Stephen Simon's recent play, Heisenberg, opens this week at the Rubicon Theatre. Two strangers meet at a London train station where an unlikely romantic relationship develops between them. Joe Spano plays Alex, an Irish butcher, set in his ways. A complete stranger, Georgie (Faline England), kisses him. Subsequently, Georgie comes careening straight at him like an irresistible force meeting an immovable object. What collision or connection will come next?
Rubicon Theatre Company opens the 2019 season with HEISENBERG by playwright SIMON STEPHENS, a quirky romance starring Ovation Award-winner FALINE ENGLAND and Emmy and L.A. Drama Critics Circle Award-winner JOE SPANO. Sweet, sexy and full of surprises, the story follows two strangers whose lives intersect in a bustling London train station.
Rubicon Theatre Company opens the 2019 season with HEISENBERG by playwright SIMON STEPHENS, a quirky romance starring Ovation Award-winner FALINE ENGLAND and Emmy and L.A. Drama Critics Circle Award-winner JOE SPANO.
Rubicon Theatre Artistic Director Karyl Lynn Burns today announced that London-based director Katharine Farmer will helm the company's next two productions, a two-piano version of South Pacific (Dec. 5 - 23, 2018) which concludes Rubicon's 20th Anniversary Season, and Heisenberg (Jan. 30 - Feb. 17, 2019), a co-production with Laguna Playhouse, where the show runs Mar. 27 to Apr. 14, 2019).
Rubicon Theatre Artistic Director Karyl Lynn Burns today announced that London-based director Katharine Farmer will helm the company's next two productions, a two-piano version of South Pacific(Dec. 5 - 23, 2018) which concludes Rubicon's 20th Anniversary Season, and Heisenberg (Jan. 30 - Feb. 17, 2019), a co-production with Laguna Playhouse, where the show runs Mar. 27 to Apr. 14, 2019).
LAGUNA PLAYHOUSE is thrilled to announce its 2018-2019 season of shows. Executive Director Ellen Richard comments, "This is a sensational 98th season. We are happy to give our audiences a diverse array of musicals and plays that they will find moving, compelling and entertaining."
In See Rock City, the second installment of Arlene Hutton's trilogy about a post-World War II family, aspiring novelist Raleigh Brummett had left for New York to pursue his career, leaving his school teacher wife May behind in the rural town of Corbin, Kentucky. Hutton's trilogy about the Brummetts, a family struggling to stay together amid everyday challenges, concludes with the third and final chapter, Gulf View Drive, which plays through Sunday at the Rubicon Theatre Company in Ventura.
Rubicon Theatre Company presents GULF VIEW DRIVE , the third and final play in Arlene Hutton's Nibroc Trilogy, directed by Indy award-winning Katharine Farmer with the same cast reprising their critically-acclaimed roles from the Los Angeles Times "Critic's Choice" productions of Last Train to Nibroc and last season's See Rock City. Lily Nicksay ("Boy Meets World"/The Wild Duck at A Noise Within) and Erik Odom ("The Twilight Saga: Breaking Dawn - Part 2"/Sons of the Prophet at The Blank) return as May and Raleigh, along with See Rock City featured cast members Clarinda Ross (Spit Like a Big Girl/Steel Magnolias) and Sharon Sharth (Waiting for Grace/ member of Actors Studio and Circle Rep in New York). Joining the cast is returning Rubicon artist Faline England (Crimes of the Heart (Indy Award)/Turn of the Screw (Ovation Nomination). The ongoing love story of May and Raleigh concludes with the Kentucky couple now living comfortably in Florida in the 1950s. But their settled life is once again rocked by the arrival of family and turbulent events that threaten their sunny existence. Their love and devotion are put to the test when they must make unconventional decisions in a rapidly changing world. GULF VIEW DRIVE opens in Ventura on Saturday, January 28 at 7:00 p.m., followed by a post-show party with cast, crew and local VIPs. Low-priced previews are January 25-27. The show runs Wednesdays through Sundays through February 12, 2017.
Rubicon Theatre Company presents GULF VIEW DRIVE , the third and final play in Arlene Hutton's Nibroc Trilogy, directed by Indy award-winning Katharine Farmer with the same cast reprising their critically-acclaimed roles from the Los Angeles Times "Critic's Choice" productions of Last Train to Nibroc and last season's See Rock City. Lily Nicksay ("Boy Meets World"/The Wild Duck at A Noise Within) and Erik Odom("The Twilight Saga: Breaking Dawn - Part 2"/Sons of the Prophet at The Blank) return as May and Raleigh, along with See Rock City featured cast membersClarinda Ross (Spit Like a Big Girl/Steel Magnolias) and Sharon Sharth (Waiting for Grace/ member of Actors Studio and Circle Rep in New York). Joining the cast is returning Rubicon artist Faline England (Crimes of the Heart (Indy Award)/Turn of the Screw (Ovation Nomination).
Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'
Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'
Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'
Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'
Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.
Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.
