Freddie Fox News

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From meaty revivals to the open-air theatres opening their doors, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Classic Spring has announced that Sally Bretton and Nathaniel Parker will join Edward Fox, Freddie Fox and Frances Barber in Jonathan Church's forthcoming production of An Ideal Husband.

Classic Spring is delighted to announce real-life father and son, Edward and Freddie Fox, are to play fictional father and son in Oscar Wilde's An Ideal Husband, from 20 April at the Vaudeville theatre. Also starring, in the role of Mrs. Cheveley, is Frances Barber. Directed by Jonathan Church, An Ideal Husband will play at the Vaudeville Theatre 20 April to 14 July 2018, before opening the Theatre Royal Bath Summer Season on 18 July to 4 August 2018.

Theatrical charity Acting for Others announces that over 150,000 has been raised at this year's One Night Only at The Ivy setting the record for the highest amount raised from this event. Stars of the stage and screen swapped their costumes for aprons and served diners across two sittings at The Ivy, world-renowned for their unfaltering impeccable service. Heading up the waiting staff this year to ply their trades in bartending, waiting tables, manning cloakrooms and welcoming guests were Noma Dumezweni, Arlene Phillips and Freddie Fox.

Theatrical charity Acting for Others today announces the return of One Night Only at The Ivy in West Street on Sunday 10 December 2017. Over 100,000 was raised last year for the charity, which is an umbrella organisation for 15 invaluable charities dedicated to supporting people from the theatre and dance communities who have fallen on hard times through injury, illness or circumstance.

New Orleans comes to Marble Arch via this energetic revival of Clarke Peters' 1990 tribute to 'The King of the Jukebox', swing and blues bandleader Louis Jordan. Occupying a new pop-up, circus tent-style venue complete with stylish bar serving Southern cocktails it's a welcome blast of jazz-hot fun as autumn draws in.

Saxophonist Elan Trotman is unwavering in his committed to wave the flag high for Caribbean music, but after releasing six soul-jazz albums and more than ten chart-topping singles that made him a permanent fixture on radio playlists, the Barbados native is “shaking it up” by going electronic on “Electro Sax.'

Here's a full list of Olivier Award nominees and winners - updating LIVE

The Menier Chocolate Factory received nine nominations for this year's Olivier Awards - a record for the company. The awards are across four productions - Travesties, currently running at the Apollo Theatre; Funny Girl, currently on an extensive tour of UK and Ireland; Florian Zeller's The Truth in a version by Christopher Hampton, and David Baddiel - My Family Not the Sitcom, which returns to the West End for a second run later this month.

Today, past winners Denise Gough and Matt Henry announced the nominations for the Olivier Awards 2017 with Mastercard, the most prestigious event in the UK's theatrical calendar. The 2017 awards are set to be the biggest yet, as they make their debut at the Royal Albert Hall on Sunday 9 April.

OLD MONEY. NEW PROBLEMS. DIFFERENT GENDER. Hannah Murray (Skins, Game of Thrones, Untitled Detroit Project) is to lead the cast for the world premiere of an all-female version of Posh. Full casting for the production has been announced today.

Last night, winners were announced at London's Prince of Wales Theatre for the 17th Annual WhatsOnStage Awards, celebrating the best of the UK's theatre over the past year, as voted for by the audience.

'What did you do during the war, Dada?' Somewhere underneath the relentless punning and the pastiche, the whistle-stop wit and the whirling theoretical debate, there's a seriousness to Tom Stoppard's 1974 Travesties that feels horribly prescient. The intellectual hijinks are genuinely hilarious, but there's no disguising the weight of the question they restlessly scamper over and clamber round: what can artists do when faced with social crisis? Can their work claim political agency, or are they just schoolboys with a chit to get them off chores, daubing happily away in a corner?

Last night was the official opening of the West End transfer of Tom Stoppard's TRAVESTIES, which had a hit run at the Menier Chocolate Factory last year. Patrick Marber directs the revival, with a cast that features Tom Hollander, Clare Foster, Freddie Fox, Forbes Masson, Peter McDonald, Amy Morgan, Sarah Quist and Tim Wallers.

London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a major Albee revival to starry Shakespeare and a steamy musical, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews...

At a ceremony held today at London's Cafe de Paris, host Steve Furst announced the nominees for the 17th Annual WhatsOnStage Awards, the only major theatre prize-giving decided entirely by the theatregoers themselves.

The Menier Chocolate Factory's current revival of Tom Stoppard's Travesties will transfer to the West End's Apollo Theatre, beginning performances on 3 February 2017.

Patrick Marber's critically acclaimed production of Tom Stoppard's Travesties transfers to the West End in 2017 for a limited run at the Apollo Theatre - with over 100 tickets at each performance at just £20.

Baz Bamigboye of The Daily Mail has reported that Tom Stoppard is currently in discussions to transfer the Menier Chocolate Factory's acclaimed revival of his play 'Travesties' into the West End in early 2017. 

Wilde, Joyce, Shakespeare, Lenin, memory, the morality of war, social systems, and the meaning and purpose of art: Stoppard's dazzlingly intellectual 1974 play really is a life, the universe and everything affair. Thankfully, Patrick Marber's fleet-footed revival is equally attuned to its wit and skittish strangeness, offering a lifeline to audience members who may be nodding fervently at the line 'I'm finding this conversation extremely hard to follow'.