Ginger Costa-Jackson News

Seattle Opera presents Cinderella!

Since I was last here I've had 3 jobs one right after the other, 1 red eye flight to get to the next rehearsal

Rhyming a?oeGingera?? with a??Singera?? may be a stretch, but in Ginger Costa-Jackson's case, it might well be appropriate.

For the Costa-Jackson sisters, singing isn't just a passion, it's a family business. Ginger, Marina, and Miriam Costa-Jacksona?"all recent or upcoming performers with Seattle Operaa?"are offering a special, one-night-only concert at McCaw Hall on Nov. 2. Audiences can expect an entertaining mix of opera, Broadway, and Neapolitan hits from these glamorous Sicilian-Americans. Each a rising star in her own right, the singers are especially memorable when performing together.   

Seattle Opera presents Cinderella!

When stage director Lindy Hume last worked at Seattle Opera, her powerful Rigoletto sparked important #MeToo conversations with a story intended to be devoid of hope. Next up, she's bringing something completely different to McCaw Halla?"a sparkling fairytale that families will fall in love with.

One of the nation's most adventurous opera companies, Odyssey Opera, presents the fully staged production of La belle Hélène (The Beautiful Helen) by Jacques Offenbach with libretto by Henri Meilhac and Ludovic Halévy. This final performance of Odyssey Opera's sixth season is the last of three works performed in 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. Directed by Frank Kelley, this performance will be sung in English with mezzo-soprano Ginger Costa-Jackson (Met Opera, San Francisco Opera) playing the lead role of Helen of Troy, and orchestra and chorus conducted by Gil Rose.

Bizet's Carmen is often labeled as a sexy opera. The leading lady is a woman who sings unabashedly of her appetite for l'amour, cigarette smoke billowing from her lips. And the music some of the most iconic in the art form can't help but get under one's skin; it's that tuneful and seductive. This May, Seattleites will be able to experience this titillating opera for themselves through a new production of Carmen under the baton of Maestro Giacomo Sagripanti, who returns following The Barber of Seville ('17). Renowned British director Paul Curran and production designer Gary McCann will treat audiences to lavish sets and a multitude of stylish factory girls, townsfolk, smugglers, soldiers, and toreadors.

San Diego Opera is the 13th company since 2011 to cast mezzo-soprano Ginger Costa-Jackson in the title role of Bizet's Carmen. Her voice, sultry looks, and sensuous flamenco dancing are perfect for the role. She even manages castanets in perfect rhythm without missing a step. The considerable powers of persuasion she brings to Carmen make it easy to accept that the malleable young Corporal Don Jose would desert his childhood sweetheart, not to mention his loving mother and the army, to be with her and a band of smugglers in a cold and dangerous mountain lair. A less naive man might have realized he couldn't compete for ever with a bold, dashingly handsome matador.

Since 2011 Mezzo-soprano Ginger Costa-Jackson has sung the title role in 12 different productions of Bizet's Carmen. She will star in yet another this month for San Diego Opera. From here it's on to rehearsals for nine performances of Bizet's masterwork at Seattle Opera. Is the singer tiring of Carmen? Not even close. She loves the character's sense of freedom and empowerment, and works with each new director to make her performance even more convincing.

With a mix of new and traditional takes on opera, Seattle Opera unveils a 2019/20 Season that offers something for everyone. Audiences will experience new-to-Seattle productions of Rigoletto, Cinderella, and Eugene Onegin; the company premiere of Charlie Parker's Yardbird; and the return of a beloved classic, La boh me.

Seattle Opera announced today that General Director Aidan Lang will leave the company to become General Director of Welsh National Opera. The third General Director of Seattle Opera, Lang departs at the close of the 2018/19 season following a five-year tenure. Under Lang's leadership, Seattle Opera has: increased its audiences, particularly, young people, created a new civic home for opera at Seattle Center, introduced new chamber opera productions in locations around the city, and made organizational strides toward racial equity.

Bridge Records will issue the first complete recording of Marc Blitzstein's signature creation, the opera The Cradle Will Rock.

Bridge Records is issuing the first complete recording of Marc Blitzstein's signature creation, the opera The Cradle Will Rock.  The new recording features Blitzstein's original 1937 orchestrations and was recorded live at Opera Saratoga in July 2017. The performance features a stellar cast including Ginger Costa-Jackson as Moll; Keith Jameson as Harry Druggist; Christopher Burchett as Larry Foreman; Audrey Babcock as Mrs. Mister; and Matt Boehler as Mr. Mister.

Bridge Records is pleased to be issuing the first complete recording of Marc Blitzstein's signature creation, the opera The Cradle Will Rock. The new recording features Blitzstein's original 1937 orchestrations and was recorded live at Opera Saratoga in July 2017. The performance features a stellar cast including Ginger Costa-Jackson as Moll; Keith Jameson as Harry Druggist; Christopher Burchett as Larry Foreman; Audrey Babcock as Mrs. Mister; and Matt Boehler as Mr. Mister. The production is conducted by John Mauceri with direction by Lawrence Edelson. The two-disc set also includes a rare recording of Marc Blitzstein discussing the opera's opening night in 1937.

Bridge Records will be issuing the first complete recording of Marc Blitzstein's signature creation, the opera The Cradle Will Rock. The new recording features Blitzstein's original 1937 orchestrations and was recorded live at Opera Saratoga in July 2017. The performance features a stellar cast including Ginger Costa-Jackson as Moll; Keith Jameson as Harry Druggist; Christopher Burchett as Larry Foreman; Audrey Babcock as Mrs. Mister; and Matt Boehler as Mr. Mister. The production is conducted by John Mauceri with direction by Lawrence Edelson. The two-disc set also includes a rare recording of Marc Blitzstein discussing the opera's opening night in 1937.

On May 12, 2018, Los Angeles Opera presented a searing rendition of RIGOLETTO, Giuseppe Verdi's dark tale of curses and murder. Recently, General Director Placido Domingo said of this work, 'I can think of no opera that better demonstrates the power of deeply emotional music melded with incredibly gripping drama.'

Placido Domingo, LA Opera's Eli and Edythe Broad General Director, has announced final details about the company's spring presentation of Rigoletto, the classic tragedy by Giuseppe Verdi.

The San Diego Opera's 2018-19 season will feature three grand operas at the city's Civic Center and three smaller-scale productions at other venues. Seasoned opera buffs are likely to fill the 3000-seat Civic Center for The Marriage of Figaro, Rigoletto, and Carmen. But elaborate three-hour productions are a hard-sell for inexperienced listeners, many of whom believe that 45-seconds is about right for 'in-depth' news reporting. That's where the opera company's highly successful 'Detour Series' of shorter and more contemporary-feeling performances comes in. The two operas in that series next season are an English adaption of Engelbert Humperdinck's Hansel and Gretel, and Three Decembers, a chamber work by Jake Heggie, one of today's most successful operatic composers. The Detour series and the season conclude with 'One Amazing Night,' a recital devoted largely to Puccini and Verdi.

While not entirely rare for a single family to possess multiple musical talents, it's certainly unusual to see two people from the same family as leads in the same performance. Washington Concert Opera's Sunday evening performance of Maria di Rohan was such an anomaly: an opera featuring sisters. Maria di Rohan is a seldom-seen Donizetti gem that bridges the gap between Donizetti's contemporary on the Bel canto scene, Rossini, and the earlier vocal works of Verdi.