Githa Sowerby News

Mint Theater will open Days to Come by Lillian Hellman on Sunday August 26th. Performances have been extended through October 6th at Theatre Row (410 West 42nd Street). 

Mint Theater will extend the revival of Days to Come by Lillian Hellman, hailed as  "one of the most important playwrights of the American theater" (New York Times). Performances will now continue through October 6th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.

Mint Theater presents a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin August 2nd and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.

Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin this Today, August 2nd, and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.

Mint Theater presents a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin August 2nd and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.

Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin this Thursday, August 2nd, and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.

Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, 'one of the most important playwrights of the American theater' (New York Times). Performances will begin August 2nd and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.

The University of Washington School of Drama, under the leadership of outgoing Executive Director Todd London, incoming Executive Director Lynn M. Thomas and incoming Associate Director Geoff Korf, is pleased to announce our 2018 -2019 season.

With The Assassination of Katie Hopkins in rehearsals, Artistic Director of Theatr Clwyd, Tamara Harvey and Executive Director, Liam Evans-Ford today announce the 2018 Autumn Season for the company. This includes an all-female cast in a co-production with Sherman Theatre of Lord of the Flies and a first-time co-production with Clean Break of the world premiere of Thick as Thieves from award-winning Welsh playwright Katherine Chandler.

Robert Hastie today announces Sheffield Theatres' new season, his third as Artistic Director. The season brings another brand new British musical to the Crucible stage, presenting world premieres of bold and political new plays, and the celebrated Christmas musical at the Crucible Theatre.

Griffin Theatre Company has announced its 30th Anniversary Season, featuring four productions exploring the theme 'the journeys we take to find ourselves,' including two Chicago premieres.

In their new City Center home, the Mint presents the American premiere of the Irish playwright's workplace drama.

Mint Theater (Jonathan Bank, Producing Artistic Director; Jen Soloway, Managing Director) today announced that the next production, Women Without Men, will begin performances January 30th and continue through March 26th at New York City Center Stage II (131 West 55th Street). The play explores the clash of conflicting natures and petty competitions that erupt amongst the cloistered teaching staff of an all-girls boarding school.

Sheffield Theatres and Orange Tree Theatre present Deborah Bruce's The Distance. Charlotte Gwinner directs Michelle Duncan (Bea), Charlotte Emmerson (Alex), Daniel Hawksford (Dewi), Charlotte Lucas(Kate), Timothy Knightley (Simon), Steven Meo (Vinnie) and Joshua Sinclair-Evans (Liam). The production opens tonight 3 November, with previews from 29 October, and runs until 14 November at Sheffield Theatres, ahead of a run at Orange Tree Theatre from 26 November to 19 December.

Sheffield Theatres and Orange Tree Theatre today announce the cast for Deborah Bruce's The Distance. Charlotte Gwinner directs Michelle Duncan (Bea), Charlotte Emmerson (Alex), Daniel Hawksford (Dewi), Charlotte Lucas(Kate), Timothy Knightley (Simon), Steven Meo (Vinnie) and Joshua Sinclair-Evans (Liam). The production opens on 3 November, with previews from 29 October, and runs until 14 November at Sheffield Theatres, ahead of a run at Orange Tree Theatre from 26 November to 19 December.

The Washington Stage Guild announces its 30th Season of our distinctive repertory, an array of eloquent plays of idea and argument, passion and wit-smart theatre for a smart town!

St. James Theatre & Barry Satchwell-Smith have just announced that one of Britain's most popular musical stars, Marti Webb, will perform the original production of Andrew Lloyd Webber and Don Black's classic Tell Me On a Sunday from 7-12 January 2014. Tickets go on sale on Friday 22 November. Press night is on 8 January 2014.

Following the critical success of last year's A GOVERNMENT INSPECTOR, Northern Broadsides' associate director Conrad Nelson and playwright Deborah McAndrew once again team up, this time bringing their brand of Northern inventiveness and humour to Nikolai Erdman's dark comic classic The Suicide. Courtesy of Nelson and McAndrew The Suicide becomes THE GRAND GESTURE in a sharp new adaptation that updates it from 1920s Russia to 21st Century Britain.

Following the critical success of last year's A GOVERNMENT INSPECTOR, Northern Broadsides' associate director Conrad Nelson and playwright Deborah McAndrew once again team up, this time bringing their brand of Northern inventiveness and humour to Nikolai Erdman's dark comic classic The Suicide. Courtesy of Nelson and McAndrew The Suicide becomes THE GRAND GESTURE in a sharp new adaptation that updates it from 1920s Russia to 21st Century Britain.