Two seldom-performed plays: one by dazzling Irish storyteller Enda Walsh, one by Pulitzer-winning American playwright Tennessee Williams, plus a remounting of the IRC's 2017 Fringe success from the grandfather of Absurdism usher in the Idiopathic Ridiculopathy Consortium's 2020 season, their 15th in the Philadelphia region.
My play Mites, which will be performed at the Tristan Bates Theatre from 7-26 October, tells the story of a vulnerable woman, Ruth, and the deterioration of her mental health as she is manipulated by two predatory companions.
The 23rd edition of the Istanbul Theatre Festival, organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by Koç Holding Energy Group Companies Aygaz, Opet and Tüpraş, will take place between 13 November and 1 December 2019.
Musiqa, two-time winner of the Chamber Music America/ASCAP Award for Adventurous Programming, is announcing its 2019-20 season. Its Eighteenth season features bold programming including the world premieres of two commissioned operas, new works for dance, interdisciplinary collaboration, and community and educational programming.
With performances between August 31st and September 4th, Theater for the New City's Dream Up Festival will present the world premiere of 'This is Like That' by Michael Sean Cirelli, a solo performance piece in the form of an eccentric slide lecture with a temperamental carousel projector and an apple.
Absurdities abound in Eugene Ionesco's comic drama, Exit the King, during its three-weekend run May 31 through June 16. Considered the father of "the theatre of the absurd," Ionesco conjured up the tale of King Berenger the First - a monarch so powerful he was once able to rule over the forces of nature and will all his subjects to obey his every command. But, after 400 years, those powers have begun to fail.
From June 19 to 23, New Yiddish Rep will present 'Crazy Meshuge Hurricane Earthquake' by Amy Coleman, directed by David Mandelbaum, at The Playroom Theater, 151 West 46th Street, 8 fl. This six-character play (portrayed by four actors) is the story of an unlikely connection that develops between a middle aged non-religious Jewish woman and a young Hasidic man struggling with schizophrenia. Hired to be his caretaker, the woman attempts to give him the support he needs, but discovers that her agenda may have more to do with her own needs than his. The play offers important lessons on love and trust.
The Actors Studio Drama School at Pace University 2019 Repertory Season completed its season of exciting and challenging theater productions with The Bald Soprano by Eugene Ionesco, Roger and Vanessa by Brett C Leonard, and the word premieres of Game Sugar by Juliet Cameron-Wilson and Picket Fence People by Estelle Olivia. The season features the work of the graduating MFA Acting and Directing students who collaborate on professionally produced productions presented at the ASDS Repertory Theater in downtown Manhattan.
ROMEO and JULIET coming Off-Broadway in a World Premiere Jewish adaptation this June 2019 at the Center for Jewish History (15 west 16th Street New York NY 10011). Adapted and directed by David Serero, who is also starring as Romeo, this unique production. One family is Sephardic and the other one is Ashkenazi, featuring classic Ladinos and Yiddish songs as well as some others surprises...
Harvey Sabinson, one of Broadway's legendary press agents, and former long-time executive director of The Broadway League, died on April 18, 2019 of natural causes at his residence in Sarasota, Florida. He was 94 years old.
Sometimes a particular genre of theater isn't necessarily popular with a general audience. Theater of the Absurd might be the biggest example of this. Playwrights like Eugene Ionesco and others have left audiences scratching their heads for years as to what they were trying to say within their plays.
A Red Orchid Theatre presents Eugene Ionesco's Killing Game, directed by Ensemble Member Dado, and featuring Ensemble Members Lance Baker and Doug Vickers. Killing Game runs May 2 June 23, 2019 at A Red Orchid Theatre, 1531 N Wells in Chicago. Press performances are scheduled for Saturday, May 11, 2019 at 3:00 p.m. and 7:30 p.m. Tickets for Killing Game go on sale Monday, April 1 at 12:00pm.
BWW reviewer, Peter Nason, celebrates 2018 with his choices for the best in local theatre (Tampa, St. Pete and Sarasota) that the past year had to offer.
Now & Then Creative Company is excited to kick off their 2nd season with the ultimate absurd comedy - Rhinoceros by Eugene Ionesco - opening next Friday, November 2. This classic from 1959 examines a disturbing and hilarious chain of events that spawn from the arrival of a stampeding rhinoceros...well, was it a rhinoceros? Could it be something...more? The laughs are plenty, the story is outrageous, and at the center of it all, we feel Ionesco's searing social commentary of mid-20th century Europe - which solidifies the play's timelessness. Part cautionary tale, part absurd romp, Rhinoceros feels fresh, relevant, and offers something for everyone.
Eisemann Center Presents the Theatre & Comedy production of Jaston Williams' hilarious new comedy Clear to Partly Crazy for three performances running October 19-20, 2018 at the Eisemann Center, 2351 Performance Drive in Richardson. The Tuna series (Greater Tuna, A Tuna Christmas, Red, White and Tuna and Tuna Does Vegas) - performed for over two decades - earned Williams a reputation as a gifted story-teller.
In two one-act plays, the chance meeting and 'catch-up' conversation between two women, furthers and reveals a bond of friendship based on past experiences and higher education. The work, as presented by Cesear's Forum, is entitled PLATH & ORION and comprises Lanford Wilson's THE GREAT NEBULA IN ORION and Greg Cesear's PLATH, SEXTON AND THE ART OF CONFESSION.
Tennessee Williams' rewrite of his earlier study of a claustrophobic small town and its gossipy residents, The Eccentricities of a Nightingale comes alive amid a renowned collection of outsider art at The Bethany Mission Gallery in Spring Garden, September 4 - 23, as part of the 2018 Philadelphia Fringe Festival.