is Modern Art (Based on True Events). This is Modern Art represents the true story of Chicago graffiti crew MUL, depicting the events leading up to and following their decision to carry out the biggest graffiti bomb of their career on the modern wing of the Art Institute of Chicago. This is Modern Art asked audiences to start a revolution, and the Chicago theatre community did- more than anyone expected.
Where does art belong and who gets to make it? Acclaimed playwright Idris Goodwin and Louder Than a Bomb creator Kevin Coval asked these questions in Steppenwolf for Young Adult's recent production of This is Modern Art (Based on True Events). This is Modern Art represents the true story of Chicago graffiti crew MUL, depicting the events leading up to and following their decision to carry out the biggest graffiti bomb of their career on the modern wing of the Art Institute of Chicago. This is Modern Art asked audiences to start a revolution, and the Chicago theatre community did- more than anyone expected.
Steppenwolf for Young Adults (SYA) presents This Is Modern Art (based on true events) written by acclaimed playwright and hip-hop artist Idris Goodwin (Blackademics, How We Got On) and 'Louder Than A Bomb' founder Kevin Coval. Directed by Lisa Portes, this world premiere production concludes SYA's 2014/15 season, which explores the theme, 'Create a Movement: The Art of Revolution.'
Steppenwolf for Young Adults (SYA) presents This Is Modern Art (based on true events) written by acclaimed playwright and hip-hop artist Idris Goodwin (Blackademics, How We Got On) and 'Louder Than A Bomb' founder Kevin Coval. Directed by Lisa Portes, this world premiere production concludes SYA's 2014/15 season, which explores the theme, 'Create a Movement: The Art of Revolution.'
