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Martin E. Segal Theatre Center Sets Full Lineup for PRELUDE 2015; Announces Franky Award Winner!

The Martin E. Segal Theatre Center at The Graduate Center, CUNY is pleased to announce the full lineup of its twelfth annual PRELUDE Festival on October 7, 8, 9.  Dedicated to artists at the forefront of contemporary New York City theatre and performance, PRELUDE 2015 features an array of artists working in theatrical and interdisciplinary performance. The festival gives audiences and artists a survey of the current New York moment via in-process presentations, installations, and discussions -- all completely free to the public.

TEXTS&BEHEADINGS to Receive World Premiere at The Folger

Folger Theatre starts the 2015/16 season with a limited engagement of texts&beheadings/ElizabethR, a world premiere play which explores England's Queen Elizabeth I.  Produced in conjunction with the international theater collective Compagnia de' Colombari, the play is created and directed by Karin Coonrod (Henry VI at the Public Theater and Julius Caesar at Theatre for A New Audience) and will be presented as a part of Washington, D.C.'s city-wide Women's Voices Theater Festival. texts&beheadings/ElizabethR is on stage at Folger Theatre for 16 performances, September 19 - October 4, 2015.

Abrons Arts Center Sets 2015-16 Season of Theatre, Dance & More

On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Abrons Director in 2006, Jay Wegman has done much more than maintain 'one of the last standing locations for avant-garde performance downtown' (The New York Times, 2009). He has created an arts venue that is unique on the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City.

Photo Flash: First Look at FEATHER GATHERERS, Part of Ice Factory 2014

Artistic Director Robert Lyons presents the 21st annual Obie Award-winning Ice Factory Festival. Ice Factory 2014 takes place at the New Ohio Theatre, located at 154 Christopher Street between Greenwich and Washington Streets in New York City. Ice Factory 2014 will present six new works over six weeks, running from June 25 - August 2, 2014. Scroll down for a first look at FEATHER GATHERERS!

The Civilians Announces Participants of 2013-14 R&D Group

The Civilians, the award-winning New York-based theatre company, announces the members of its 2013-14 R & D Group. The group's emerging and established artists were selected from over one hundred applicants. The R & D Group is comprised of artists from multiple theatrical disciplines. Each artist or creative team will develop an original work over the season. The artists and projects were selected to represent a range of different strategies for making new work from creative inquiry and research. This diversity of approach helps feed a culture of innovation in the group, making the R & D Group an effective lab of experimentation for the field of investigative theater.

Compagnia de' Colombari's THE WORLD IS ROUND IS ROUND Premieres Tonight at The Mill

A playful, exuberant and musical adaptation of Gertrude Stein's existential, modernist children's book The World Is Round will be performed this summer at The Mill: Arts, Letters, and Numbers in Averill Park, New York (east of Albany). THE WORLD IS ROUND IS ROUND IS ROUND is a music-theater piece chronicling the adventures of a girl named Rose in her quest to get 'there'-to the top of a mountain. It is adapted and directed by Karin Coonrod with music by Gina Leishman, who Time Out New York called 'one of New York's most versatile composers.' The work will premiere in August 2013 at The Mill before traveling to New York and other cities.

Compagnia de' Colombari's THE WORLD IS ROUND IS ROUND to Premiere at The Mill, 8/30

A playful, exuberant and musical adaptation of Gertrude Stein's existential, modernist children's book The World Is Round will be performed this summer at The Mill: Arts, Letters, and Numbers in Averill Park, New York (east of Albany). THE WORLD IS ROUND IS ROUND IS ROUND is a music-theater piece chronicling the adventures of a girl named Rose in her quest to get "there"-to the top of a mountain. It is adapted and directed by Karin Coonrod with music by Gina Leishman, who Time Out New York called "one of New York's most versatile composers." The work will premiere in August 2013 at The Mill before traveling to New York and other cities.

Japan Society Presents OUR PLANET Reading, 2/6

Japan Society will present a staged reading of Our Planet by Japan's celebrated young writer Yukio Shiba, directed by OBIE award winner Alec Duffy. As part of Japan Society's Performing Arts Season spanning Fall 2011 through Spring 2012, Our Planet is a presentation of the Society's annual Play Reading Series of contemporary Japanese plays in English translation.

BWW Reviews: Crown City Revives A PRAYER FOR MY DAUGHTER

In 1978, Thomas Babe's A Prayer for My Daughter impacted audiences who were living through the post-Vietnam syndrome. Casual use of drugs, crime and police brutality were rampant. We were in a state of moral decay. In retrospect, it has all gotten progressively worse. So, the intense drama is like holding a mirror up to nature as it'were in 2010, and Crown City Theatre has a surefire audience grabber.

Review - Take Me Along - Flora, The Red Menace - Fabulous Divas of Broadway

1959 was a heck of a good year for Broadway overtures.  The majestic trumpet fanfare and lowdown bump and grind of Gypsy's is generally regarded as the best in musical theatre, but there was also the rousingly rhythmic curtain-raiser to Fiorello! and, my personal favorite, Philip J. Lang's beautiful interpretation of Bob Merrill's music for Take Me Along, which touches on so many moods of the show while continually building the toe-tapping climax of The catchy title tune.

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