Lawrence Edelson, Producing Artistic Director of American Lyric Theater (ALT), announced today that the company has been awarded a $150,000 grant from The Andrew W. Mellon Foundation to support capacity building and the national expansion of the company's Composer Librettist Development Program (CLDP), the only full-time professional mentorship initiative for emerging operatic writers in the country.
The Glimmerglass Festival, Central New York's opera and musical theater company, has announced its 2014 season.
The Glimmerglass Festival, Central New York's opera and musical theater company, has announced its 2014 season.
More than half a century of artistic excellence and community engagement has earned The Dallas Opera a major role in shaping the national/international cultural reputation of Dallas. TDO has also made-and continues to make-an important contribution to the economic impact of the performing arts in North Texas.
The Dallas Opera presents Dominick Argento's riveting 1988 opera, THE ASPERN PAPERS, in a brand-new production to mark the twenty-fifth anniversary of its TDO world premiere. THE ASPERN PAPERS will open tonight, April 12, 2013 at 7:30 p.m. in the Margot and Bill Winspear Opera House.
The Dallas Opera presents Dominick Argento's riveting 1988 opera, THE ASPERN PAPERS, in a brand-new production to mark the twenty-fifth anniversary of its TDO world premiere. THE ASPERN PAPERS will open on the evening of Friday, April 12, 2013 at 7:30 p.m. in the Margot and Bill Winspear Opera House.
American Lyric Theater presents the next installment in its popular series, The Living Libretto, at the National Opera Center, tonight, February 6th, 2013. Featuring guest actors from the Broadway and off-Broadway stage, each event is the culminating reading of extensive libretto workshops conducted for new operas currently being written by ALT Resident Artists.
Lawrence Edelson, Producing Artistic Director of American Lyric Theater, announced today the national expansion of the company's core initiative, The Composer Librettist Development Program (CLDP). Through the use of newly acquired HD teleconferencing technology, gifted emerging artists with an interest in writing for the opera stage will be able to participate in the CLDP, regardless of where they live in the country.
Lawrence Edelson, Producing Artistic Director of American Lyric Theater, announced today the national expansion of the company's core initiative, The Composer Librettist Development Program (CLDP). Through the use of newly acquired HD teleconferencing technology, gifted emerging artists with an interest in writing for the opera stage will be able to participate in the CLDP, regardless of where they live in the country.
Lawrence Edelson, Producing Artistic Director of American Lyric Theater, announced today the national expansion of the company's core initiative, The Composer Librettist Development Program (CLDP). Through the use of newly acquired HD teleconferencing technology, gifted emerging artists with an interest in writing for the opera stage will be able to participate in the CLDP, regardless of where they live in the country.
American Lyric Theater presents the next installment in its popular series, The Living Libretto, at the National Opera Center, Wednesday February 6th, 2013. Featuring guest actors from the Broadway and off-Broadway stage, each event is the culminating reading of extensive libretto workshops conducted for new operas currently being written by ALT Resident Artists.
American Lyric Theater (ALT) has been awarded two grants of $15,000 each from OPERA America's THE OPERA FUND for Repertoire Development. Announced earlier today by OPERA America, the grants are for two operas in development at ALT: La Reina by composer Jorge Sosa and librettist Laura Sosa Pedroza; and The Long Walk, by composer Jeremy Howard Beck and librettist Stephanie Fleischmann based on Brian Castner's critically acclaimed book of the same name.
Storytelling at its best, San Francisco Opera's co-production of new opera "Moby Dick" overwhelms upon sight and hearing. The magnificent production has some of the most exquisite music ever written for the stage. Jack Heggie's grand cinematic score moves faultlessly from solemn, contemplative moments to lightning and thunder during a storm, making up for minor scenic limitations and becoming the narrator of the piece.
Affirming its place as an emerging leader in the development of new operatic works, the Opera Company of Philadelphia announced today that Nathan Gunn, internationally-renowned baritone, has been appointed as the director of its newly-formed American Repertoire Council.
The Opera Company of Philadelphia, in collaboration with Gotham Chamber Opera and Music-Theatre Group in New York, announces that composer Missy Mazzoli has been selected as its second Composer In Residence (CIR).
American Lyric Theater has been selected by the National Endowment for the Arts (NEA) to receive a $20,000 grant to support its Composer Librettist Development Program (CLDP), a full-time resident artist program for emerging opera composers and librettists. Artists are selected through an open application process to participate in the tuition-free program that provides professional training by renowned and respected artists including composer-librettist Mark Adamo, composer Anthony Davis, librettist Michael Korie, and dramaturg Cori Ellison.
The Dallas Opera today announced important promotions within the Department of Development: Gae Whitener has been appointed to serve as the company's new Director of Development, effective immediately, after fulfilling those responsibilities in an interim capacity for the past year; while Eva James Toia has assumed the role of Associate Director of Development previously held by Ms. Whitener.
Today, May 20 and Monday, May 21, 2012 at 8pm American Opera Projects (AOP) will present COMPOSERS & THE VOICE: FIRST GLIMPSE 2012, the first public presentation of compositions developed during this season's Composers & the Voice program. Audiences will hear songs written by five emerging composers - Sidney Marquez Boquiren, Mikael Karlsson, Robert Paterson, Rachel Peters, and Ronnie Reshef - and one composer/librettist team, Zach Redler and Sara Cooper, who were chosen by AOP to spend a year creating new works focusing on the operatic voice. The performances will be held at South Oxford Space in Fort Greene, Brooklyn, the home of AOP. Tickets are $15 general admission, $10 for students/seniors and are available at www.operaprojects.org.
The Dallas Opera today announced the commissioning of a new original one-act opera by renowned British composer Joby Talbot (Alice's Adventures in Wonderland and The Hitchhiker's Guide to the Galaxy) and the critically acclaimed American librettist Gene Scheer (Moby-Dick, Cold Mountain) in their first joint project.
On Sunday, May 20 and Monday, May 21, 2012 at 8pm American Opera Projects (AOP) will present COMPOSERS & THE VOICE: FIRST GLIMPSE 2012, the first public presentation of compositions developed during this season's Composers & the Voice program. Audiences will hear songs written by five emerging composers - Sidney Marquez Boquiren, Mikael Karlsson, Robert Paterson, Rachel Peters, and Ronnie Reshef - and one composer/librettist team, Zach Redler and Sara Cooper, who were chosen by AOP to spend a year creating new works focusing on the operatic voice. The performances will be held at South Oxford Space in Fort Greene, Brooklyn, the home of AOP. Tickets are $15 general admission, $10 for students/seniors and are available at www.operaprojects.org.
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